505 research outputs found
Harold Pinter and the Performance of Power: Considerations of Affect in Select Plays, Screenplays and Films, Poetry and Political Speeches
No full textThis thesis looks at selections of Harold Pinter's work across multiple media: written dramatic texts, screenplays and poetry, activity in theatrical and film production and his political activism. It has been argued that Pinter's dramatic medium is exceeded by movements, intensities and
forces that operate on and circulate within the corporeal bodies of Pinter's 'audiences'. However, approaches to Pinter to date remain overly focused on representation and hermeneutics and tied to a decidedly idealist conception of being, perception and knowledge. I argue that in order to
appreciate the politics of Pinter's aesthetics, readings of Pinter's work need to move in a more decidedly materialist direction. To do so, I enlist the conceptual tools of Gilles Deleuze and felix Guattari, specifically 'affect'. In bringing affect theory to Pinter I illustrate how 'the direct, mutual involvement of language and extra-linguistic forces,1 must be taken into account at every
critical step, and that meaning need be construed as a material process, the expression of forces
acting upon each other. The diversity of Pinter's work is explored over six chapters with a view to its aesthetic disposition and function, how it enters into noteworthy relations with those who engage with it, and how it establishes conditions that are propitious for transitory but ultimately productive trans formative encounters. Proceeding as such necessitates appraisal of ethical and
political positions in relation to Pinter's expression without distinguishing politics from aesthetics - a trend common to intellectual enterprise. Rather, the three keywords in the title of this thesis - performance, power and affect - function as concepts to advance the argument for Pinter's aesthetics as a politics. In considering the aesthetics of Pinter's work in varied media, this thesis invites the reader to see the strategies by which Pinter intervenes in each area as interrelated and political
The city and landscapes beyond Harold Pinter's rooms
No full textPinter's dramas have been labelled as 'absurd', 'mysterious', 'enigmatic', 'taciturn'.
There has been a constant tendency to reduce the idea of the 'Pinteresque' to language
when Pinter is preoccupied with the tensions between reality and the world of the
imagination. He has, actually and accurately, used theatre as a 'critical act' to denote
the abstracted realities, and he has applied his language to embody his world-view - his
concerns in the contemporary capitalist world.
Pinter has journeyed from the room to the outside world, from the private to the public
social space, and has identified an inescapable sense of pessimism and alienation, and
investigated an alarming world of atrocities. There are cities and landscapes beyond
Pinter's rooms, cities peopled by wandering, displaced figures surveying the self-estranged city that is modern consciousness, and landscapes where his people retreat
into the private realms of memory and fantasy.
This thesis explores the virtual geographies beyond Pinter's rooms through the
vocabulary of some modernist theoreticians and social scientists, as there are significant
parallels between their analytical observations and the poetic perceptions of Pinter, a
practising artist, and the phantom images of his characters.
Pinter's plays and film adaptations tend to portray the city as a colonial present, and the
country as a mythological past. The 1970s' plays portray a community of isolation,
urban decay, dispossession and suffering, through the figure of the 'flâneur' - his
characters' subjective experiences, memories and fantasies in the metropolis. In these
memory plays, men and women have different mental landscapes and desires. To some
extent the city is both a male-constructed world and an image of the twentieth century;
in both senses it is anti-human and in decline.
In his 1980s mature plays, Pinter's lyrical interiors and serene landscapes are colonised
by the metropolis. Here Pinter investigates a universally oppressive space filled with
misery and social dislocation. The city destroys humanity in a decaying modem world.
These plays identify the global city as the locus of existential alienation and as the
centre of political power and oppression - a world of brute masculine power.
The last two plays, in this study explore other wastelands of human isolation and
suffering, and criticise the British suspicion of the 'intelligentsia'. Using scenes that are
ingrained in the contemporary audience's physical memory, Pinter makes the
distinction between being an active participant and being a witness, a 'spectator' in this
alarming world. And thus, he criticises the tradition of mockery of the artistic and the
intellectually curious in Britain, and urges a need for a 'politically curious', at politically questioning theatre-going society
The impact of a shared microsporidian pathogen upon a Drosophila-parasitoid system
No full textEThOS - Electronic Theses Online ServiceGBUnited Kingdo
Intercommodity price transmittal : analysis offood markets in Ghana
No full textThis report expands on a dynamic model of market integration to investigate how information is transmitted across commodities. The author investigates one property of an efficient market : the full use of available information. Studies of spatial price integration simultaneously looks at the flow of information and commodities. The author investigates the flow of information within a single spatial market and the relationship between prices in spatially separate markets. He studies intercommodity price transmittal from two perspectives. First, he asks whether the government can concentrate on a single commodity price, yet achieve policy objectives in a broader arena. This is important in Ghana because no single commodity dominates consumers'food budgets. The author finds that price movements for the main cereal consumed in the country (maize) are fully transmitted to other regions. Second, he investigates the working of commodity markets in developing countries. He notes imperfections in the way markets process information. There are several possible explanations for this market inefficiency. Traders may set prices for other coarse grains in response to information about maize prices. Another possibility is that some traders may not deal in all grains and thus have different costs of acquiring information. In short the author's dynamic model of price integration indicates functional efficiency in Ghana.Access to Markets,Markets and Market Access,Environmental Economics&Policies,Economic Theory&Research,Agricultural Research
Among the Deep Sea Fishers, volume 76, issue 3 (October 1979)
No full textThis summer on the coast / Peter J. Roberts, M.D. -- Travelling doctor-Labrador south coast / Peter Sarsfield -- Rear Admiral Frank Houghton (Ret) / Theodore L. Badger, M.D. -- Dr. Donald Gordon Hodd / Gordon W. Thomas -- Mr. R. Harold Mack / Gordon W. Thomas -- To walk with kings / Eleanor (Cushman) Wescott -- Letter from Nain / Clara Voisey -- Grace Layman-friend, author and educator / Linwood and Rachel Brown -- On and off the coast -- Supporting associationsIncludes map: [Newfoundland and Labrador] (inside back cover).Among the Deep Sea Fishers: the Official Organ of the International Grenfell Association. This journal was published quarterly from 1903 to 1981 with the twofold purpose of providing "a record of Mission activities [and] also a strong and convincing appeal to every supporter and friend of Dr. Grenfell's work." The articles describe mission life, services and experiences. The Mission began under the auspices of the Royal National Mission to Deep Sea Fishermen but later a separate mission, the International Grenfell Association, was formed by Dr. Wilfred Grenfell
A politics of conversion: nihilism and love in Toni Morrison's fiction
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras.O estudo Uma Política de Conversão: Niilismo e Amor na Ficção de Toni Morrison começa com a idéia de que a Literatura Afro-Americana apresenta um sentido de auto-reflexividade e hibridismo, através do qual autobiografia dialoga com romance, o espiritual se funde com o político. A partir deste traço dialógico a auto-reflexividade é politicamente estabelecida entre niilismo e amor. Na política de conversão, o estudo analisa as formas como mulheres negras, individualmente ou em grupo, fogem da escravidão para a liberdade, avançam da individualidade para a coletividade, ou substituem niilismo por amor. Metodologicamente o estudo apresenta sete capítulos. O primeiro discute os aspectos dialógicos que ilustram as conexões entre narrativas espirituais, de escravos e ficção, entre espiritualidade e política. O segundo examina o diálogo entre a conversão, pregação pública e formação da comunidade em Diário e Experiências Religiosas de Lee. O capítulo sugere que ao afirmar espiritualidade e humanidade a narradora abre profundo espaço para a mulher negra reclamar direitos civis. O terceiro discute o diálogo no interior da política de conversão entre narrativa de escravos e ficção. Este diálogo lida com niilismo e amor em Incidentes de Jacobs e Amada, Sula e O Olho Mais Azul de Morrison. Para a análise de niilismo e amor valores individuais e coletivos são considerados em relação a cinco aspectos: ambiente e agente antagonistas, agente de apoio, propósito da personagem e resultado alcançado. É visível, no estudo, o apoio que certas mulheres recebem de suas comunidades para contra-atacar antagonistas. O apoio nem sempre resulta na superação do niilismo e, por isso, derrota temporária pode ocorrer antes que elas sejam reintegradas à comunidade, como acontece com Linda Brent. O quarto capítulo examina as fraquezas e as energias da política da conversão e a reintegração de Sethe Suggs à comunidade de Bluestone Road. O quinto avalia como a comunidade de Bottom tenta controlar a individualidade de Sula Peace e como um grupo de mulheres lideradas por Nel Wrights consegue resgatar o espírito de independência da heroína. O sexto mostra como a política da conversão das mulheres de Lorain é incapaz de garantir a saúde mental de Pecola Breedlove, mas consegue criar um papel mais consistente para o grupo. No sétimo, a conclusão examina da relação dialética entre niilismo e amor ou auto-amor nas experiências dos indivíduos e dos grupos. O estudo sugere que em Incidentes a busca de Linda Brent por liberdade envolve elementos de autodestruição e de autoempoderamento. Da mesma maneira, o estudo conclui que em Amada o amor que Sethe Suggs tem para as suas crianças mata a própria filha, enfatizando, assim, o desejo de livrá-la da escravidão. Igualmente em Sula, a individualidade de Sula Peace não apenas limita, mas também expande as experiências do grupo, levando-o à emancipação. Finalmente, em O Olho Mais Azul a luta de Pecola Breedlove por amor e beleza reflete auto-ódio ao mesmo tempo em que reconstrói a auto-apreciação de toda a comunidade
Forty Years of Endangered Species: Conflict and Conservation in California and Beyond
No full textPeter S. Alagona is an Associate Professor of History, Geography, and Environmental Studies at the University of California, Santa Barbara (UCSB). He earned his Ph.D. at UCLA, and completed postdoctoral fellowships at Harvard and Stanford. He is the recipient of several awards, including a National Science Foundation CAREER grant and the Harold J. Plous Award for UCSB's most outstanding junior faculty member. Alagona is the author of more than three-dozen publications on the histories of land use, natural resource management, environmental politics, and ecological science in California and the American West--including After the Grizzly: Endangered Species and the Politics of Place in California (UC Press, 2013)Lecture delivered at Humboldt State University on September 11, 2014 by Peter Alagona. Part of the Sustainable futures speaker series sponsored by the Schatz Energy Research Center and the Environment and Community Program
Sharp Cut: Harold Pinter\u27s Screenplays and the Artistic Process
No full textBest known as one of the most important playwrights of the twentieth century, Harold Pinter has also written many highly regarded screenplays, including Academy Award-nominated screenplays for The French Lieutenant’s Woman and Betrayal , collaborations with English director Joseph Losey, and an unproduced script for the remake of Stanley Kubrick’s 1962 adaptation of Lolita . In this definitive study of Pinter’s screenplays, Steven H. Gale compares the scripts with their sources and the resulting films, analyzes their stages of development, and shows how Pinter creates unique works of art by extracting the essence from his source and rendering it in cinematic terms. Gale introduces each film, traces the events that led to the script’s writing, examines critical reaction to the film, and provides an extensive bibliography, appendices, and an index.
A highly significant book both for Pinter studies and for the neglected analysis of the genre of film scripts. . . . This pioneering work will be a model for subsequent studies of film scripts. -- Choice
To say that [Steven Gale] is a master of the scholarship on Harold Pinter is an understatement….I have seldom agreed so much with an author’s interpretations of a film artist as I do with [Gale’s]….This is a landmark in scholarship about the adaptation of fiction and drama to film by an author who know his subject (in both senses of the word) inside out. In particular he documents the collaboration of Harold Printer with film director Joseph Losey, which is one of the most celebrated creative associations of a writer and director in cinema history. -- Gene D. Phillips
Such a volume was refreshing to read and gave me faith in scholarship—again. -- Peter C. Rollins
Named a Choice 2003 Academic Title.https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/1006/thumbnail.jp
X-ray Absorption (XRA): A New Technique for the Characterization of Granular Activated Carbons
No full textThe X-ray absorption (XRA) method using digital image processing techniques is a reliable technique to determine the exhaustion degree of granular activated carbons (GACs). Using an innovative digital image processing technique, the identification of individual adsorbed molecules or ions in a GAC was possible. Adsorption isotherm models (Langmuir and Freundlich) were used to simulate the adsorption equilibrium data of Methylene Blue (MB), nickel, cobalt and iodine. Freundlich equation was found to have the highest value of R-2 compared with Langmuir. The identification of distinctive patterns applying XRA for different adsorbed ions and molecules onto GAC was explored. It is demonstrated that unique XRA configurations for each adsorbed ion or molecule are found, as well as a proportional relationship between its incident energy (needed to achieve maximum photon attenuation) and the (effective) atomic number, the adsorbate mass and the molar or atomic mass of adsorbed molecule or ion. XRA method in combination with image histogram modifications was used to obtain a digital signature of adsorbed ions/molecules, giving distinct GSI values for each one in the used energy range. Probabilistic models prove that XRA results are within relationships between effective atomic number and photonic interaction probability, reinforcing the potentialities of XRA for monitoring (multi-)ion and/or molecule combinations on GAC using advanced digital image processing techniques. It was proved that the proposed approach could assess different adsorbed ions/molecules onto GACs in water purification systems.The authors thank VLIR-UOS (Flemish Interuniversity Council for University Development Cooperation) project between Belgium and Cuba for the support of the current and future studies. The raw/processed data required to reproduce these findings cannot be shared at this time as the data also form part of an ongoing study.Yperman, J (corresponding author), Hasselt Univ, Res Grp Appl & Analyt Chem, Fac Sci, B-3590 Diepenbeek, Belgium.
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