1,721,053 research outputs found
Heurs et malheurs de l'écriture : le Nouveau Paris de Mercier
Frantz Pierre. Heurs et malheurs de l'écriture : le Nouveau Paris de Mercier. In: Littérature, n°69, 1988. Intertextualité et révolution. pp. 100-110
Enrico rufi, Le Rêve laïque de Louis-Sébastien Mercier entre littérature et politique Louis-Sébastien Mercier, Bibliographie des écrivains français
Frantz Pierre. Enrico rufi, Le Rêve laïque de Louis-Sébastien Mercier entre littérature et politique Louis-Sébastien Mercier, Bibliographie des écrivains français. In: Recherches sur Diderot et sur l'Encyclopédie, n°21, 1996. pp. 193-194
M. Delon, W. Drost (éd.) : Le Regard et l'Objet, Diderot critique d'art. Actes du second colloque des Universités d'Orléans et de Siegen. 1989
Frantz Pierre. M. Delon, W. Drost (éd.) : Le Regard et l'Objet, Diderot critique d'art. Actes du second colloque des Universités d'Orléans et de Siegen. 1989. In: Dix-huitième Siècle, n°23, 1991. Physiologie et médecine. p. 529
Galions engloutis
Anne Ubersfeld ne fut pas seulement une théoricienne du théâtre, une historienne du romantisme et une éminente hugolienne. Elle fut aussi une critique littéraire et dramatique inspirée, à la curiosité encyclopédique, qui exerça sa sagacité fulgurante sur de nombreux auteurs de théâtre. Après Paroles de Hugo (Messidor, 1985) et Le Théâtre et la cité (AISS, 1991), cet ouvrage est le troisième recueil d'articles choisis dans son innombrable production critique. Le choix des éditeurs de cette anthologie s'est porté sur les grands auteurs qu'elle a éclairés d'un regard neuf, inspiré par la sémiotique théâtrale, le matérialisme historique, la psychocritique, mais aussi et surtout par son intuition sûre, sa vive intelligence et sa sensibilité à la magie du spectacle. Conçu avec sa collaboration pendant la dernière année de sa vie, cet ouvrage réunit des articles sur les œuvres de Molière, Beaumarchais, Goethe, Hugo, Dumas, Musset, Gautier, Claudel, Adamov, Vinaver, sur la réception de Corneille au début du XIXe siècle, une étude fondatrice sur le mélodrame, et un tour d'horizon de la parole solitaire dans le théâtre contemporain (Calaferte, Durringer, Lagarce, Koltès, Reza, Minyana, Vinaver). Cette sélection reflète le dialogue qu'elle avait instauré avec maints auteurs contemporains et sa proximité avec les œuvres du passé qu'Antoine Vitez comparaît à des « galions engloutis » que nous « ramenons à la lumière par morceaux, sans jamais les reconstituer, car de toute façon l'usage en est perdu, mais en fabriquant, avec les morceaux, d'autres choses »
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Les Jeunes de l'Association Guillaume Budé
Imhoff P., Cornuau Marie-Josèphe, Saint-Denis Éric de, Frantz Pierre, Gelot Huguette, Hablot Benoît-Laurent, H. B.-G., Carré F., Levet Jean-Pierre. Les Jeunes de l'Association Guillaume Budé. In: Bulletin de l'Association Guillaume Budé, n°1, mars 1967. pp. 55-94
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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