1,720,988 research outputs found
Recensione a: La circolazione del sapere nei processi traduttivi della lingua letteraria tedesca, a cura di Raul Calzoni
No full textRecensione al volume La circolazione del sapere nei processi traduttivi della lingua letteraria tedesca, a cura di Raul Calzoni, Mimesis, 201
«Ogni fotografia contiene anche una seconda immagine, all’inizio invisibile». Sul concetto di “disposizione” nei fototesti di Wim Wenders
No full textIl saggio propone un'analisi di alcuni fototesti di Wim Wenders, con particolare attenzione all'estetica fotografica di Wenders, a partire dal concetto di EinstellungThe essay offers an analysis of Wim Wenders' phototexts, devoting particular attention to Wenders' photographic aesthetics, starting from the concept of 'Einstellung
Dialettica di riso e pianto in "Leonce und Lena" di Georg Buechner
No full textLeonce and lena by Georg Buechner is a typical example of the mixture of tragic and comic in 19th century drama. A sentimental comedy and merciless political satire at the same time, this play by Buechner has often been interpreted as an example of theatre of estrangemen
«Una manciatina di Masuria». Le storie dalla camera oscura di Günter Grass
No full textDie Box by G. Grass is an autofiction and at the same time a fictional biography, a tale about how stories are written and about the fundamental role of images in Grass's own writing. Last but not least, this story is a tribute to the memory of a lifelong friend, the photographer Maria Rama. A cross-reading of the story "Die Box" and the photo-text Mariezueheren offers the reader a privileged point of observation on Grass's artistic creation process and his artistic imagination
Il «monologo finale» del Faust: una discussione e le sue conseguenze
No full textTraduzione di un saggio di Cesare Cases: Il «monologo finale» del Faust: una discussione e le sue conseguenzeTranslation of Cesare Cases': Il "monologo finale del Faust: una discussione e le sue conseguenz
Nathan und die Ringparabel im Kontext antisemitischer Lessing-Darstellungen. Eugen Duering und Sebastian Brunner
No full textIl contributo analizza due casi di ricezione di G.E. Lessing e della sua opera "Nathan der Weise" in autori di chiaro orientamento antisemita nella Germania e nell'Austria del XIX secolo: il protestante Eugen Duering e il cattolico Sebastian Brunner. Oggetto della loro feroce quanto faziosa polemica è il concetto di tolleranza lessinghiano
Cinema e fotografia. Su "Palermo Shooting" di Wim Wenders
No full textThe topic complex of photographer and photography is of central importance for Wim Wenders' cinematic and literary work. Of course, it is not just about photography itself, but a subtle play with narrative and metapoetic references. All the figures of photographers who from the beginning repeatedly appear as protagonists in Wenders' films also tell of pictures and how to make them. Most of them are men who have a disturbed relationship to the world around them and to their own selves. Men who travel in search of a truer grip on reality
Palermo Shooting: Wim Wenders’ Variation zum Thema Italienische Reise
No full textDer Themenkomplex Fotograf und Fotografie ist von zentraler Bedeutung für Wim Wenders filmisches und literarisches Werk. Dabei geht es selbstverständlich nicht nur um das Fotografieren an sich, sondern um ein subtiles Spiel mit narrativen und metapoetischen Bezügen. Von Bildern und vom Bildermachen erzählen auch all die Figuren von Fotografen, die von Anfang an immer wieder als Hauptdarsteller in Filmen Wenders vorkommen. Meistens handelt es sich dabei um Männer, die eine gestörte Beziehung zu der sie umgebenden Welt und zum eigenen Selbst haben. Männer, die reisen, auf der Suche nach einem wahreren Zugriff auf die Realität. Der Wenders-Film Palermo Shooting (2008) lässt sich als eine Art zeitgenössische Variante der traditionellen Italienreise umdeuten. Dementsprechend ist der Fotograf Finn, Protagonist von Palermo Shooting, der Inbegriff des modernen Künstlers, der sich mit Kategorien wie „Original“ oder „Fälschung“, „Bild“, „Abbild“ bzw. „Ableitung aus der Realität“ beschäftigt
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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