139,649 research outputs found
Funk carioca, voz feminina e o caso Tati Quebra-Barraco
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.Este estudo investiga a relação entre raça, democracia racial no Brasil e a ascensão do funk carioca. Além disto, o trabalho analisa a representação da mulher negra e a autorrepresentação feminina exposta na performance de Tati Quebra-Barraco, avaliando a apropriação de discursos do feminino ressignificados no contexto pós-colonial. O funk carioca surge como gênero em 1989 e dialoga com a crise nas escolas de samba e com o mito da democracia racial no Brasil. Nesse sentido, ele reporta-se às questões relacionadas à subalternidade da juventude negra, de maneira geral, e da mulher negra, de maneira específica. A pesquisa é realizada a partir das perspectivas de raça e de representação e autorrepresentação da mulher subalterna, entendidas, no último capítulo desta dissertação, como paródia de discursos vastamente reproduzidos sobre o feminino. Ela também apresenta algumas questões referentes às apropriações da música estrangeira, nomeadamente a soul music e o hip-hop, e ao contradiscurso presente na autorrepresentação feminina de Tati Quebra-Barraco.Abstract : This study researches the relationship among race, racial democracy in Brazil and the rise of Rio de Janeiro s funk (carioca funk). In addition, the paper analyses the representation of black women and the female self-representation present in Tati Quebra-Barraco s music by evaluating the appropriation of hegemonic discourses that have been reinterpreted in the postcolonial context. The carioca funk emerges as a gender in 1989 and establishes a dialogue with the decadence of the samba schools and with the myth of the racial democracy in Brazil. In this sense, it refers to the issues related to the black youth subordination in general and to the black woman subordination specifically. The research is carried out from the race perspective as well as from the subordinate representation and self-representation perspective, which are understood as a parody of hegemonic discourses. It also presents some issues related to the appropriation of foreign music, specifically soul music and hip-hop, and to the counter-discourse in Tati Quebra-Barraco s female self- representation
Figure 4 from: Calvo J, Granda A, Funk VA (2019) New combinations and synonyms in discoid caespitose Andean Senecio (Senecioneae, Compositae). PhytoKeys 132: 111-130. https://doi.org/10.3897/phytokeys.132.38534
No full textFigure 4 A, BSenecio melanandrus (glabrous form) C, DSenecio pygmophyllusA habit B leaves (Peru, Puno, pr. Ananea; Funk et al. 13184) C habit D leaves (Peru, Moquegua, pr. Anillune; Funk et al. 13153). Pictures by Mauricio Diazgranados
Figure 3 from: Funk V, Robinson H (2011) A new genus, Nothovernonia, from tropical Africa (Asteraceae or Compositae: Vernonieae). PhytoKeys 3: 21-34. https://doi.org/10.3897/phytokeys.3.1131
No full textFigure 3 - Images of Nothovernonia purpurea (Sch.Bip. ex Walp.) H. Rob. and V.A. Funk A Habitat B Head before flowering with outer bracts tightly appressed C Fully flowering head showing well developed bracts D Head with only a few flowers but showing the well developed bracts. [Photographs by A. Thiombiano, M. Schmidt, and K. Schumann
Figure 2 from: Funk V, Robinson H (2014) Gymnanthemum koekemoerae (Compositae, Vernonieae), a new species from South Africa. PhytoKeys 36: 59-65. https://doi.org/10.3897/phytokeys.36.7386
No full textFigure 2 - Original Illustration of Gymnanthemum koekemoerae H. Rob. & V.A. Funk: A Habit B Abaxial surface of leaf C Head D Outer involucral bract E Inner involucral bract F Floret G Longitudinal section of floret showing anthers H Style I Achene with pappus. [Illustration by Alice Tangerini (US)
Corrigendum to "Graphs and digraphs with all 2--factors isomorphic" [J. of Comb. Th. Ser. B 92, (2) (2004) 395--404]
No full textWe point out several errors in our article [M. Abreu, R.E.L. Aldred, M. Funk, B. Jackson, D. Labbate, J. Sheehan, Graphs and digraphs with all 2-factor isomorphic, J. Combin. Theory Ser. B 92 (2004) 395–404] which were caused by our misquoting of a theorem of C. Thomassen. We also describe how the correct statement of Thomassen’s theorem, together with another of his theorems, can be used to obtain weaker results than those incorrectly stated in our original article
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