1,143 research outputs found
Agenda for change: strategic choices for the next government
No full textThe next government has a primary requirement to be well briefed on the challenges inherent in Australia’s strategic circumstances and the policy options available to it. ASPI is publishing this report to layout our strategic choices and to provide recommendations.
Contributors are Peter Jennings on strategic policy, Mark Thomson and Andrew Davies on defence, Anthony Bergin and Kristy Bryden on homeland security, Russell Trood on foreign policy and Ryan Stokes on economic security.
This body of ideas makes a compelling contribution to the discussions which ought always to characterise the Australian strategic and defence debate
An incomplete project: Graphic adaptations of Moby-Dick and the ethics of response
No full textThe chapter, "An incomplete project: Graphic adaptations of Moby-Dick and the ethics of response" was written by Peter Wilkins (Douglas College Faculty). A cross-disciplinary collection of essays in the fields of nineteenth-century history, adaptation, word/image and Victorianism. Featuring new writing by some of the most influential, respected and radical scholars in these fields, Transforming Anthony Trollope constitutes both a close companion to Simon Grennan’s 2015 graphic novel Dispossession – an adaptation of Anthony Trollope’s 1879 novel John Caldigate – and a forward-looking, stand-alone addition to current debates on the cultural uses of history and the theorisation of remediation, illustration and narrative drawing. -- Back cover.
This volume is part of the Studies in European comics and graphic novels seriesbook chapterPublished
Young Anthony van Dyck revisited : a multidisciplinary approach to a portrait once attributed to Peter Paul Rubens
No full textAbstract: Part of the collection of the Rubens House in Antwerp is a portrait of young Anthony van Dyck, alternatively attributed to Peter Paul Rubens and his pupil Anthony van Dyck. In order to reconstruct the genesis of the portrait in a manner that improves upon past investigations, a number of high-end technological methods, such as X-radiography, X-ray computer tomography, mammographic tomosynthesis and macroscopic X-ray fluorescence, have been employed to render the overpainted layers visible again. The results of the interdisciplinary examinations of the portrait of the youthful Van Dyck are impressive. The combined results allow the later additions to be peeled away until the original composition can be reached. Several pentimenti are easily discernible and refer to a rather immature hand that makes the authorship of Peter Paul Rubens very unlikely. What emerges is a portrait of an ambitious young man with a luxuriant head of hair and a slightly turned-up collar. The hat and cape were added later. The facial features are more recognisable and the execution of the bold curls points irrefutably in the direction of Anthony van Dyck as the author of his own portrait
Music in words : the music of Anthony Burgess, and the role of music in his literature
No full textTheý principal focus of the thesis is Anthony Burgess, a prolific novelist whose first and
enduring creative passion was music in general and composition in particular. Burgess
criticism is limited and largely out-of-date, showing little recognition of the aural or musical
elements in his fiction, and virtually no specialist commentary on the music and its
relationships with the literature. The main aim of the thesis, therefore, is to demonstrate the
variety and strength of the widespread musical elements in Burgess's literature, including the
importance he attaches to the sonic basis of language, and to show that these are supported by
the musical sensibility and technical competence evident in his. compositions. It is suggested
that in the inevitable reassessmenot f his work following his death in 1993, the effects of his
musicianship on his literary work should play a greater part than hitherto, and the thesis makes
a contribution to this reassessmenbt oth through its original critical commentaries on his music
and through the music-orientated discussion of his literature.
After an introduction and literature review, the first chapter examines three examples of
Burgess's little-known music. All are associated with verbal texts, though the range is
otherwise wide, and through them it is possible to draw conclusions about the competence of
his handling of musical language and structure. The second and third chapters examine the
more familiar work of Burgess the acclaimed author, but from the unfamiliar viewpoint of its
musical content, including not only surface references but also hidden allusions and technical
puzzles aimed at the musician reader. Two instances of music serving as a structural template
for literature are analysed in detail, and attention is also drawn to Burgess's awareness of
musical elements in the content and language of the, work of some. of his predecessors. The
final core-chapter,e xamines the fusion of Burgess's literary and,m usical skills in the context of
his music and words for stage and radio.
What emerges is the clear intermeshing of his parallel careers;, and the production within his
distinctive literary output of work which, due to the radical extent of its musicalisation, has to
be viewed as musically-aware literature for specialised readers, at times evincing, it is
proposed, a logic which springs primarily from music
Wireless communication and localization systems under spatial and temporal channel variations
No full textThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.Thesis: Ph. D., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2019Cataloged from student-submitted PDF version of thesis.Includes bibliographical references (pages 209-218).Wireless signals inevitably vary in time and space. The three chapters of this dissertation revolve around the exploitation of signal variations. This line of work has yielded new link-layer protocols for rateless codes on half-duplex additive white Gaussian noise channels; a new abstraction for short-range mobile-to-mobile and mobile-to-infrastructure "room-area" networks that adhere to the spatial boundaries of human conversation; a reduced-complexity tone reservation algorithm for optimizing signals to avoid amplifier non-linearities; and new tools for the study of physical-layer privacy and anonymity in wireless systems.by Peter Anthony Iannucci.Ph. D.Ph.D. Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Scienc
Vivaldi's Four Seasons and the Globalization of Musical Taste
No full text"Vivaldi's Four Seasons, or at least parts of it, can be recognised by enormous numbers of people on this planet, and its sounds seem to come from almost every elevator shaft, mobile phone, restaurant and television advert in the world. It stands as the very epitome of a globalized artwork, and therefore it would be reasonable to suppose that globalization theories would be a great help in explaining its success. That this may not be the case is one of the main points of this paper -�� but before we get to that, there are two matters that have to be set in place. The first is to define the characteristics of the Four Seasons as a global commodity (note that I refer to it in the singular, since the four individual pieces come as a package); the second is to describe the main tenets of globalization theories and some of their chief generating ideas. Trying to map the characteristics of the work onto the assertions of the theories will be the main business of this paper, and this process is designed not only to illuminate the work, but also to test the theories." (Excerpt, introduction
Nobel Laureate Anthony J Leggett: A scientometric portrait
No full textThis paper attempts to analyse the publication productivity of Anthony J. Leggett, the 2003 Nobel Prize winner in physics. His contributions peaked in 1987, 1994, and 1998 with 10 papers each. He had 194 publications during 1964 - 2004 in domains like Superfluid 3He (65), Foundations of Quantum Mechanics (36), Dissipative Quantum Systems (24), Atomic Alkali Gases (18), and Miscellaneous (51)which were analysed for authorship pattern with his 70 collaborators. Most active collaborators with Anthony J Leggett were: A. Garg with six papers and A. O. MCaldeira, D. M. Ginsberg, D. J. Vanharlingen , F. Sols, S.Takagi and D. A. Wollman with five papers each. His productivity coefficient was 0.60 which clearly indicates that his productivity
increased after 50 percentile age. The highest degree of collaboration (1) for Anthony J. Leggett was found during 1964, 1971 and 1983. Journals have been the most preferred channel of communication, where as many as 139 papers out of 194 have been published. The core journals publishing his papers were: Phys. Rev. Leu. (42), Phys. Rev. B (9), J. Low Temp. Phys. (8),Phys. Rev. A (7), Ann. Phys. (6), Foundations of physics (6), J. Phys.(5), Prog. Theor: Phys. (5), and Rev. Mod. Phys. (5).Publication density was 3.02 and publication concentration was 3.59
SA HealthPlus: A controlled trial of a statewide application of a generic model of chronic illness care
No full textCopyright © 2007 Milbank Memorial Fund and Cambridge University PressSA HealthPlus, one of nine national Australian coordinated care trials, addressed chronic illness care by testing whether coordinated care would improve health outcomes at the cost of usual care. SA HealthPlus compared a generic model of coordinated care for 3,115 intervention patients with the usual care for 1,488 controls. Service coordinators and the behavioral and care-planning approach were new. The health status (SF-36) in six of eight projects improved, and those patients who had been hospitalized in the year immediately preceding the trial were the most likely to save on costs. A mid-trial review found that health benefits from coordinated care depended more on patients’ self-management than the severity of their illness, a factor leading to the Flinders Model of Self-Management Support.Malcolm Battersby, Peter Harvey, P. David Mills, Elizabeth Kalucy, R.G. Pols, Peter A. Frith, Peter McDonald, Adrian Esterman, George Tsourtos, Ronald Donato, Rodney Pearce, and Christopher McGowa
Integrating spinal codes into wireless systems
No full textThesis (S.M.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2013.This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.Cataloged from student-submitted PDF version of thesis.Includes bibliographical references (p. 85-88).Rateless spinal codes [47] promise performance gains for future wireless systems. These gains can be realized in the form of higher data rates, longer operational ranges, reduced power consumption, and greater reliability. This is due in part to the manner in which rateless codes exploit the instantaneous characteristics of the wireless medium, including unpredictable fluctuations. By contrast, traditional rated codes can accommodate variability only by making overly conservative assumptions. Before spinal codes reach practical deployment, they must be integrated into the networking stacks of real devices, and they must be instantiated in compact, ecient silicon. This thesis addresses fundamental challenges in each of these two areas, covering a body of work reported in previous publications by this author and others [27, 26]. On the networking side, this thesis explores a rateless analogue of link-layer retransmission schemes, capturing the idea of rate adaptation and generalizing the approach of hybrid ARQ/incremental redundancy systems such as LTE [29]. On the silicon side, this thesis presents the development of a VLSI architecture that exploits the inherent parallelism of the spinal decoder.by Peter Anthony Iannucci.S.M
Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism
No full textPhDThis study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on various musical cities? Can an urban textual sound identity be derived from these differences and similarities? The approach employed to answer these questions is a new, cross-disciplinary one to urban sound in literature, moving beyond reading the key sounds of the urban soundscape using urban musicology, sensorial anthropology and cultural poetics towards a literary contextualisation of the urban aural experience.
The literary motifs of the symphony, the gramophone and urban noise are put under the spotlight through the analysis of a wide range of modernist works by authors who have a special relationship with music. At the centre of this analysis are the Kaffeehausliteratur authors Hermann Bahr, Alfred Polgar and Peter Altenberg, the then Munich-based author Thomas Mann and the lesser known René Schickele. The analysis of these particular works is framed in the music-geographical context of the Musikstadt and literary underpinnings of this topos, ranging from Ingeborg Bachmann to Hans Mayer and, once again, Thomas Mann. In analysing these texts, the methodological approach devised by Strohm, who identifies the blending of a range of urban sounds as a definition of urban space and identity, is applied. His ideas combine historical literary
analysis, musical history and urban sociology. They are rarely used in the analysis of the auditory environment.Arts and Humanities Research Council
Westfield TrustWestfield Trust Studentship
Arts and Humanities Reseach Council (AHRC
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