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Natural and cultural elements in Sezai Karakoç’s poems
Get PDFTürk şiirinin önde gelen şairlerinden Sezai Karakoç, İkinci Yeni akımı içinde yerini alarak şiirlerini yazmış ve şiire getirdiği yeniliklerle adından söz ettirmiştir. Körfez, Şahdamar, Hızırla Kırk Saat, Sesler, Taha’nın Kitabı, Gül Muştusu, Zamana Adanmış Sözler, Ayinler, Leyla ile Mecnun, Ateş Dansı ve Alınyazısı Saati adlı kitapları vardır. Karakoç bu kitaplarda belli bir edebi kıymete sahip olan şiirlerini okuyucuya sunar. Şiirlerini oluştururken doğduğu coğrafyadan ve kültürden yararlanarak doğa-kültür karşıtlığını ön plana çıkaran Karakoç’un her kesimden okuyucuya ulaştığı söylenebilir. Toplumun anlayabileceği imgelerle şiirlerini ören Karakoç hem şiirlerini zenginleştirir hem de ait olduğu İkinci Yeni kuşağından farklı bir şair olarak değerlendirilir. Sezai Karakoç’un anlaşılmak noktasında oluşturduğu bu farklılık, ilk şiirlerini dine, tasavvufa ve divan şiiri geleneğine dayamasıyla iyice belirginleşir. Sonraki şiirlerinde Batı şiirini izleyen ve dil ile biçimde modernleşmeyi isteyen Karakoç, serbest şiire geçer. Herkesin anlayabildiği kelimeleri kullanarak modernleşmeye ulaşmayı isteyen Karakoç, şairlerin sırça köşklerde yaşadığı fikrini de eserleriyle yok eder. Şiirlerinde kullandığı anne, rüzgâr, bülbül gibi herkesin bildiği imgeler, psikanaliz açısından da ele alınabilir. Şiirlerinin çoğunda değişen kent yaşamı nedeniyle sıkışıp kalan insanların doğaya özlemini dile getiren Sezai Karakoç, her halükarda doğaya dönüleceğini vurgular. Gül, bülbül, anne, rüzgâr, kuzgun, bağ, dağ, gök, deniz şairin şiirlerinde sıklıkla kullandığı doğa ve kültür unsurlarıdır. Bu unsurlarla şiirini ören şair, karşıtlıklardan edebi eser meydana getirerek adından söz ettirir.Sezai Karakoç, one of the prominent poets of Turkish poetry, has written his poems within the trend called “Second New Poetry” and has a remarkable role incident thereto through the significant innovations brought thereby to poetry. He is the author of the books named The Gulf, The Main Vessels, Forthy Hours with Hızır, The Voices, The Book of Taha, The Good News from the Rose, Words Dedicated to the Time, Rites, Leyla and Mecnun, The Fire Dance and The Clock of the Faith. Karakoç offers poems with certain literary value to the readers in these books. It can easily be said that Karakoç reaches out to readers from all walks of life when creating his poems by highlighting the contrast of nature and culture through taking advantage of the geography and culture that he belongs. Karakoç creates his poems by images that can be understood by the society thereby both enriching his poems and by being different from the other poets of the “Second New Poetry” trend to which he belongs. This difference created by Sezai Karakoç in terms of being understood is accentuated by basing his poems on religion, Sufism and Divan poetry tradition. Karakoç, in his subsequent poems, follows the Western poem tradition and shows his desire germane to modernization in terms of language and form by writing his poems in Freestyle poetry. Karakoç, who wants to reach modernization by using words that can be understood by everyone, wipes out the idea that poets live in glass houses thanks to his works. Images such as mother, wind and nightingale employed in his poems that are familiar to everyone can be discussed in terms of psychoanalysis. Sezai Karakoç who expresses the longing of people who are trapped due to the changing urban life to nature in most of his poems stresses that people will return to nature under any conditions. Roses, nightingales, mother, wind, raven, vineyards, mountains, sky and sea are the natural and cultural elements often used in the poems of the famous poet. Karakoç, who creates his poems through these elements has his name rather frequently mentioned due to the creation of the literary Works thereof by using contrasts
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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