1,720,985 research outputs found
Francesco Faeta, Il nascosto carattere politico. Fotografie e culture nazionali nel secolo Ventesimo, Milano, FrancoAngeli, 2019
Recensione del volume "Il nascosto carattere politico" di Francesco Faeta in cui l'autore individua nella nozione foucaultiana di "dispositivo" una prospettiva di analisi della produzione fotografica in Italia
Attualizzare il passato : Note su La passione secondo Cerveno
Riflessioni a margine del volume La passione di Cerveno, di Francesco Faeta
I viaggi nel Sud di Ernesto De Martino, Clara Gallini et Francesco Faeta (éd.), photographies d’Arturo Zavattini, Franco Pinna et Ando Gilardi, Turin, Bollati Boringhieri, 1999
Charuty Giordana. I viaggi nel Sud di Ernesto De Martino, Clara Gallini et Francesco Faeta (éd.), photographies d’Arturo Zavattini, Franco Pinna et Ando Gilardi, Turin, Bollati Boringhieri, 1999. In: Gradhiva : revue d'histoire et d'archives de l'anthropologie, n°26, 1999. Dossier : Ernesto de Martino. pp. 131-133
Francesco Faeta, Un paese del Mezzogiorno italiano. Lacedonia - 1957 - nelle fotografie di Frank Cancian / A Town in Southern Italy. Lacedonia - 1957 - in Frank Cancian’s photographs
Il nuovo libro curato da Francesco Faeta, un libro in qualche misura anomalo, o irregolare, come cercherò di spiegare più avanti, si presta a molteplici riflessioni. Si tratta di un volume, pubblicato in edizione italiana e in edizione internazionale con testi in inglese, che accompagna un'importante mostra in corso (pur con le restrizioni legate all'attuale pandemia), presso il Museo delle Civiltà di Roma, visitabile sino al 31 gennaio del 2021, ma che verosimilmente sarà prorogata alla prim..
Sulla memoria, la rappresentazione, il simbolico. Ripensando lo “statuto inquieto” delle immagini
Recensione del volume di Francesco Faeta "La passione secondo Cerveno. Arte, tempo, rito", Ledizioni, Milano 2019.Review of the volume by Francesco Faeta "Passion according to Cerveno. Art, time, ritual", Ledizioni, Milan 2019
Modelli e specchi, mode e tendenze. Esercizi di decostruzione e ricostruzione per l’antropologia italiana
Starting from a tight analysis around the contemporary legitimacy of the notion of Italian anthropology, the Author explores some of the recurring features of this tradition of study, highlighting the limits and lacks, for outlining then topicss that characterize the specific national reflection and indicate some of the paths out of the crisis of credibility from which the overall discipline seems to be, nowadays, plagued.A partire da una serrata analisi intorno alla legittimità contemporanea della nozione di antropologia italiana, l’autore esplora alcune delle caratteristiche ricorrenti di tale tradizione di studio, evidenziandone limiti e carenze, per delineare poi nuclei tematici caratterizzanti la specifica riflessione nazionale e indicare alcuni dei percorsi per uscire dalla crisi di credibilità complessiva da cui la disciplina sembra essere, al giorno d’oggi, afflitta.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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