792 research outputs found
Fuchs, Carl Philipp - Gleim (Losch-Kartei)
No full textFUCHS, CARL PHILIPP - GLEIM (LOSCH-KARTEI)
Losch-Kartei (-)
Fuchs, Carl Philipp - Gleim (Losch-Kartei) (8) ( - )
Fuchs, Carl Philipp ( - )
Fürer, Joh. Friedr. Ant. ( - )
Fues ( - )
Fuldner, Gottlob Heinr. Ludwig ( - )
Gabain, Constantin ( - )
Galland ( - )
Gau, Lothar ( - )
Gehren, Reinhold Reinhard v. ( - )
Gelhaar, C. ( - )
Gerhold, Aug. ( - )
Gerland, Gustav ( - )
Geyso v. ( - )
Gies, Wilhelm ( - )
Giller, Jon. Wilhelm ( - )
Girard, Heinrich Carl Adolf ( - )
Glass, Joh. Jacob ( -
Der Fuchs in der Kunst: Ein Nachschlagewerk über den Fuchs in der Kunst
No full textThe cover proclaims that this is a research book for Exponate in Elfenbein, Meerschaum, Silver, Porzellan, Glas, Holz und Bronze. It is! There are over seven hundred illustrations in color of a marvelous range of objects. The breadth of the collection put together by Herr von Fuchs is impressive. It gives some sense of the collection to notice that there are eighteen pipes pictured here! There are many fable illustrations along the way. A silver-plated fruit-dish, crafted in Russia about 1965, shows FG (34). Several fable motifs occur together on 68, including FS on a candy box, FC on on the early twentieth-century cookie box I first found along the Seine, and FC as a bookend. A gunpowder bottle from about 1800 pictures FC (79). The same page includes a porcelain plate of FG and a small wall stand with a hand-cut base of FC. FG is back on 81 in a Viennese bronze Tischglockendrücker. Three Minton tiles displaying The Fox and the Goat, FC, and FS are shown on 87; are the designs really from Walter Crane? I think they come rather from John Moyr Smith. There are eight beautiful embroidery patterns for fables of La Fontaine from Verlag Reinhold Beist in Frankfurt about 1914 on 89. The following page features oven plates for FG, FS, FC, and The Fox and the Goat. On 90 there are three fable scenes from the stucco ceiling of the Einhardhaus in Seligenstadt: two come from FS and one from The Fox, the Wolf, and the Horse. A wine barrel on 94 shows FG, and the same scene is on the portal of Saint Mark's in Venice on the following page. There is a laterna magica scene of FC after La Fontaine on 101. Herr von Fuchs closes the book with a touching remark placed under the skull of a fox: Das Ende eines jeden Sammlers ist mit seinem Ableben besiegelt. Um die Exponate der Nachwelt zu erhalten, sollen Sammlungen nie aufgeteilt werden.Language note: GermanErste AuflageSigned by Friedrich von FuchsZusammengestellt und aus der Sammlung von Friedrich von Fuch
Józef Reinhold (1884–1928) – „zapomniany” profesor prawa karnego Uniwersytetu Jagiellońskiego
No full textJózef Reinhold (1884-1928) – The “Forgotten” Professor of Penal Law at the Jagiellonian UniversityThe university career of Józef Reinhold had not been particularly long, as it lasted merely ten years (1918–1928). Due to his premature death at the age of 44, he occupies a rather peripheral place among the luminaries of Polish penal law, remaining in the shadow of such famous professors as: Edmund Krzymuski, Juliusz Makarewicz or Józef Rosenblatt. Yet the academic achievements of Józef Reinhold, and particularly his paper entitled Preventive Measures Against Criminal Offenders published in 1913, puts him among the ranks of the precursors of a sociological approach to the Polish penal law in the 20th century. He was also the first propagator of criminal policy on Polish territories which he regarded as a separate discipline of law. Thanks to the academic research conducted by Józef Reinhold, the sociological approach to criminal law had been more widely recognized on Polish territories which found its most tangible reflection in chapter XII (“Preventive measures”) of the Polish Penal Code of 1932. However, the merits of Józef Reinhold in propagating the principles of the sociological approach to criminal law had been overshadowed by the academic achievement of Julisz Makarewicz, the author of the Polish penal code. A considerable part of Józef Reinhold’s professional career was associated with the Krakow jurisdiction (1910–1921). Contrary to his colleagues, fellow professors and masters, Józef Reinhold was not “a boisterous character and was always characterized by moderation”. This trait of his character may be one of the reasons why in the history of the Polish science of law and in the history of Polish Jews, professor Reinhold did not find a deserving place which was definitely due to him, taking into consideration his original and creative academic output, and the attitude of a “good, talented Jew as well as a staunch defender” of Judaism
Reinhold Niebuhr and an Ethic of Humility in Deliberative Politics
No full textThe purpose of this dissertation is to investigate the degree to which the political psychology of Reinhold Niebuhr contributes to a more capacious theory of deliberative politics and to what degree such a theory may permit individuals to express themselves with more workable forms of democratic practice. Considerations of Reinhold Niebuhr's understanding of impermanence, anxiety, self-reflection, and empathy borne of humility guide the framework of the argument in that they inform and augment individual political preferences. The author uses these ideas to develop a theory of deliberative politics built upon the empathetic tendencies found in the self-scrutinizing humility of Reinhold Niebuhr's politics. The author considers this theory in contradistinction to ascendant strains in political theory and theologies of public life, which at times may disavowal Niebuhr's understanding of natural theology, his correspondent political realism, or otherwise miscategorize Niebuhr's political claims. The degree to which Niebuhr's ethical framework can or should be separated from Christian considerations of ethics more broadly, especially from Christian eschatology, is a major topic of discussion. Contrasting Niebuhr with other Christian ethicists permits us to see in what manner Niebuhr's political psychology might retain political value beyond a particular religious community. This work also considers limits of Niebuhr's understanding of liberal politics, and whether an ethic of humility can be overly disempowering at times. Tension between individual and aggregate political perspectives frames that discussion
Los Museos De Montaña De Reinhold Messner Identidad, Turismo Y Sustentabilidad En Los Alpes De Sud Tirol
No full textEl presente trabajo describe un conjunto de museos de montaña emplazados en los Alpes Orientales y las Dolomitas, analizando su vinculación con la educación para la sustentabilidad, la identidad, el patrimonio cultural y el turismo en Sud Tirol. Se aborda la inserción de los Museos de Montaña en el paisaje tirolés teniendo en cuenta su emplazamiento y su importancia en el desarrollo sustentable de las comunidades que los albergan. La museografía y las colecciones se analizan en función de su papel en la construcción de la identidad regional y en la educación para la valoración y preservación del patrimonio cultural y natural de la montaña, tanto a escala local como universal. Para la realización de esta investigación la autora recorrió seis establecimientos que forman la red de los Messner Mountain Museum (MMM) y mantuvo entrevistas con su director, el Sr. Reinhold Messner, considerado por muchos como el más destacado alpinista de la historia.This paper describes a group of mountain museums set amidst the Eastern Alps and the Dolomites, considering their significance for the cultural identity, heritage education and sustainable tourism in South Tirol. The importance of the Mountain Museums is analyzed in connection to their setting and to the development of the communities in the area. The exhibits are analyzed considering their role in the construction of a regional identity and in the education towards the appreciation and preservation of the natural and cultural heritage of mountains, locally and worldwide. For the purpose of this research, the author visited the six buildings belonging to the net of the Messner Mountain Museum and she conversed with the director, Mr. Reinhold Messner, who is often credited as the most remarkable alpinist in history.Fil: Ceruti, Maria Constanza. Universidad Católica de Salta; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
Novel Dialogue 3.5: The Romance of Recovery: Ben Bateman talks to Shola von Reinhold (AV)
No full textShola von Reinhold is the author of LOTE, a novel about getting lost in the archives and finding what the archives have lost. LOTE won the 2021 James Tait Black prize so who better to join Shola on Novel Dialogue than Ben Bateman of Edinburgh University, lead judge of the prize committee? This conversation takes listeners back to all yesterday's parties as Shola, Ben, and Aarthi time travel to the Harlem Renaissance and the interwar modernist era. Shola offers up Richard Bruce Nugent as their current figure of fascination (or "transfixion" to use a key image from LOTE), and wonders what it would have been like to move through Harlem and London by Nugent's side. Recovering the stories of black writers and artists is essential to Shola's literary project. It is also inseparable from restoring queerness to the once hyper-masculine and "muscular" paradigm of modernism. In a stirring discussion of the aesthetic forms and moods of historical recovery, Ben and Shola sink into the "purpleness" of the fin-de-siècle and explore the critical power of black sensuousness. Talk of decadence, ornamentality, and frivolity shapes the latter half of this episode, and Doris Payne, the West Virginian jewel thief, emerges as an exquisitely improbable modernist heroine
Eastward enlargement of the European Union and the identity of Europe
No full textThe constitution of a European demos with a collective identity is one of the preconditions for adjusting the legitimacy problem of the European Union (EU). The analysis attempts to clarify empirically whether there is sufficient commonality regarding Europeans' political value orientations to substantiate a collective identity. Particularly in view of the European Union's eastward enlargement, the question arises whether widespread cultural heterogeneity in Europe allows the formation of a European demos at all. In Europe we can identify a West-East axis of political value orientations. Democratic attitudes decrease the further to the East while at the same time there is an increase in etatist orientations. Thresholds can be observed which distinguish western European countries on the one hand and central and eastern European countries on the other. Within the group of central and eastern Europe a further distinction can be made between the three Slavic republics of the former Soviet Union and the rest of the countries. These findings support Huntington's theory of civilizations. -- Die Herausbildung eines europäischen Demos mit einer kollektiven Identität ist eine der Voraussetzungen zur Behebung des Legitimitätsproblems der Europäischen Union (EU). In der Analyse wird empirisch zu klären versucht, ob es hinreichende Gemeinsamkeiten in den politischen Wertorientierungen der Europäer gibt, die eine kollektive Identität begründen können. Vor allem angesichts der Osterweiterung der EU stellt sich die Frage, ob die kulturelle Heterogenität in Europa nicht zu groß ist, um einen Europäischen Demos zu ermöglichen. Hinsichtlich der politischen Wertorientierungen der Bürger in den europäischen Ländern lässt sich eine West-Ost-Achse identifizieren. Das Ausmaß demokratischer Einstellungen nimmt nach Osten hin ab, und zugleich nimmt das Ausmaß etatistischer Orientierungen zu. Relative Schwellenwerte innerhalb dieser Achse lassen sich zwischen Westeuropa einerseits und Mittel- und Osteuropa andererseits feststellen und innerhalb Mittel- und Osteuropas zu den slawischen Nachfolgestaaten der Sowjetunion. Diese Befunde entsprechen teilweise der Theorie der Zivilisationskreise von Huntington.
Reinhold Martin, Mediators: Aesthetics, Politics and the City
No full textWhat is a city, today? The answer to this question is both the main issue and the main target of Reinhold Martin’s book. The complexity of the subject is clear, as well as the many concerns raised by the literature. Nevertheless, the author declared interest moves from the recognition of an aestheticized confusion linked to the very definition of the city (undetermined, indeed, by its nature). Consequently, the focus is placed on the usually underestimated connection between aesthetic and pol..
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