5,073 research outputs found
Contro la funzionalizzazione della contrattazione collettiva. Riflessioni sul pensiero di Mario Rusciano
No full textL'autore riflette sul pensiero di Mario Rusciano in punto di funzionalizzazione della contrattazione collettiva.The author reflects on the thought of Mario Rusciano in relation to the subject of the functionalisation of collective bargaining
Sealants vs. gaskets: the development of an interactive design tool
No full textA design software, based on computer-aided design and finite element analysis (FEA) tools, was set up for the parametric analysis of bolted joint connections with adesive sealants; this software can be used for a low-cost evaluation of joint performances. To this aim, the mechanical properties of two typical anaerobic and silicon-based sealants were experimentally obtained by means of an optimized specimen. Two-dimensional and fully three-dimensional finite element (FE) models of bolted connections were developed to take into acount holt pre-load and position, flange thickness, internal pressure and mechanical properties of sealant material. Non-linear contact analysis was employed for a realistic joint simulation. Results provide the tensile stress distribution in the sealant along the joint middle layer, for any user-specified configuration. A user-friendly software tool was then developed for speedy evaluation of commonly used joint geometries
Il diritto penale nel canone di Mario Romano
No full textThis paper deals with the extension and the extraordinary scientific value of the works written by a great Master in Criminal Law, such as Mario Romano. The Author briefly presents some of the most relevant contributions given by Professor Mario Romano to the Criminal Science, first of all his "Commentario sistematico del codice penale" (Systematic Commentary on the penal code), a unique work. Finally, the paper talks about some topics which have been developed inside the work "Studi in onore di Mario Romano" (Studies in Honour of Mario Romano)
A conversation on directing opera
No full textKatie Mitchell has been directing opera since 1996, when she debuted on the operatic stage with Mozart and Da Ponte’s Don Giovanni at the Welsh National Opera. Since then, she has directed more than twenty-nine operas in major opera houses around the world. Mitchell here speaks of her directorial approach when working with the genre, addressing various aspects of interest for those who want a better grasp of the dynamics of opera-making in the twenty-first century. Ranging from the director’s imprint, or signature on the work they put on the stage, to the relationships forged with people running opera institutions, Mitchell reflects on her experiences when staging opera productions. She sheds light on some fundamental differences between theatre-making and opera production, including the issue of text – the libretto, the dramatic text, and the musical score – and the very basic fact that in opera a director is working with singers, that is, with musicians whose attitude and behaviour on stage is necessarily different from that of actors in the theatre. Running throughout the conversation is Mitchell’s commitment to ensure that young and contemporary audiences do not see opera as a museum artefact but as a living performative experience that resonates with the aesthetics and political imperatives of our contemporary world. She speaks of the uncompromising political imperatives that remain central to her work ethic, even if this means deserting a project before it starts, and reflects on her long-term working relations with opera institutions that are open to new and alternative approaches to opera-making strategies. Mitchell underlines her respect for the specific rules of an art form that, because of its collaborative nature, must allow more space for theatre-makers to venture within its complex performative paths if it wants to secure a place in the future. Mario Frendo is Senior Lecturer of Theatre and Performance and Head of the Department of Theatre Studies at the School of Performing Arts, University of Malta, where he is the director of CaP, a research group focusing on the links between culture and performance.peer-reviewe
The dithyrambic dramatist: A Nietzschean musical-performative conception
No full textThe concept of the dithyrambic dramatist – introduced by German philosopher Friedrich Nietzsche in the fourth essay of his Untimely Meditations of 1873–76 – is one of the most performance-oriented concepts to emerge out of the nineteenth century in which theatre was often associated with dramatic literature. This article investigates the nature of the dithyrambic dramatist by tracing, in the first instance, the underlying musical perspectives – already evident in The Birth of Tragedy of 1872 – which led Nietzsche to develop the concept. In the second instance, the author articulates what may be considered as its key conditions, namely the visible–audible and individual–collective relationalities. In view of the arguments brought forward, the concept of the dithyrambic dramatist is located as an interdisciplinary element that emerged out of an art form – music – to which Nietzsche was intimately associated in his youth as a composer. The author further proposes that, rather than a metaphor to philological tropes, the dithyrambic dramatist is a concrete manifestation of interdisciplinary and performative foundations that inform Nietzsche’s analytic perspectives.peer-reviewe
Introduzione, a Mario Tobino, Il Clandestino
No full textL'introduzione presenta il libro più ambizioso di Mario Tobino, Il Clandestino, dedicato al racconto della sua esperienza con i gruppi clandestini della Resistenza Viareggina, libro con cui l'autore vinse il Premio Strega, nel 1962, imponendosi all'attenzione del grande pubblico dopo il successo dei libri manicomiali. Una nuova edizione in cui Paola Italia valorizza i materiali inediti dell'Archivio Tobino conservato presso l'Archivio Contemporaneo A. Bonsanti del Gabinetto GP Vieusseux di Firenze,Paola Italia presents an Introduction to the new edtion of Il Clandestino, the most ambitious of Mario Tobino's novels, dedicated to the story of his experience with the groups of the Tuscan Resistance when he was a psichiatric doctor ar Lucca. With this book the author won the Strega Prize, in 1962, attracting the attention of a wide public after the success of his psichiatric books. A new edition where Paola Italia enhances the unpublished material of Tobino Archive preserved in A. Bonsanti Contemporary Archive of G.P. Vieusseux Cabinet of Florence
L'uno e il molteplice: su Catull. 5
No full textIn Catull. 5, the author cleverly works out two ancient topoi (‘let’s love, because the night/death is coming’; ‘kisses are the joy of lovers’), gaining a well balanced structure of the poem. In comparison with contemporary Graeco-Roman poetry (erotic epigrams – such as Philod. AP 9, 570 –, the Epitaph of Bion), both themes are handled with a remarkable taste for originality, especially in their ‘numerical’ aspects, in order to put special emphasis on the basic contrast between nox una and basia mille
In memoriam Mario Napoli
No full textL'autore ricorda la vita e le principali opere di Mario Napoli, suo Maestro e illustre studioso del Diritto italiano del lavoro.The author remembers the life and the most important works of Mario Napoli, his Master and one of the leading scholars of Italian labour law
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