1,721,024 research outputs found
Saying nothing concerning the same: on dominion, purity and meat in early modern england
No full textThyis chapter attempts to highlight some of the paradoxes that surround conceptualizations of meat eating in early modern England
Introduction
Full text linkAn introduction to this book which addresses and reassesses the variety of ways in which animals were used and thought about in Renaissance culture, challenging contemporary as well as historic views of the boundaries and hierarchies humans presume the natural world to contain
Introduction - veterinary science
No full textThis introduction - co-written with Clare Palmer - sets up the following selection of open access essays in the 'living book': Veterinary Science: Animals, Humans and Health online at: http://www.livingbooksaboutlife.org/books/Veterinary_scienc
Calling creatures by their true names : bacon, the new science and the best in man
No full textThis chapter looks at the nature of the human, particularly the concept of the body and the shifting borders between human and non-human
A left-handed blow : writing the history of animals
No full textThis chapter looks at writing the history of animal
Veterinary science : humans, animals and health
No full textThis living book is a collection of open access materials bringing scientific papers to a humanities audienc
Renaissance beasts: of animals, humans and other wonderful creatures
No full textWhere are all the animals in history? Renaissance Beasts begins to answer that question by exploring numerous ways in which animals played a key role in Renaissance culture: as werewolves, meat, performers, experimental tools. Animals, as Lévi-Strauss wrote, are good to think with. This collection addresses and reassesses the variety of ways in which animals were used and thought about in Renaissance culture, challenging contemporary as well as historic views of the boundaries and hierarchies humans presume the natural world to contain. Taking as its starting point the popularity of speaking animals in sixteenth-century literature and ending with the decline of the imperial Ménagerie during the French Revolution, Renaissance Beasts uses the lens of human-animal relationships to view issues as diverse as human status and power, diet, civilization and the political life, religion and anthropocentrism, spectacle and entertainment, language, science and skepticism, and domestic and courtly cultures. Within these pages scholars from a variety of disciplines discuss numerous kinds of texts--literary, dramatic, philosophical, religious, political--by writers including Calvin, Montaigne, Sidney, Shakespeare, Descartes, Boyle, and Locke. Through analysis of these and other writers, Renaissance Beasts uncovers new and arresting interpretations of Renaissance culture and the broader social assumptions glimpsed through views on matters such as pet ownership and meat consumption
How a man differs from a dog
No full textIn early modern history, numerous vices were represented as having the ability to transform humans into beasts. These representations would appear to play into a theological and moral conceptualization of the world rather than a “zoological” one. An analysis of early modern constructions of perception and the role of the passions reveals a logic in which humans can actually become animals through their actions. The writer discusses the work of Oxford clergyman and author Robert Burton, whose early exploration of self, The Anatomy of Melancholy, drew heavily on the belief that human failings constituted a kind of base animal immorality
Killing animals
No full textThough not often acknowledged openly, killing represents by far the most common form of human interaction with animals. Humans kill animals for food, for pleasure, to wear, and even as religious acts, yet despite the ubiquity of this killing, analyzing the practice has generally remained the exclusive purview of animal rights advocates.Killing Animals offers a corrective to this narrow focus by bringing together the insights of scholars from diverse backgrounds in the humanities, including art history, anthropology, intellectual history, philosophy, literary studies, and geography. With killing representing the ultimate expression of human power over animals, the essays reveal the complexity of the phenomenon by exploring the extraordinary diversity in killing practices and the wide variety of meanings attached to them. They examine aspects of the role of animals in human societies, from the seventeenth century to the present day: their cultural manifestations, and how they have been represented. Topics include hunting and baiting; slaughter practices and the treatment of feral and stray animals; animal death in art, literature and philosophy; and even animals that themselves become killers of humans.While many collections originate as a series of separately planned conference papers drawn together only by editorial fiat, the essays that comprise Killing Animals were regarded as parts of a larger whole from their inception. The result is a remarkably collaborative, cross-disciplinary work that includes eight individually authored chapters and a collectively written introduction. Rather than attempting to produce a single ethical understanding from their diverse views, however, the group aims instead to demonstrate the value of the wider academic study of the place of animals in human history. The conclusion to Killing Animals takes the form of a discussion among the eight contributors, with each expanding upon issues raised earlier in the book
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