1,721,198 research outputs found
Up, up and away in my beautiful balloon...: some questions of media policy
Frank Morgan responds to a recent speech by Senator Helen Coonan, Federal Minister for Communications, on proposals to change Australia\u27s media ownership laws. He discusses how new technology has changed the way we receive and digest news and information
[Ellen Drew, Sir Victor Sassoon, Anna May Wong, and Frank Morgan]
Photograph of Ellen Drew, Sir Victor Sassoon, Anna May Wong, and Frank Morgan
[Sir Victor Sasson at Dinner with Anna May Wong, Basil Rathbone, Frank Morgan, and Others]
Photograph of Sir Victor Sassoon (center) at dinner with several actors, including Anna May Wong, Basil Rathbone, and Frank Morgan
Ovation Guest Artist Series 2005-2006: Frank Morgan, Alto Saxophone Program (2006-03-03)
University of Minnesota Duluth. Department of Music. (2006). Ovation Guest Artist Series 2005-2006: Frank Morgan, Alto Saxophone Program (2006-03-03). Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/261858
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dancing in the dark till the tune ends, we\u27re dancing [first line]
Performers: Fred Astaire, Adele Astaire, Helen Broderick, Frank Morgan, Tilly LoschPiano, Voice and Chord
Easy living: An investigation of the life and music of unnoticed jazz legend Frank Morgan
Saxophonist Frank Morgan was on a path towards greatness, following in the footsteps of his esteemed mentor Charlie Parker. With a debut album released in 1955, he was hailed as the next Bird. Unfortunately for Morgan, he became involved with the drug culture that was destroying Parker. Struggling with a heroin addiction and crimes associated with it, Morgan ended up spending nearly thirty years of his life in prison. He did not release another album until 1985. This project report is an examination of Morgan's dynamic life story: his early years, initial successes, drug addiction, incarceration, and later years. In it, recordings both before and after Morgan's long absence in prison are examined. Transcriptions link Morgan's interpretations and improvisations to Charlie Parker, Art Pepper, Dexter Gordon, Frank Sinatra, among others. Finally, the drug culture associated with jazz is discussed, focusing on Morgan's mission to promote the avoidance of it
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