1,721,083 research outputs found
Cultural studies and the neoliberal imagination
No full textFrow, John. Cultural Studies and the Neoliberal Imagination. Yale Journal of Criticism 12:2 (1999), pp.424-430. © Yale University and The Johns Hopkins University Press.What remains of the liberal vision of a common public culture in a world of asserted differences? What mechanisms of consenting or dissenting identification sustain a democratic public sphere when politics becomes spectacular? And isn’t the representation of publicness always the performance of a division, an exclusion, a minoritization?
In order to put the issues that I think are at stake in these questions as pointedly as I can, let me take as a brief example the rhetoric deployed in Australia at the moment by a politician called Pauline Hanson. Hanson is a right-wing populist in the mould of Le Pen, appealing to a broad working-class and rural constituency who have been damaged, and feel damaged, by the downsizing effects of globalization, by the decline of the rural sector, and by what they perceive to be favorable treatment given to indigenous and immigrant Australians. Her politics of grievance is expressed most economically in two statements: “All Australians should be equal,” and “All Australians should speak English.” The first of these statements means: “Indigenous people should not claim a separate cultural identity, nor the separate forms of political and economic recognition that might flow from it.” The second (which has its American counterparts in, for example, the Californian legislation deeming English to be the sole language of official business) means: “Asian migrants are not welcome in this country because they steal jobs from white people.”
These are demands for cultural commonality and for shared civic values; they are at once perfectly reasonable and deeply racist. Note, however, that their illiberal force is expressed in the language of Enlightenment civility: the principles of the equality of citizens, of resistance to privilege, of the rule of law, of civic responsibility. To make this point is not to condemn that language but to say that its uses are always strategic, positional, overdetermined by the secondary codes that translate it for particular knowing audiences
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Grotesque
No full textDefining “the grotesque” in a concise and objective manner is notoriously difficult. When researching the term for his classic study On the Grotesque: Strategies of Contradiction in Art and Literature (1982), Geoffrey Galt Harpham observed that the grotesque is hard to pin down because it is defined as being in opposition to something rather than possessing any defining quality in and of itself. Any attempt to identify specific grotesque characteristics outside of a specific context is therefore challenging for two reasons. First, because the grotesque is that which transgresses and challenges what is considered normal, bounded, and stable, meaning that one of the few universal and fundamental qualities of the grotesque is that it is abnormal, unbounded, and unstable. Second, since even the most rigid norms and boundaries shift over time, that which is defined in terms of opposition and transgression will naturally change as well, meaning that the term “grotesque” meant very different things in different historical eras. For instance, as Olli Lagerspetz points out in A Philosophy of Dust (2018), while 16th-century aristocrats in France may routinely have received guests while sitting on their night stools, similar behavior exhibited today would surely be interpreted not only as out of the ordinary, but as grotesque. Likewise, perceptions of the normal and the abnormal vary widely even within the same time period, depending on one’s class, gender, race, profession, sexual orientation, cultural background, and so on
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
