37 research outputs found
The disappearance of Hiraoka Kimitake and the birth of the writer Mishima Yukio : from lyricism to irony
No full textDans cette étude, nous nous intéressons à l’œuvre de jeunesse de Hiraoka Kimitake et à la naissance de Mishima Yukio. Après une partie préliminaire dans laquelle nous étudions l’œuvre du poète Hiraoka Kimitake entre 1937 et 1941, nous analysons l’œuvre du romancier, nouvelliste, épistolier et dramaturge Mishima Yukio entre La Forêt en fleurs (1941) et Kantan (1950). Nous nous demandons en quoi cette période est la période de gestation d’une entité à laquelle renvoie le signe Mishima Yukio et qui proclame scandaleusement son désir de vivre ? Autrement dit, en quoi le jeune homme Hiraoka Kimitake, en devenant Mishima Yukio, l’auteur de l’œuvre, se fait-il « autre qu’il n’était auparavant » (Starobinski) à travers l’expérience de la Modernité et plus particulièrement à travers l’intériorisation et la mise en œuvre du concept d’ironie que lui fournit l’École Romantique Japonaise ? Nous montrons que Hiraoka Kimitake devient Mishima Yukio à travers la redécouverte de la notion d’ironie dont l’École Romantique Japonaise a véhiculé une conception pervertie, lyrique, passéiste et pessimiste. Après avoir fait sien le concept d’ironie développé par l’École Romantique Japonaise, l’écrivain le renouvelle en revenant à l’origine du concept, c’est-à-dire en réactivant l’ironie socratique, fondamentalement optimiste et futuriste, mais supposant une certaine violence. Cette ironie joyeuse et brutale, ce « gai savoir », qui s’appuie sur une conception cyclique du temps, sur un certain « éternel retour », est le fondement existentiel de la littérature de Hiraoka Kimitake dont le pseudonyme Mishima Yukio traduit la disparition.We study the early Hiraoka Kimitake and the nascency of Mishima Yukio. After we study the work of poet Hiraoka Kimitake between 1937 and 1941, we analyze the work of the novelist, short novelist, letter-writer and playwright Mishima Yukio during the period 1941-1950. We are particulary interested in the period that separates “The Forest in Bloom (1941)” and “Kantan (1950).” We wonder how the period between the short novel The Forest in Bloom and the Kantan drama is the gestation period of an entity to which the sign Mishima refers and which scandalously proclaims its desire to live. In other words, how does the young man Hiraoka Kimitake, becoming Mishima Yukio, the author of the work, become "other than he was before" (Starobinski) through the experience of the Modernity and especially through the maturation and internalization of the concept of irony provided by the Japanese Romantic School? We show that Hiraoka Kimitake becomes Mishima Yukio through the rediscovery of the notion of irony of which the Japanese Romantic School has conveyed a perverted, lyrical, backward and pessimistic conception. After having adopted the concept of irony developed by the Japanese Romantic School, the writer renews it by returning to the origin of the concept, that is to say by renewing the concept of Socratic Irony, fundamentally optimistic, and futuristic, but underlying some violence. This joyous and brutal irony; this "gay knowledge", which is based on a cyclical conception of time, on a certain "eternal return", is the existential foundation of the literature of Hiraoka Kimitake whose pseudonym Mishima Yukio represents the disappearance
Set designs (scennery) by Krystyna Zachwatowicz for theatrical works by Mishima
No full textTekst jest recenzją czterech sztuk teatralnych (Wachlarz, Szafa, Pani Aoi, Adamaszkowy bębenek) autorstwa Yukio Mishimy (1925-1970), czyli Hiraoki Kimitake (1925-1970), japońskiego twórcy teatru no w XX wieku. Scenografie teatralne przygotowała Krystyna Zachwatowicz (1930-) w Teatrze Starym w Krakowie. Spektakle reżyserował Andrzej Wajda (1926-). Muzykę napisał Stanisław Radwan (1939-).The text is a review on four theatrical works (A Fan, A Wardrobe, Mrs. Aoi, A Damask drum) by Yukio Mishima (1925-1970), his proper name: Hiraoka Kimitake (1925-1970), a Japan author of no theatre in the 20. Century. Krystyna Zachwatowicz (1930-) prepared stage design in the Old Theatre in Cracow. The theatrical works were directed by Andrzej Wajda (1926-). Stanislaw Radwan (1939-) composed music
New detection of a 30-year-old population of introduced mongoose Herpestes auropunctatus on Kyushu Island, Japan
No full textA method for estimation of kinship based on the tooth measurements and its application to the ancient human skeletal remains.
No full textTooth Development and Replacement in the Japanese Greater Horseshoe Bat, Rhinolophus ferrumequinum nippon(COMMUNICATION)(Developmental Biology)
No full textVolume: 9Start Page: 445End Page: 45
Maximum longevity of the Ussurian tube-nosed bat, Murina ussuriensis
No full textLocal population of the Ussurian tube-nosed bats, Murina ussuriensis, was studied from 2006 to 2018 using dead-leaf Mallotus japonicas traps in warm-tem- perate forests of Miike in Miyazaki Prefecture, Japan. A total number of 446 bats were captured and 233 bats were recaptured on the survey of bat-banding. The maximaum longevity records were five years in males and six years in females. Murina ussuriensis was rela- tively short-lived species among Chiroptera.journal articl
