262,694 research outputs found
Lewis Ben Freestone
Pfc. Lewis Ben Freestone, son of Lewis Jr. and Stella Freestone, has been appointed as secretary-aide to Brigadier-General I. Forsythe in Hawaii. He graduated from Uintah High School in 1959
Modelling changes in mollusc shell internal micro-structure during firing: implication for temperature estimate in shell-bearing pottery
Firing experiments have been carried out on a clay containing naturally occurring fragments of mollusc shell. The transformation and/or decomposition of mineral phases with temperature was monitored by, thermal analysis on the starting material and compared with X-ray diffraction data on the fired specimens. Scanning electron microscopy revealed systematic changes in the internal microstructure of the shell fragments. Micrometer-sized intra- and inter-layer pores formed in the shells before the complete decomposition of calcite. The shape, dimension and location of the pores within the shell microstructure were found to be directly, related to the firing temperature. The analysis of these microstructural features in archaeometric studies offers a good constraint on the estimation of the firing temperature in shell-bearing pottery
Prove sperimentali di cottura su argille contenenti frammenti di bivalvi: implicazioni archeometriche.
A XANES study of chromophores in archaeological glass
We applied X-ray absorption near edge spectroscopy (XANES) to obtain information on the origin of glass colour of several archaeological samples and on the oxidation conditions employed during their production. We studied a series of selected glass fragments—mainly from excavated primary and secondary production centres and dated to the first millennium AD—containing iron and manganese in a wide compositional range. In most of the studied samples iron is rather oxidised, while Mn K-edge XANES data show that, in all the studied glasses, Mn is mainly present in its reduced form (predominantly 2+), with the possible subordinate presence of Mn3+. The most oxidised samples are the HIMT (high iron manganese titanium) glasses, while the less oxidised ones belong to the primary natron glass series from the early Islamic tank furnaces at Bet Eliezer (Israel), and to the series coming from a Roman glass workshop excavated in Basinghall Street, London. In these glasses, iron is approximately equally distributed over the 2+ and 3+ oxidation states. The XANES analyses of two glasses which had been deliberately decolourized using Sb- and Mn-based decolourizers demonstrate that Sb is more effective than Mn as oxidant
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Protecting Animals 36: Author Witi Ihimaera
In this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Compositional analysis of archaeological glasses
Abstract At CoDaWork'03 we presented work on the analysis of archaeological glass compositional data. Such data typically consist of geochemical compositions involving 10-12 variables and approximates completely compositional data if the main component, silica, is included. We suggested that what has been termed 'crude' principal component analysis (PCA) of standardized data often identified interpretable pattern in the data more readily than analyses based on log-ratio transformed data (LRA). The fundamental problem is that, in LRA, minor oxides with high relative variation, that may not be structure carrying, can dominate an analysis and obscure pattern associated with variables present at higher absolute levels. We investigate this further using subcompositional data relating to archaeological glasses found on Israeli sites. A simple model for glass-making is that it is based on a 'recipe' consisting of two 'ingredients', sand and a source of soda. Our analysis focuses on the sub-composition of components associated with the sand source. A 'crude' PCA of standardized data shows two clear compositional groups that can be interpreted in terms of different recipes being used at different periods, reflected in absolute differences in the composition. LRA analysis can be undertaken either by normalizing the data or defining a 'residual'. In either case, after some 'tuning', these groups are recovered. The results from the normalized LRA are differently interpreted as showing that the source of sand used to make the glass differed. These results are complementary. One relates to the recipe used. The other relates to the composition (and presumed sources) of one of the ingredients. It seems to be axiomatic in some expositions of LRA that statistical analysis of compositional data should focus on relative variation via the use of ratios. Our analysis suggests that absolute differences can also be informative
Composition, technology, and origin of the glass
Excavations in the upper Walbrook valley, in a marginal area in the north-west of the Roman city, recovered over 70kg of broken vessel glass and production waste from a nearby workshop, giving new insights into the workings of the glass industry and its craftsmen. The area was developed in the early 2nd century AD, with evidence of domestic buildings and property boundaries. Two later buildings constructed in the mid 2nd century AD may have been associated with the glass-working industry. The disposal of a huge amount of glass-working waste in the later 2nd century signals the demise of the workshop, with the area reverting to open land by the 3rd century AD. The comprehensive nature of the glass-working waste has made it possible to study the various processes – from the preparation of the raw materials in the form of cullet, broken vessel and window glass, to the blowing and finishing of the vessel. All the glass originated ultimately in the eastern Mediterranean, some of it arriving as raw glass chunks, which was supplemented by cullet collected locally for recycling. A review of the current evidence for glass working in London also examines the implications for the organisation of the industry
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