1,721,040 research outputs found
Repertorio italiano en la Catedral de Pamplona: las obras de Francesco Grassi († 1703) y su recepción en los siglos XVIII y XIX
Full text linkEn: volumen monográfico: "Estudios sobre música y músicos de Navarra. Conmemoración del VIII Centenario de la Chantría de la Catedral de Pamplona como dignidad eclesiástica (1206-2006)", coordinado y editado por María Gembero Ustárroz.[EN] This contribution offers a first study of the works by Francesco Grassi († 1703) kept in the Cathedral of Pamplona within the context of the great production of this Italian composer, whose works are scattered about in at least thirty-one European archives and libraries. The first section of the article gathers the sparse information known about Francesco Grassi and his work. The second section analyses the two works by Grassi in Pamplona Cathedral, a Misa and a Dixit Dominus, of which the latter is found in two versions. The article has six appendices: 1) a catalogue of works by Francesco Grassi found in Spanish archives; 2) a list of musical collections kept in different European archives which include pieces by Francesco Grassi and other composers; 3) an alphabetical list of composers whose works appear together with Grassi's in different European musical collections; 4) musical examples of a Dixit Dominus by Grassi kept in the Cathedral of Pamplona; 5) notes by choirboys on one of the Pamplona manuscripts with music by Grassi, which would suggest that it was used for a long time; and 6) a list of Italian composers whose music is currently kept in the historical archive of the Cathedral of Pamplona.[ES] Esta aportación presenta un primer estudio de las obras de Francesco Grassi († 1703) conservadas en la Catedral de Pamplona, situándolas en el contexto de la amplia producción de este compositor italiano, diseminada en al menos treinta y un archivos y bibliotecas europeos. La primera sección del trabajo recoge los escasos y dispersos datos conocidos sobre Francesco Grassi y su obra. La segunda sección analiza las dos obras de Grassi existentes en la catedral pamplonesa, una Misa y un Dixit Dominus del que quedan dos versiones con plantillas diferentes. El trabajo incluye seis apéndices: 1) catálogo de obras de Francesco Grassi localizadas en archivos españoles; 2) lista de colecciones musicales conservadas en diferentes archivos europeos que incluyen piezas de Francesco Grassi junto a las de otros autores; 3) listado alfabético de compositores cuyas obras aparecen junto a las de Grassi en diversas colecciones musicales europeas; 4) ejemplos musicales de un Dixit Dominus de Grassi conservado en la Catedral de Pamplona; 5) anotaciones realizadas por los niños de coro en uno de los manuscritos pamploneses con música de Grassi, que sugieren que ésta tuvo un uso prolongado; y 6) lista de compositores italianos de los que actualmente hay música en el archivo histórico de la Catedral de Pamplona.Peer reviewe
Giovanni Felice Rossi, Il movimento neotomista piacentino iniziato al Collegio Alberoni da Francesco Grassi nel 1751 e la formazione di Vincenzo Buzzetti
No full textPattin Adriaan. Giovanni Felice Rossi, Il movimento neotomista piacentino iniziato al Collegio Alberoni da Francesco Grassi nel 1751 e la formazione di Vincenzo Buzzetti . In: Revue Philosophique de Louvain. Quatrième série, tome 75, n°27, 1977. p. 542
Giovanni Felice Rossi, Il movimento neotomista piacentino iniziato al Collegio Alberoni da Francesco Grassi nel 1751 e la formazione di Vincenzo Buzzetti
No full textPattin Adriaan. Giovanni Felice Rossi, Il movimento neotomista piacentino iniziato al Collegio Alberoni da Francesco Grassi nel 1751 e la formazione di Vincenzo Buzzetti . In: Revue Philosophique de Louvain. Quatrième série, tome 75, n°27, 1977. p. 542
A beautiful garden at Benghazi known as Azienda Agricola Francesco Grassi Villa Guiseppina [28 November 1942, vehicle on road] [picture] : [Libya, World War II] /
No full textPart of the Hurley negative collection.; Caption from photocopy of a Hurley cover: We camped one night in a beautiful garden at Benghazi known as Azienda Agricola Francesco Grassi Villa Guiseppina. It was a little distance from town and a relief from interminable ruins. 28th Nov /42.; Hurley series: Libya, World War II
CONTRIBUTO ALLA BIOGRAFJA DEL VESCOVO DI NONA FRANCESCO GRASSI (1667-1677)
Full text linkU uvodu je ukratko ukazano na spomen ninskog biskupa Franje Grassija u domaćoj i talijanskoj historiografiji. Prikazan je Grassijev životni put, djelovanje na obnovi porušenog Nina (katedrala, biskupska palača) i crkava u župama biskupije, rad na skupljanju arhivske grade iz ninske povijesti te spor sa zadarskim nadbiskupom Ivanom Parzaghijem. U drugom dijelu rada ukazano je na sadržaj Grassijeve oporuke iz 1674. godine, mjesto njegova pokopa (katedrala Chiogie) i donesen prijepis nadgrobnog natpisa. U prilogu je objavljen prijepis Grassijeve oporuke.Nell'introduzione viene rilevata l'immagine di Francesco Grassi - vescovo di Nona, nella storiograjia croata e in quella italiana. In seguito viene presentata la vita del vescovo Grassi, la sua attivitd riguardante la ricostruzione della devastata Nona (la cattedrale, il palazzo vescovile) e delle chiese parrocchiali del detto vescovado, il suo impegno riguardante la racolta del materiale d'archivio concernente la storia della citta omonima, come pure i contrasti con l'arcivescovo di Zara Giovanni Parzaghi. Nella seconda parte del saggio viene riportato il contenuto del testamenta del Grassi risaliente all'anno 1674, illuogo della sua sepoltura (la cattedrale di Chioggia), e in fine -la trascrizione dell'epitaflo. In appendice viene pubblicata la trascrizione del testamenta del vescovo Grassi
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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