1,720,994 research outputs found
Ruggieri Apugliese, Rime, a cura di Francesca Sanguineti
L’ouvrage de Francesca Sanguineti est une édition critique des œuvres poétiques de Ruggeri Apugliese, auteur siennois issu de la tradition des troubadours occitans et de celle de l’école sicilienne. Poète actif vers la moitié du xiiie siècle, nous conservons de lui cinq compositions assez longues. L’édition est riche et soignée, elle propose de manière claire et approfondie les caractéristiques majeures du poète, tant sur un plan littéraire que dans un cadre plus large de l’histoire de la lit..
Edizione e scheda filologica dei componimenti BdT 132.2; 194.19; 366.6; 370.8; 451.2
Edizione critica, scheda riassuntiva, apparato e nota testuale di cinque componimenti, pubblicati in "Canzoni occitane di disamore", a cura di Francesca Sanguineti e Oriana Scarpati, Carocci, Roma 2013
Descrizione del ms. PR10
Descrizione codicologica del ms. Palermo, BCRS, XI.B.6 (siglato PR10), presunto autografo del Libro delle rime siciliane di Antonio Veneziano (1543-1593), su cui si basa l'edizione critica di G. M. Rinaldi. L'integrazione dei dati esterni e interni ha permesso di ricostruire la struttura originaria del manoscritto e di proporre alcune precisazioni sulle fasi di copia e sulle illustrazioni, forse anch'esse di mano dell'autore
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Gui d’Uisel, “Ja non cujei qe·m desplagues amors” (BdT 194.11)
This paper offers a new critical edition with commentary of Gui d’Uisel’s ‘mala canso’ against Love, Ja non cujei qe·m desplagues amors, a poem that is less well-known and has received less critical attention compared to the other, better known, ‘mala canso’ addressed to the ‘mala dompna’ by the same author, “Si be·m partetz, mala dompna, de vos” (BdT 194.19). The paper will investigate all those aspects of the text – vocabulary, style, themes – that enable it to be classified as a song against love. As far as this is concerned, a number of features would appear to be of particular interest, such as the use of the rhyme-word “fais”; the equivalence of love service and feudal service that justifies abandoning Love, seen as a bad lord; the motif of ladies who have become “chamjaritz”; the theme of the decadence of courtly values; the poet’s need to place limits on his complaint faced with the corruption of ‘fin’amor’. Although the archetypes of many of the poem’s themes and motifs may be found already in the earliest troubadours, Gui d’Uisel’s songs, and this one in particular, stand out because their author is well aware that he is adopting a classic genre while at the same time attempting to renew it from the point of view of content
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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