620 research outputs found
Dr. F.S.J. Ledgister, CAU, August 2011
No full textThis video is a conversation with Dr. F.S.J. Ledgister. Dr. Ledgister talks about his book, "Only West Indians: Creole Nationalism in the British West Indies". Ola Ijimayowa, AUC Woodruff Library, is the interviewer
Dr. Abi Adegboye Awomolo, CAU, August 2011
No full textThis video is a conversation with Dr. Abi Adegboye Awomolo. Dr. Abi Awomolo talks about her book, "Wanna B Prez?: 10 Life Strategies From President Barack Obama's Journey to the White House". Ola Ijimayowa, AUC Woodruff Library, is the interviewer
Sundown \u27Possum (As told to the author by Ola MAupin, Lillie Westmoreland, Maud Vincent and reiterated by Jack Maupin)
No full textSundown \u27Possum (As told to the author by Ola Maupin, Lillie Westmoreland, Maud Vincent and reiterated by Jack Maupin)
Mary Bursell Maupi
The blind spots of secularization
No full textAccording to several international surveys Spain is among the western countries with the most negative views of Jews. While quantitative data on the topic accumulates, there is a significant lack of interpretative approaches that might explain the particular Spanish case. This paper presents the background, methodology and major results of a discussion group-based study on antisemitism, which was conducted in Spain in the autumn of 2009. The study identifies and locates in different socio-economic and ideological milieus the range of stereotypical discourses on Jews, Judaism and the Arab–Israeli conflict in Spain. Analysis of the group meetings shows that, despite growing secularization in Spanish society, the central explanatory variable for persisting and resurging antisemitism in this country is still religion in a broad cultural sense.N
comprehensive one
No full texta 2015 Article by Ohuabunwa and OlaThis publication is author by Ohuabunwa and Ola tileed effective learnin
A comparative analysis of Andre Gide's Oedipe and Ola Rotimi's The Gods Are Not to Blame, 2000
No full textAlthough there have been numerous and varied treatments of Oedipus throughout the ages, there is to date no detailed analytical study of myth based on Andre Gides Oedine and Ola Rotimis The Gods Are Not to Blame. This study is a critical analysis of these two dramatic texts, which have been reworked from fifth century Greek tragedy. The principal aim is to compare these two plays taken from different cultures, in an effort to show that they both have a common originSophocles Oedipus the King. Through this comparison, the author wishes to show that each playwright presents Oedipus as a classic, which transcends cultural boundaries, thus making Sophocles drama a classic work in world literature. The study is presented in four chapters. The first chapter serves as an introduction, which deals with the origin of the Oedipus theme and some of the major writers who helped to popularize it. This chapter will also present references, theses and other critical works written on the plays in question. The second and third chapters deal with the plays of each playwright: Oedipe by Andre Gide and The Gods Are Not to Blame by Ola Rotimi. Each chapter will include a brief sketch of the authors life, a resume of the plays, and the development of major and minor characters. The fourth chapter will deal with the similarities and the contrasts in the plays and will also serve as the conclusion
A tale of two Islandoras
No full textThe University of Prince Edward Island (UPEI) and the University of Waterloo (UW) represent two distinct experiences on the road to implementing Islandora – one pioneered its development and the other is launching the digital asset management framework for the first time. The Islandora project is a tool of transformation. At UPEI, it has facilitated learning, enabled and expanded partnerships, funding opportunities, research collaborations, and community engagement, while producing a legacy of platform versions, customized websites, and infrastructure that is unsustainable given existing resources. At UW, it represents a new effort to plan, implement, and scale a presentation and preservation service that leverages the experiences and best practices established by the Islandora community. This presentation will examine the opportunities and challenges that arise when working with Islandora. Focus will be placed on lessons learned, project sustainability and establishing a way forward by contrasting the experiences of first-time and advanced implementers
Towards indigenous policy and practice: A Tuvaluan framework for wellbeing, Ola Lei
No full textABSTRACT: Ola Lei ‘wellbeing’ is an ethnographically derived framework that builds upon Tuvaluan cultural concepts and practices. It has value as a conceptual model by which to assess and build health, education and development initiatives. Te feke ‘the octopus’ represents what Tuvaluans think and do about wellbeing, based on ethnographic research by the first author. Like the octopus, this framework is dynamic and adaptable, illustrating how wellbeing intertwines with social, cultural, economic and spiritual life, with education, with land and ocean. After describing the components of Ola Lei and how they were derived from participant observation and interviews, we suggest applications in policy and practice. The Ola Lei Framework articulated here provides an example of scholars taking indigenous concepts seriously as theory
SOCIO-DRAMATIC TRANSITION OF LANGUAGE USE IN THE PLAYS OF OLA ROTIMI
No full textAbstractLiterary language in African writing makes for interesting study because of the linguistic nuances and flavour of the indigenous African language of its author that finds creative expression in English. How language is used in dramatic communication is a subject of serious intellectual debate. This study, through the textual analysis of some play-texts, which are constructed on the didactic and eclectic nature of theatre and the society, is a reflection on the socio-dramatic transition of language use in the plays of Ola Rotimi. The discussion will identify, conceptualise and re-think some major forms, styles and patterns of language use in the plays of Ola Rotimi. Given the theatrical, dramatic, literary dividends and effectiveness of Rotimi’s works, this study concludes by calling on budding playwrights and dramatists in Africa to emulate/imitate/learn from re-thought language forms, styles and “linguistic possibilities” in the plays of Ola Rotimi as they experiment with language use in the African theatre.Keywords: African theatre, language use, Ola Rotimi, play directing, socio-dramatic, transitio
Socio-dramatic transition of language use in the plays of Ola Rotimi
No full textLiterary language in African writing makes for interesting study because of the linguistic nuances and flavour of the indigenous African language of its author that finds creative expression in English. How language is used in dramatic communication is a subject of serious intellectual debate. This study, through the textual analysis of some play-texts, which are constructed on the didactic and eclectic nature of theatre and the society, is a reflection on the socio-dramatic transition of language use in the plays of Ola Rotimi. The discussion will identify, conceptualise and re-think some major forms, styles and patterns of language use in the plays of Ola Rotimi. Given the theatrical, dramatic, literary dividends and effectiveness of Rotimi’s works, this study concludes by calling on budding playwrights and dramatists in Africa to emulate/imitate/learn from re-thought language forms, styles and “linguistic possibilities” in the plays of Ola Rotimi as they experiment with language use in the African theatre.Keywords: African theatre, language use, Ola Rotimi, play directing, socio-dramatic, transitio
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