1,720,954 research outputs found
Exhuming the Narrator in 'The Buried Giant': Genre and Intertextual Inference in the Novels of Kazuo Ishiguro
This thesis takes the critical response generated by Kazuo Ishiguro’s The Buried Giant, his most recent novel, as an invitation to re-examine the overall literary ‘experiment’ of his body of work. Ishiguro’s novels, regardless of their genre, message, or cultural moment, create experiences in which the reader engages with each narrator as if they were a human being. His attention to stylistic and formal detail foregrounds our awareness of his art in each text, and much scholarship focuses on overarching discussions of memory, identity, and history; however, this all relies upon the empathy that the texts generate between the character-narrator and the reader. The commitment to mimesis over the synthetic or thematic dimensions of the text, to draw on the theoretical model of character presented by James Phelan, often remains covert throughout each novel, but character mimesis nevertheless acts as both an accessible entry point to the novels, and a consistent touchstone throughout and across the texts.
Upon the publication of The Buried Giant, Ishiguro was met with criticism and dissatisfaction from numerous reviewers and scholars, despite general public appreciation of the novel. At the heart of this dissatisfaction lies a sense that Ishiguro’s foray into fantasy lacks the affective power of his iconic artlessness. Specifically, The Buried Giant appears to lack a central, consistent, human voice to hold together the synthetic and thematic work that the text performs.
This thesis presents an argument that finds within The Buried Giant the presence of a first-person voice that, rather than diverging from each of Ishiguro’s previous narrators, takes his experimentation with the first-person voice to a new extreme. This reading allows me to locate The Buried Giant more squarely back in conversation with the rest of Ishiguro’s oeuvre, by identifying a covert but vital thread that exists beneath the shifts in genre, thematic and synthetic choices, and context of the novel. I explore the establishment of character mimesis across Ishiguro’s body of work, how this feeds into both the dissatisfaction with The Buried Giant and my reconciliation of the novel to his earlier works, and finally how The Buried Giant and its shift to both a covert narrative voice and the genre of fantasy provides an opportunity to re-examine Ishiguro’s use of non-mimetic structures and generic conventions in his first six novels around the central, mimetic narrator.
As suggested, this approach draws significantly on the theory of character presented by James Phelan, which allows for comprehensive consideration of diverse textual functions that occur both throughout a given text and across several texts of widely varying genres and perspectives. I touch on notions of unreliability, memory and subjective history, trauma, and identity performance, each of which are central to many pieces of scholarship on Ishiguro’s novels; however, the aim of this project is to swiftly push beyond readings that prioritise synthetic and thematic dimensions of the novels to reach the heart of how the voices who capture their own stories completely entrance Ishiguro’s readership
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
No Other Place to Stand: An Anthology of Climate Change Poetry from Aotearoa New Zealand
‘All I can do is write’: The second poem of this landmark collection, contributed by Dinah Hawken, includes toward its close this short, innocuous-seeming line. It is in many ways a small thing to write, the poet suggests
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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