1,721,048 research outputs found
Automation and Algorithmic Decision-Making Systems in the Italian Public Administration
Full text linkIl contributo ha l'obiettivo di analizzare i sistemi di automazione decisionale
attualmente utilizzati dalle Pubbliche amministrazioni in Italia. Dopo un’analisi
della relativa cornice normativa, i sistemi vengono classificati e illustrati e in
particolare ci si sofferma sul caso del c.d. algoritmo della "buona scuola". Le
conclusioni si soffermano sul perché dello scarso ricorso a questi strumenti nel
panorama italiano, anche in ragione di una digitalizzazione lenta e non uniforme
del settore pubblico.This article aims at analysing the decision-automation-systems currently used by
public administrations in Italy. After an analysis of the legal framework, the
different systems are classified and illustrated: in particular, the case of the so-called
“good school” algorithm is discussed. The conclusions dwell on the reason for the scarce
use of these tools in the Italian landscape, also due to the slow and uneven digitisation
of the public sector
Automatización y sistemas algorítimicos de toma de decisiones en la Administración Pública Italiana
No full textEste artículo tiene por objeto analizar los sistemas de automatización de decisiones utilizados actualmente por las administraciones públicas en Italia. Tras un análisis del marco jurídico, se clasifican e ilustran los distintos sistemas empleados: en particular, se examina el caso del denominado “algoritmo de la buena escuela”. Las conclusiones profundizan en las razones del escaso uso de estas herramientas en el panorama italiano, debido también a la lenta y desigual digitalización del sector público
Accoppiamenti giudiziosi
No full textNelle nuova collana inaugurata presso Adelphi delle opere di Carlo Emilio Gadda, diretta da Paola Italia, con Giorgio Pinotti e Claudio Vela, viene pubblicata la nuova edizione scientifica della raccolta di racconti del 1963, "Accoppiamenti giudiziosi". L'edizione è accompagnata da un ampio e approfondito studio sulla genesi del volume, a partire dal progetto degli anni Trenta, antecedente alla pubblicazione dell' "Adalgisa" (1944), intitolato "Disegni milanesi", in cui Gadda traccia un affresco della borghesia milanese e inizia la sperimentazione di quella mescidazione lingua-dialetto che troverà compiuta realizzazione nelle opere successive, fino alla "Cognizione del dolore". Del più celebre racconto, "L'Incendio di Via Keplero", Paola Itala fornisce anche in Appendice, l'edizione critica dei testi preparatori, che sono veri e propri episodi del racconto elaborati nella prima stesura e poi rifiutati, di grande interesse per cogliere gli intrecci tra Gadda il mondo letterario della Firenze degli anni Trenta. Nella sezione della Nota al testo (il volume è curato insieme a Giorgio Pinotti) a sua esclusiva cura, Paola Italia ricostruisce criticamente la genesi del racconto gaddiano nelle sue istanze narrative, a ritroso nel tempo, fino al progetto elaborato in prigionia nel 1918 "Retica" che, con il forte modello balzacchiano, restituisce a Gadda, sin dagli esordi, una dimensione narrativa europea bel al di là delle importanti ma riduttive etichette di "calligrafismo" e "descrittivismo espressionistico". La Nota al testo offre quindi non solo la ricostruzione filologica del progetto editoriale gaddiano, ma anche il racconto filologico e critico della poetica sottesa all'operazione letteraria. Completa l'edizione una analitica Tavola delle pubblicazioni in rivista, che offre sinotticamente la storia dei testi nei complessi intrecci delle pubblicazioni e ripubblicazioni editoriali, dalle "Novelle dal Ducato in fiamme", alla edizione definitiva degli "Accoppiamenti giudiziosi" del 1963, considerati unanimemente dalla critica ai vertici dei risultati narrativi gaddiani e tra i migliori esempi del racconto del Novecento.The new Adelphi series of Carlo Emilio Gadda's works, directed by Paola Italy, with Giorgio Pinotti and Claudio Vela, publishes Critical edition of Gadda's short stories, written during all his life and published in 1963, with an extensive and in-depth study on the genesis of the book, from the first draft of the thirties to "Adalgisa" (1944), entitled "Drawings in Milan", where Gadda track a fresco of the Milanese bourgeoisie and began experimenting his well known language-dialect mixture. Paola Italia also gives the critical edition of the first drfts, which are real episodes developed at the beginning of the Thirsties and then refused
Edizioni coatte d’autore: il caso di «Eros e Priapo» (con l’originario primo capitolo 1944-1946)
No full textL'articolo ricostruisce dettagliatamente e alla luce di materiali inediti provenienti dal Fondo Gadda della casa editrice Garzanti (Fondo catalogato e schedato da Paola Italia, per cui vedi il catalogo pubblicato dal 2001 al2007 sulla rivista "I quaderni dell'ingegnere"), la vicenda interna del saggio "Eros e Priapo", scritto da Gadda nel 1944-46 e pubblicato, dopo una forte operazione di autocensura, solo nel 1967, in una versione fortemente scorciata. La sezione di Paola Italia, nel paragrafi 5, 6, 7, 8, ricostruisce anche i principali problemi ecdotici delle opere di Carlo Emilio Gadda, dal punto di vista della struttura (per l'intreccio tra edito e inedito e per le frequenti riprese editoriali di testi pubblicati precedentemente) e da quello, ancora più complesso, della lezione del testo, rispetto alla quale la distinzione tra idiotismo, neoformazione e refuso è spesso labile e problematica. Il saggio è completato dall'edizione critica, realizzata con Giorgio Pinotti, del primo capitolo nella originaria stesura del 1944 e nella riscrittura del 1946, intitolata "Il bugiardone", effettuata da Gadda per una eventuale pubblicazione, poi non realizzata, sulla rivista "Prosa" di Gianna Manzini.The article reconstructs in detail and in the light of unpublished materials from the publisher Garzanti Gadda Fund (Fund cataloged and filed by Paola Italy, for which see the catalog published in 2001 in the journal al2007 "" The Notebooks engineer ""), the inside story of the wise "" Eros and Priapus "," written in 1944-46 and published by Gadda, after a strong operation of self-censorship, in 1967, in a strongly foreshortened version. The section of Paola Italy, in paragraphs 5, 6, 7, 8, also reconstructs the main problems ecdotic the works of Carlo Emilio Gadda, from the point of view of the structure (for the interplay between published and unpublished and frequent shooting editorials of texts published previously) and from that, the more complex, the lesson of the text, with respect to which the distinction between idiotism, neoformation and misprint is often labile and problematic. The assay is completed critical edition, made with Giorgio Pinotti, the first chapter in the original drafting of the 1944 rewrite of 1946, entitled "" The brood of liars "," carried out by Gadda for possible publication, then not achieved, the journal "" Prose "" Gianna Manzini
L'edizione Wiki Gadda: per una filologia sostenibile
No full textThe most important project in the purview of the platform Wiki Gadda is the critical edition of Eros e Priapo that reproduces the first draft of the manuscript of the work (1944-46). Facing some mechanical gaps, the text was reconstructed on the basis of subsequent witnesses; for author’s gaps, where possible, conjectural integrations were adopted, duly indicated. Since the first draft of the text, dating 1944-46, is tran- scribed, the critical edition doesn’t report the genetic variants but only the evolutive ones; the lesson text therefore includes the later variants posted in the same span of time. One can read also the corrections made on the manuscript at a later date: an intermediate written with pencil and another one with blue ballpoint pen, to be dated around 1965. Each of the points concerned by these corrections was in fact hi- ghlighted with a background color corresponding to the series of cor- rection. By clicking on the individual link, one can read the result of the corrections. The same system is adopted for the comparison with the Garzanti edition 1967
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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