1,720,958 research outputs found
Moonlit revelations: the discourse of the end in Gina B. Nahai's Moonlight on the Avenue of Faith
Young adult fiction often engages with what Derrida terms a discourse of the end, a paradoxical notion that is evident - yet hidden - in such fictions. For Derrida, a discourse of the end is the haunted existence that surrounds extreme events, where the presence of the end is the 'staging for the end of history' that we simultaneously comprehend, yet it is incomprehensible (1974, p.10). One aspect of the discourse of the end is the post-apocalyptic, which Berger describes as: 'Everything that follows the revelation is postapocalyptic' (Berger 1999, p.138). The post-apocalyptic is evident in the novel Moonlight on the Avenue of Faith (Nahai 1999) where the women have sensed the 'doom' that surrounds a daughter in each generation for the last 1000 years. Moonlight is written by an Iranian 'exile' (as Nahai puts it) living in America, and set in a Jewish Iranian culture in the midst of political upheaval and religious persecution. The narrative focuses on the matrilineal heritage of Lili, a teenage girl, and the role that prophecy has played in her family's lives. Particularly, the novel focuses on her mother (Roxanna) and the events leading to, and following, her disappearance when Lili was still a girl. In this paper, I first delve into the discourse of the end, and then comment on how this concept can bring the importance of the interwoven narration, the events of the story, and character constructions together into a post-apocalyptic understanding of the text. Although Moonlight has many potential avenues for exploration, I will be focusing on the role of the revelation by using concepts of hiddenness (Bull 1999), protention/portention (Derrida 1974), and the post-apocalyptic (Berger 1999). This combination of theoretical perspectives offers a new scholarly direction in the analysis of young adult fiction
The real lies: The simulacrum in Catherine Fisher's The Oracle
Fiction written for children and young adults has absorbed postmodern culture in many ways, overtly in some picture books, and more covertly in other young adult fiction. One aspect of postmodernism is concerned with what is real, what is more real, and what constitutes the simulacrum. the simulacrum concerns the surface of things, the ability to copy, and (in a postmodern sense) the ability of the original to disappear. examples of this in young adult cultures exist in abundance, and yet even though the text chosen for this paper is set in an imagined world it illuminates the confrontation between the real and the unreal for the postmodern young adult subject. Drawing on Jean Baudrillard (1994) and Jacques Derrida (1974), I investigate the simulacra and the surfaces that represent belief and social order in Catherine Fisher’s The Oracle (2003), where Mirany provides a sceptical subject position for young adult readers. I argue that peeling back the layers of representation, looking under the surface, reveals only more surface and more representation, making ‘surface’ (or ‘outer face’) a tautology. the ‘realness’ of the surface is deceptive. What can be seen with the eye, or touched with the hand is no longer trustworthy
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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