2,657 research outputs found
Johanna C. Wilhelm
Photograph shows studio portrait of Johanna Carolyn (Mrs. John Frederick) Wilhelm, nee Pugel, a rancher in Menard County, Texas
A softer connectivity principle
We give soft, quantitatively optimal extensions of the classical Sphere Theorem, Wilking’s connectivity principle and Frankel’s Theorem to the context of Rick curvature. The hypotheses are soft in the sense that they are satisfied on sets of metrics that are open in the C2-topologyThe first author was supported by research grants MTM2017-85934-C3-2-P from the MINECO and PID2021-124195NB-C32 from the AEI, and by ICMAT Severo Ochoa project SEV-2015-0554 (MINECO).
This work was supported by a grant from the Simons Foundation (#358068, Frederick Wilhelm)
Naturalization Records of Petitioner Frederick Wilhelm Oscar Hubner
Naturalization records to become a citizen of the United States, as filled out and signed by: Frederick Wilhelm Oscar Hubner
Country of origin: Germany
Age of petitioner: Unknown
Occupation: Unknown
City of residence at time of petition: Unknown
Date petition filed: 21 September 1911
Name of spouse: Mari
Focal radius, rigidity, and lower curvature bounds
“This is the accepted version of the following article: Luis Guijarro and Frederick Wilhelm, Focal radius, rigidity, and lower curvature bounds, which has been published in final form at: https://doi.org/10.1112/plms.12113.”We prove a new comparison lemma for Jacobi fields that exploits Wilking's transverse Jacobi equation. In contrast to standard Riccati and Jacobi comparison theorems, there are situations when our technique can be applied after the first conjugate point.
Using it, we show that the focal radius of any submanifold N of positive dimension in a manifold M with sectional curvature greater than or equal to 1 does not exceed π 2 . In the case of equality, we show that N is totally geodesic in M and the universal cover of M is isometric to a sphere or a projective space with their standard metrics, provided that N is closed.
Our results also hold for k th intermediate Ricci curvature, provided that the submanifold has dimension ⩾ k . Thus, in a manifold with Ricci curvature ⩾ n − 1 , all hypersurfaces have focal radius ⩽ π 2 , and space forms are the only such manifolds where equality can occur, if the submanifold is closed.
Example 4.38 and Remark 5.4 show that our results cannot be proven using standard Riccati or Jacobi comparison techniquesThe first author was supported by research grants MTM2011‐22612, MTM2014‐57769‐3‐P, and MTM2017‐85934‐C3‐2‐P from the MINECO, and by ICMAT Severo Ochoa project SEV‐2015‐0554 (MINECO). This work was supported by a grant from the Simons Foundation (#358068, Frederick Wilhelm
Frederick Brunner Collection 1711-1972 Bulk dates: 1930-1970
The Frederick Brunner Collection incorporates the research of the banker and LBI board chairman Frederick Brunner. Prominent subjects encompassed in this research include the Rothschild family and the history of Jews in Landau in der Pfalz. Some research on banking history and Jews as bankers may also be found here. The collection contains extensive newspaper clippings, articles, correspondence, notes, genealogical tables and family trees, and a few photographs.The following individuals and families are mentioned in this collection:Arendt, Hannah; Arnstein, Fanny; Brunner, Frederick; Brunner, Otto; Cohen family; Einstein, Berthold; Frank, Anne; Grünebaum, E; Guttmann, Bernhard; Heilbrunn, Rudolf; Heine, Salomon; Heinemann, Elkan; Israel, Wilfred; Israel, Wilfrid; Kauffmann, Felix; Landauer, Georg; Levison family; Maier, Hermann; Mendelssohn family; Merton, Richard; Merton, Wilhelm; Metzger, Kurt; Riesser, Jacob; Rothschild family; Rothschild, House of; Saalfeld, Martha, 1898-; Seligmann, Cäsar; Straus, Rahel; Sulzbach family; Susman, Margarete; Tietz family; Valentin, Veit; Warburg family.Friedrich Brunner was born in Landau in der Pfalz on December 11, 1895, the son of the salesman Albert Brunner and his wife. Friedrich Brunner was a banker and collector of Rothschildiana and material on the history of banking. He immigrated to the United States in March 1939 via England, and served as vice-chairman of Arnhold, S. Bleichroeder, Inc., in New York, and as chairman of the board of the Leo Baeck Institute. Frederick Brunner died in New Rochelle, New York, on July 19, 1974.22-page inventory.ProcessedProcesseddigitize
Wilhelm Sasnal’s Transitional Images
In her article the author offers a reframing of the discussion of how communities productively deal with their troubled pasts. The case in question is that of the post-war Polish national community, and its refusal to face so-called dark sides or shameful episodes of the historical past. The author concentrates on Wilhelm Sasnals’ artworks which deal with this gloomy heritage and reinterprets them in light of Donald W. Winnicott’s concept of transitional objects (as transitional images) thus pointing towards new possibilities in finding ways out of both discursive, political and pedagogical impasses in collective memory in Poland
Restrictions on submanifolds via focal radius bounds
We give an optimal estimate for the norm of any submanifold’s second fundamental form in terms of its focal radius and the lower sectional curvature bound of the ambient manifold.
This is a special case of a similar theorem for intermediate Ricci curvature, and leads to a C1,α compactness result for submanifolds, as well as a “soul-type” structure theorem for manifolds with nonnegative kth–intermediate Ricci curvature that have a closed submanifold with dimension ≥k and infinite focal radius.
To prove these results, we use a new comparison lemma for Jacobi fields from [18] that exploits Wilking’s transverse Jacobi equation. The new comparison lemma also yields new information about group actions, Riemannian submersions, and submetries, including generalizations to intermediate Ricci curvature of results of Chen and Grove. None of these results can be obtained with just classical Riccati comparison (see Subsection 3.1 for details.)The first author was supported by research grants MTM2011-22612, MTM2014-57769-3-P, and MTM2017-85934-C3-2-P from the MINECO, and by ICMAT Severo Ochoa project SEV-2015-0554 (MINECO).
This work was supported by a grant from the Simons Foundation (#358068, Frederick Wilhelm)
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Metric Deformations and Intermediate Ricci Curvature
This dissertation studies two topics in Riemannian geometry.First, we study the existence of totally geodesic submanifolds in Riemannian 3-manifolds. Murphy and Wilhelm showed that a generic closed Riemannian manifold has no totally geodesic submanifolds, provided the ambient space is at least four dimensional. We show that the set of metrics that admit totally geodesic submanifolds on a compact 3-manifold actually contains a set that is open and dense set in the Cq -topology, provided q ≥ 3.Second, we study the preservation of positive intermediate Ricci curvature under Riemannian submersions. Pro and Wilhelm showed that there are Riemannian submersions π : M → B with M a compact manifold with positive Ricci curvature, whose b-dimensional base has Ricci curvatures with both signs. We show that if Rick(M) > 0, then Rick(B) must be positive if k ∈ {1, 2, · · · , b − 1}, yet Ric(B) need not be positive if k = b
[09a] Frederick the Great Statue, Berlin, Germany [front]
A carte-de-visite photograph of a neoclassic equestrian statue of Frederick II of Prussia “Frederick the Great” located on Unter den Linden boulevard in Berlin, Germany. The large bronze statue, commissioned by Frederick Wilhelm III and sculpted by Christian Daniel Rauch, was unveiled in 1851. Photograph is from 1865https://scholarworks.uni.edu/his_monuments_sp2022/1012/thumbnail.jp
Choir Book / of / W. F. Johannes. / Febr. 27. 1897.
The book contains a loose leaf from a register.
Schnabel’s “Den die Engel droben” (p. 1) is probably a contrafactum of his “Ave maris stella”.
Müller’s “Gloria” (p. 31) has falsely been attributed to Wolfgang Amadeus Mozart.
p. 106a “Rust nu zacht”: The composition and its composer could not be identified.
p. 114 “Aandoenlyks voor myn” is a contrafactum to Blüher’s “So ruhe frei von Kummer”, with the melody slightly modified.
Otto’s “Zingt bly” (p. 143) has not been found elsewhere.
Naumann’s “Du süßer Weinstock” (p. 120) appears a second time on p. 145.
Fischer’s “For Funerals” (p. 139): There is only the headline and the tempo indication are noted; the music systems are empty.Wilhelm Frederick Johannes: Choir Book; collection of sacred music pieces; manuscriptItem type: book | Content type: music and text | Paper type: staff-ruled | Writing material: black ink, pencil, blue pencil, red pencil | Counting of pages: page numbersVocal-instrumental score; piano reduction | staff notation | soprano; alto; tenor; bass; cornet; piano; organJoseph Ignaz Schnabel: Dien de Eng’len boven [“Den die Engel droben”]; Ernst Julius Otto: Morgenster op donkren Nacht [“Morgenstern auf finstre Nacht”]; Christian David Friedrich Palmer: Maagt hoog de deur [“Macht hoch das Thor”]; Johann Friedrich Reichardt: U is heden de Heiland [“Euch ist heute der Heiland geboren”, No. 1 from the “Weihnachts-Kantilene“]; Georg Friedrich Händel: Hallelujah! [from the oratorio „Messiah“]; Joseph Haydn: De Engelen verhalen [„Die Himmel erzählen die Ehre Gottes“ from the oratorio „Die Schöpfung“]; Johann Gottfried Gebhard: O aanbiddingswaard’ge Nacht [„O verehrungswürd'ge Nacht“]; Felix Mendelssohn Bartholdy: Heer door de gansche wereld [„Herr, durch die ganze Welt ist deine Macht“, no. 1 from the incidental music for „Athalia“]; Christian David Friedrich Palmer: Troost, troost myn volk [“Tröstet mein Volk spricht der Herr euer Gott“]; Bernhard Hahn: De Heer is myne sterkte [„Der Herr ist meine Stärke“]; Wenzel Müller: Gloria in excelsis [„Gloria“ from the Mass in G major; falsely attributed to Mozart]; Christian David Jaeschke: Er zullen wel bergen wyken [„Es sollen wohl Berge weichen“]; Ernst Julius Otto: Weest verblyd [“Freuet euch und seid fröhlich die ihr seinen Tag sehet”]; Johann Abraham Peter Schulz: Luid door de wereld galmt [“Laut durch die Welten tönt Jehovas großer Name” from the incidental music for “Athalia”]; Christian Ignatius Latrobe: Rust nu zacht [“Ruhe sanft nach langem Leiden”]; Joseph Haydn: Wees ons welkom [“Sei willkommen schöner Stern”, contrafactum to the Benedictus from the Mass in B-flat major Hob. XXII:14]; Ernst Wilhelm Wolf: Gaat tot zyne poorten in [“Gehet zu seinen Toren ein”]; Johann Christian Heinrich Rinck: “O Ewigkeit du Donnerwort”; Johann Christian Heinrich Rinck: Jehovah Uwen name zy eere [“Halleluja”]; Christian Friedrich Gregor: Den diepen indruk, wat mijn vriend voor mij [“Den tiefen Eindruck was mein Freund für mich” aus “Singet dem Herrn alle Lande”]; Johann Friedrich La Trobe: Maak u nu op [“Mache dich auf werde Licht”]; Georg Friedrich Hellstroem: Morgenster op donkren nacht [“Morgenstern auf finstre Nacht”]; Joseph Haydn: O Lam Godes, gy droegt de zoned [“O Lamm Gottes”]; Carl Gottlieb Reißiger: Als dan eens van tranen moede [“Wenn dereinst von Tränen müde”]; Rust nu zacht; Johann Gottlieb Naumann: Nu rust uw dodesjammer [“So ruht dein Todeskummer mit dir”]; Ernst Wilhelm Wolf: Eere zy Hem welke is de opstanding [“Ehre sei dem der da ist”]; O.S.G.: Den diepen indruk, wat mijn vriend; Wolfgang Amadeus Mozart: Heilig lichaam ons gegeven [“Ave verum corpus”]; Johann August Blüher: Aandoenlykst voor myn [“So ruhe frei von Kummer”]; Joseph Haydn: Die diepen Zeven Woorden aan de Kr.[uis] [“Die sieben letzten Worte unseres Erlösers am Kreuze”]; Johann Gottlieb Naumann: O wel des levens, bloed der won [“Du süßer Weinstock deine Reben erwarten”]; Christian Ignatius Latrobe: Heilige Ruste [“Heil'ge Ruhe der entschlafnen Glieder”]; Ernst Wilhelm Wolf: Almachtig beven; Doet op de poorten ["Des Lebens Fürsten haben sie erschlagen"]; Georg Friedrich Händel: Troost myn volk [from the oratorio „Messiah“]; Ernst Julius Otto: Zingt bly; Ferdinand von Hiller: De onder de hoede des Hoogsten [„Wer unter dem Schirm des Höchsten“]; Johann Christian Heinrich Rinck: Onze Vader [“Das Vater unser”]; Fischer: For Funerals; Christian Friedrich Gregor: Hozanna [“Hosianna, gelobt sei, der da kommt”
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