1,721,177 research outputs found
Ahern, Frederick Joseph, N 35798
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/367948Surname: AHERN
Given Name(s) or Initials: FREDERICK JOSEPH
Military Service Number or Last Known Location: N 35798
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 41080177995
Item: [2016.0049.00280] "Ahern, Frederick Joseph, N 35798
Dirou, John Frederick Joseph, NX38947
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/381896Surname: DIROU. Given Name(s) or Initials: JOHN FREDERICK JOSEPH. Military Service Number or Last Known Location: NX38947. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 25409.212010
Item: [2016.0049.14189] "Dirou, John Frederick Joseph, NX38947
Ostler, F J (Frederick Joseph), VX19607
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/409041Surname: OSTLER. Given Name(s) or Initials: F J (FREDERICK JOSEPH). Military Service Number or Last Known Location: VX19607. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 39414.224485
Item: [2016.0049.41312] "Ostler, F J (Frederick Joseph), VX19607
Bladwell, F J (Frederick Joseph), NX27259
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/372107Surname: BLADWELL
Given Name(s) or Initials: F J (FREDERICK JOSEPH)
Military Service Number or Last Known Location: NX27259
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 19177183027
Item: [2016.0049.04434] "Bladwell, F J (Frederick Joseph), NX27259
Winepress, F J (Frederick Joseph), QX21088
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/426708Surname: WINEPRESS. Given Name(s) or Initials: F J (FREDERICK JOSEPH). Military Service Number or Last Known Location: QX21088. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 30190.254304
Item: [2016.0049.58969] "Winepress, F J (Frederick Joseph), QX21088
Improved Fermentation Through Removal of Acetic Groups for the Increased Production of Ethanol
No full textMentor: Ulrike TschirnerAcetic groups have been known to reduce the production of ethanol during fermentation. Various chemical treatments were conducted on an artificial fermentation liquor in an attempt to reduce the amount of acetic groups in the solution. These treatments included calcium hydroxide and zeolites (aluminum and silicon structures). It was found that a zeolite with a silicon to aluminum ratio of 140 removed the most acetic groups (12.52%) and a zeolite with a silicon to aluminum ratio of 29 removed less (11.33%). However, the zeolite with the silicon to aluminum ratio of 29 managed to have a higher conversion of dextrose to
ethanol than the zeolite with a silicon to aluminum ratio of 140.Frederick, Joseph. (2011). Improved Fermentation Through Removal of Acetic Groups for the Increased Production of Ethanol. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/104934
A House Concurrent resolution introduced by the Texas House of Representatives and Senate in memory of former State Representative Frederick Joseph Agnich of Dallas.
No full textConcurrent resolution introduced by the Texas House of Representatives and Senate in memory of former State Representative Frederick Joseph Agnich of Dallas
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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