1,721,083 research outputs found
Fredi M. Murer
No full textCe numéro parcourt la carrière de Fredi M. Murer, de ses premiers films expérimentaux au succès international de Vitus (2006). On revient sur les périodes moins connues de sa filmographie et propose des analyses fines de quelques-uns de ses films. Remerciements : Cinémathèque suiss
Fredi M. Murer, L'âme soeur ; Robert Enrico, Zone Rouge ; Sidney Pollack, Out of Africa (souvenirs d'Afrique)
No full textMalassinet Alain. Fredi M. Murer, L'âme soeur ; Robert Enrico, Zone Rouge ; Sidney Pollack, Out of Africa (souvenirs d'Afrique). In: Raison présente, n°79, 3e trimestre 1986. Approches de la différence. pp. 149-152
Fredi M. Murer, L'âme soeur ; Robert Enrico, Zone Rouge ; Sidney Pollack, Out of Africa (souvenirs d'Afrique)
No full textMalassinet Alain. Fredi M. Murer, L'âme soeur ; Robert Enrico, Zone Rouge ; Sidney Pollack, Out of Africa (souvenirs d'Afrique). In: Raison présente, n°79, 3e trimestre 1986. Approches de la différence. pp. 149-152
Allégories de « La Vie telle que nous la connaissons » : le regard ethnographique dans les fictions de Fredi M. Murer
Full text linkTous les films de fiction de Fredi M. Murer sont construits comme des contes ou des récits de légende : Höhenfeuer (1985) s’apparente à une saga alpine et mythique, Vitus (2006) à un conte de fée moderne, Vollmond (1998) à un récit allégorique, Grauzone (1979) à une fable à connotation politique, 2069 (1969) à un récit de science-fiction dystopique. En outre, ils sont remplis d’observations pointues, voire de critiques de la vie quotidienne dans la Suisse contemporaine, le pays où ils sont to..
The clinico-serological spectrum of overlap myositis
No full textTo provide the most recent evidence on the overlap myositis
Semiquantitative analysis of line blot assay for myositis-specific and myositis-associated antibodies: a better performance?
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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