1,721,683 research outputs found
Martha G. Berry
No full textGelatin silver printPhotograph of Martha G. Berry in her studio, 1941.
The Society of Independent Artists invited members to send photographs of "artists in action" to be used to promote the Society's annual exhibition. Verso: Taken in my studio in 51 Martha G. Berry Short Hills N.J
Martha G. Berry
No full textGelatin silver printPhotograph of Martha G. Berry in her studio, 1941.
The Society of Independent Artists invited members to send photographs of "artists in action" to be used to promote the Society's annual exhibition. Verso: Taken in my studio in 51 Martha G. Berry Short Hills N.J
Peter G. Berry, Maine Politician
No full textAn image scanned from a black and white portrait labeled in handwriting to say, Peter G. Berry, Augusta, Maine, 1901.https://digitalcommons.library.umaine.edu/spec_photos/3637/thumbnail.jp
Letter from Sam Houston to John G. Berry authorizing a payment
No full textSAM HOUSTON [President, Republic of Texas], August 5, 1842, to John G. Berry,
Collector, San Augustine, giving the authorization for him to pay A.C. Avison $500.
2pp
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Mineralogy, Concepts, Descriptions, Determinations, par L. G. Berry et Brian Mason, 1959
No full textPermingeat François. Mineralogy, Concepts, Descriptions, Determinations, par L. G. Berry et Brian Mason, 1959. In: Bulletin de la Société française de Minéralogie et de Cristallographie, volume 82, 10-12, 1959. pp. 407-408
Mineralogy, Concepts, Descriptions, Determinations, par L. G. Berry et Brian Mason, 1959
No full textPermingeat François. Mineralogy, Concepts, Descriptions, Determinations, par L. G. Berry et Brian Mason, 1959. In: Bulletin de la Société française de Minéralogie et de Cristallographie, volume 82, 10-12, 1959. pp. 407-408
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
