784 research outputs found
Evaluierung der CO2 Abscheidetechnologien für Abgase der Stahlindustrie
Author Helene Rehberger, BSc.Abweichender Titel laut Übersetzung der Verfasserin/des VerfassersMasterarbeit Universität Linz 2023Arbeit nach Ablauf der Sperre auf den öffentlichen PCs in den Bibliotheken der JKU+Medizin abrufba
Evaluierung der CO2 Abscheidetechnologien für Abgase der Stahlindustrie
Author Helene Rehberger, BSc.Abweichender Titel laut Übersetzung der Verfasserin/des VerfassersMasterarbeit Universität Linz 2023Arbeit nach Ablauf der Sperre auf den öffentlichen PCs in den Bibliotheken der JKU+Medizin abrufba
Integration and analysis of the effects of an unnatural amino acid into transmembrane 4 of the Orai1 protein
Author Bc. Helene Sabine Gemeinhardt BSc.Masterarbeit Universität Linz 2023Arbeit nach Ablauf der Sperre auf den öffentlichen PCs in den Bibliotheken der JKU+Medizin abrufba
An Action Research Approach to Occupational Therapy Discharge Planning in the Acute Care Setting
Abstract
Date Presented 3/31/2017
Using action research, acute care occupational therapists explored current discharge planning practices and through consensus implemented and evaluated several strategies to improve their discharge planning skills. Increased visibility and good communication were the primary focus of the selected action plans.
Primary Author and Speaker: Helene Smith-Gabai</jats:p
Quincy Shipyard : valuation of the yard for industrial water-dependent uses
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Ocean Engineering, 1986 [first author]; and, (M.S.)--Massachusetts Institute of Technology, Sloan School of Management, 1986 [second author].MICROFICHE COPY AVAIALABLE IN ARCHIVES, DEWEY AND ENGINEERING.Bibliography: leaves 170-176.by Beatrice Helene Esilde Ballini and by Jamie Ann Henson.M.S
Richardson, Barbauld, and the construction of an early modern fan club
MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Kottanner Jánosné memoárja : retorikai eszközök, a mű lehetséges céljai, és Kottannerné jutalma = Memoires of Helene Kottanner : rhetorical methods, goals of the work and reward of Helene Kottanner
In my study I analyze a significant late-medieval memoir, known as „The Memoires of Helene Kottanner (1439–1440), written by Helene, or Elena Kottanner, an Austrian woman, daughter of Peter Wolfram from Ödenburg (Sopron), acting in the service of Queen Elizabeth of Hungary. The source, which may be considered the oldest German memoir written by a secular woman, depicts the events of an interesting period of the medieval Hungarian history with “vividness and poignancy” (Maya Bijvoet Williamson). After the death of King Albert (1437–1439), his ambitious wife, Elizabeth – while a large part of the Hungarian nobles wanted Władysław III of Poland to be the king of Hungary – tried to maintain his own authority in Hungary (at that time she was already pregnant and hoped that her new-born will be a boy), therefore she ordered her servant, Elena Kottanner to steal the Holy Crown of Saint Stephen from the royal stronghold, Plintenburg (Visegrád). The woman and an unnamed Hungarian collaborator managed to remove the Crown secretly, rushing to the Queen with it, who within an hour of the crown’s arrival at her castle of Komorn (Komárom), bore a son, Ladislaus Posthumous (1440–1457). Three months later, the little boy was crowned King of Hungary in Stuhlweissenburg (Székesfehérvár). In her memoir, Helene Kottanner – as an eye-witness author – gives a unique, detailed and remarkable picture about these events. My main goal is to analyze the rhetorical methods, the historiographical practice presented by Helene, which can be detected in her text. I demonstrate that the servant intended to emphasize her own role in the mentioned events, and tried to legitimate the Hungarian kingship of Ladislaus Posthumous. Besides, she presented certain events as symbolic of the fate of the future king: according to Helene, God protects her and Elizabeth, and the whole undertaking, while the Devil is on the side of their enemies (Władysław III of Poland and the Hungarian nobles). Furthermore, I also intend to demonstrate what possible goals could Helene have had with her memoir. It is quite possible that the servant wrote her opus in order to get her reward for her services provided to the queen and the future king. I demonstrate this problem in context of the Hungarian political situation in the 1440s and the 1450s
Helene & Writing Abuse, Shame, and Death: A Poetics of Spirit within the Failing Body
Thesis (Master's)--University of Washington, 2016-06Helene is a cross-genre text through the lens of a young female woman, Helene, that both ruminates on the grief caused by having a female body, specifically one that fails to meet the expectations of others, and pays homage to the possibility of life without a body. The title character, grappling with the death of her grandfather and its impact on her sense of self and body, processes her grief through various forms: letters written to her grandfather's spirit, fragmented prose and poetry, an episode of an imaginary television sitcom of Helene's life where well-known figures stand in for her family members, and magazine articles, advertisements, and self-guided exercise that execute Helene's desire to exist in the spiritual realm. Writing Abuse, Shame, and Death: A Poetics of Spirit within the Failing Body studies the creation of Helene as writing in spite of body through the practice of mediumship. It discusses the text as a response to the death of the author's own grandfather, a death that helped her realize the acts of repression in her life and her writing. Helene and Writing Abuse, Shame, and Death: A Poetics of Spirit within the Failing Body are thus a process, not product, of grieving that moves through the internal conflict the author has felt as a woman mourning both the loss of a loved one and the temporary loss of identity and agency as a result of abuse
Chick Lit in Historical Settings by Frida Skybäck
Chick lit is mostly contemporary portrayals of single women in cities. The Swedish author Frida Skybäck writes “chick lit in corsets”, that is, chick lit in a historical setting, and she writes primarily for teenage girls. Her two novels Charlotte Hassel (2011) and Den vita frun (2012) balance between chick lit jr. and romance. They can also be read as historical novels, and in my article I highlight how Skybäck has consciously played with the different genres to convey a feminist message and to strengthen young readers
Cellular Memory
I have written this to myself as much as for you. As you’re about to, I have seen what these characters saw and heard in the trees and the waves of the ocean. The cries of pain and joy in their cellular memory will surely speak to yours. Like you, I came here to find words for what I’ve experienced and to give life to those experiences on the page. What is known to me without words wanted to be spoken through the paper, intuitively transferred with textures felt softly, coarsely, deeply. Inside this collection of poetry, translations, and prose including both fiction and non-fiction, you’ll receive a doorway into those intuitions. Some of your questions won’t have answers until you feel them real, but they will invite you in to yourself to find what mysterious qualities you have. You might lose time while underground, but rest assured, you will find your fire in the voices of the wind and sea if you dare to look further and aren’t afraid to let go of expectations. You may find pieces of you here and wonder about your own motives and purposes. Clues and details of what really happened keenly seen by the poet and author will help you see into the unexplored aspects of your own heart channels and thought fields. I sincerely hope my journey as expressed herein takes you to the parts of you that aren’t easy to articulate or even acknowledge, and to the parts of you that have always been there, waiting to be disclosed; waiting to be seen from unseen angles. Invite yourself in and leave space to let yourself expand. Stay awhile, this is merely a beginning. I’m glad you’re here.Do NOT submit to ProQuest (MFA thesis
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