1,720,976 research outputs found
An Early Cretaceous anomopod (Crustacea: Branchiopoda) preserved in amber that reveals an unexpected venture during the evolution of the order
No full textFlössner, Dietrich, Fryer, Geoffrey (2016): An Early Cretaceous anomopod (Crustacea: Branchiopoda) preserved in amber that reveals an unexpected venture during the evolution of the order. Journal of Natural History 50: 1291-1304, DOI: 10.1080/00222933.2015.1134693, URL: http://dx.doi.org/10.1080/00222933.2015.113469
Figure 10. A in The feeding mechanisms of Lynceus (Crustacea: Branchiopoda: Laevicaudata), with special reference to L. simiaefacies Harding
No full textFigure 10. A, molar region of left mandible in face view. Anterior is to the left. Scale bar 100 Mm. B, the same tilted to show the posterior conical projection. Scale bar 100 Mm. C, the ventral 'teeth' of four of the transverse ridges. D, anteriormost ridges. Scale bar 20 Mm. E, posterior end of masticatory region, showing the large isolated posterior ridge of the masticatory region and adjacent ridges. Scale bar 100 Mm.Published as part of Fryer, Geoffrey & Boxshall, Geoffrey, 2009, The feeding mechanisms of Lynceus (Crustacea: Branchiopoda: Laevicaudata), with special reference to L. simiaefacies Harding, pp. 513-541 in Zoological Journal of the Linnean Society 155 (3) on page 533, DOI: 10.1111/j.1096-3642.2008.00455.x, http://zenodo.org/record/544499
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
New Victory Theater (New York, USA) [Performance Video Recording]
No full textDigital migration of VHS. Video type: performance. Venue type: Theatre. Venue name: New Victory Theater. Producer: New Victory Theater. Date: 6 January 2001. Digitisation notes: 999 errors. Circus Oz archive notes: New York, New Victory 7pm.Circus Oz video recording 2001 - New York, USA, New Victory Theater - 1 June.0:00:16-0:03:52 Pre-Show (Sara Ritchie, Tim Coldwell, Kareena Oates, Mel Fyfe, Anni Davey, Daryll John, Toni Smith, Kate Fryer, Geoffrey Dunstan, Sebastian Dickins, John O'Hagan, Sue Simpson, Chris Lewis, Michael Ling) --- 0:03:52-0:09:34 Fountains (Geoffrey Dunstan, Kate Fryer, Toni Smith, Daryll John, Anni Davey, Mel Fyfe, Kareena Oates, Tim Coldwell, Michael Ling) --- 0:09:34-0:15:19 Swinging Trap (Sebastian Dickins) --- 0:15:19-0:17:12 Untitled (Chris Lewis, Sue Simpson, John O'Hagan, Tim Coldwell, Kareena Oates, Mel Fyfe, Anni Davey, Daryll John, Toni Smith, Kate Fryer, Geoffrey Dunstan, Sebastian Dickins) --- 0:17:12-0:19:00 Welcome (John O'Hagan, Sue Simpson, Chris Lewis, Anni Davey, Tim Coldwell) --- 0:19:00-0:24:27 The Beast Tightwire (Anni Davey, Sara Ritchie, Michael Ling, Tim Coldwell, Mel Fyfe, John O'Hagan, Sue Simpson, Chris Lewis) --- 0:24:27-0:29:06 Piff (Kareena Oates, Geoffrey Dunstan, Sebastian Dickins, Kate Fryer) --- 0:29:00-0:32:35 Double Cloudswing (Sara Ritchie, Toni Smith) --- 0:32:38-0:33:30 Scene Change (Tim Coldwell, Kareena Oates, Mel Fyfe, Anni Davey, Daryll John, Kate Fryer, Geoffrey Dunstan, Sebastian Dickins, Sue Simpson, Michael Ling) --- 0:33:30-0:34:07 Fire Hula (Kareena Oates) --- 0:34:07-0:39:56 Orchestra (John O'Hagan, Chris Lewis, Sue Simpson, Tim Coldwell) --- 0:39:56-0:40:43 Chari Vari (Daryll John, Geoffrey Dunstan, Sebastian Dickins, John O'Hagan, Sue Simpson, Chris Lewis, Kareena Oates, Mel Fyfe, Anni Davey, Toni Smith, Kate Fryer, Sara Ritchie, Michael Ling) --- 0:40:43-0:44:00 TV Hair Hang (Anni Davey) --- 0:44:00-0:49:12 Skydive (Geoffrey Dunstan, Kate Fryer) --- 0:49:13-0:49:21 Untitled (Michael Ling, Sara Ritchie) --- 0:49:21-0:54:41 Bells (Toni Smith, John O'Hagan, Sue Simpson, Chris Lewis) --- 0:54:41-0:59:44 Corde Lisse --- 0:59:43-1:06:22 Chair stack (Kate Fryer, Sebastian Dickins, Geoffrey Dunstan, John O'Hagan, Sue Simpson, Chris Lewis, Madge Fletcher, Sara Ritchie, Mel Fyfe, Toni Smith, Daryll John, Anni Davey, Tim Coldwell, Michael Ling) --- 1:06:22-1:13:29 Hula (Anni Davey, Geoffrey Dunstan, Kate Fryer, Toni Smith, Kareena Oates) --- 1:13:29-1:14:27 Pretend end of show (Michael Ling, Sara Ritchie, John O'Hagan, Sue Simpson, Chris Lewis, Sebastian Dickins, Tim Coldwell, Kareena Oates, Mel Fyfe, Anni Davey, Daryll John, Toni Smith, Kate Fryer, Geoffrey Dunstan) --- 1:14:27-1:20:53 Dressing Room Roofwalk (Tim Coldwell) --- 1:20:53-1:29:22 The Old Pole Act/Credits (Lisa McGrath, Daryll John, Michael Ling, Sara Ritchie, John O'Hagan, Sue Simpson, Chris Lewis, Sebastian Dickins, Tim Coldwell, Kareena Oates, Mel Fyfe, Anni Davey, Toni Smith, Kate Fryer, Geoffrey Dunstan) --- 1:29:22-1:30:22 Curtain Call/ (Madge Fletcher, Michael Ling, Sara Ritchie, John O'Hagan, Sue Simpson, Chris Lewis, Sebastian Dickins, Tim Coldwell, Kareena Oates, Mel Fyfe, Anni Davey, Daryll John, Toni Smith, Kate Fryer, Geoffrey Dunstan, Lisa McGrath) --- 1:30:22-1:31:22 Untitled --- 1:31:22-1:33:40 Autograph signing (Madge Fletcher, Michael Ling, Sara Ritchie, John O'Hagan, Sue Simpson, Chris Lewis, Sebastian Dickins, Tim Coldwell, Kareena Oates, Mel Fyfe, Anni Davey, Daryll John, Toni Smith, Kate Fryer, Geoffrey Dunstan, Lisa McGrath
- …
