9,415 research outputs found
Andrea Bacová
No full textAndrea Bacová focuses on research and teaching in the field of residential architecture. Her work includes systematic research on residential buildings and their urban context. She actively participates in promoting Slovak architecture and is the author of several publications and exhibitions
Viewer-, Author-, and Ownership in the Work of Andrea Zittel
No full textAndrea Zittel invites others to collapse the distinctions between artist, viewer, and collaborator by interacting with her usable works. This thesis explores the process of interacting with Zittel\u27s works, and how it affects viewer-, author- and ownership
Faculty Recital: Atlantic Brass Quintet
No full textThis is the concert program of the Atlantic Brass Quintet performance on Tuesday, December 3, 1996 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Sinfonia, "The Arrival of the Queen of Sheba" (arr. Foley) by George Frideric Handel, Canzona Prima a 5 by Giovanni Gabrieli, Ricercar del Primo Tuono by Andrea Gabrieli, Canzona Per Sonare No. 2 by Giovanni Gabrieli, Three Renaissance Dances by Antony Holborne, Brandenburg Concerto No. 3, BWV 1048 (arr. Foley) by Johann Sebastian Bach, Selections from the Nutcracker, Op. 71 (arr. Foley) by Piotr Ilyich Tchaikovsky, In Dulci Jubilo by Samuel Scheidt, A Sussex Mummers Christmas Carol by Percy Grainger, A Child is Born by Thad Jones, An American Christmas (arr. R. Luke), traditional, and Selections from "The Messiah" (arr. Foley) by George Frideric Handel. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
The Lettere of Andrea Calmo: authorial artifices and historical reality
No full textopenNonostante l’edizione di Vittorio Rossi del 1888, la raccolta di "ingegnosi cheribizzi" e di "fantastiche fantasie" di Andrea Calmo è ancora avvolta da un certo mistero. L’autore, dissimulando la propria identità dietro alla “maschera” dell’umile pescatore veneziano, è stato in grado di offrire uno spaccato della cultura e della società nella Venezia cinquecentesca.
In particolare, è il quarto libro delle Lettere ad aver suscitato maggiore interesse tra gli studiosi ed i lettori: pubblicato nel 1566, a diversi anni di distanza dai primi tre, questo libro si distingue per il fatto che tutte le epistole sono indirizzate a delle donne immaginarie o realmente esistite.
In questa sede si propone, in primo luogo, uno studio della biografia del Calmo accompagnata da un’analisi del contesto storico-culturale della Venezia cinquecentesca; in secondo luogo, invece, viene proposto un commento di alcune lettere dell’ultimo libro dell’opera calmiana, che cerchi di far luce principalmente sull’aspetto linguistico e contenutistico del testo.Despite Vittorio Rossi's 1888 edition, Andrea Calmo's collection of "ingegnosi cheribizzi" and "fantastiche fantasie" is still shrouded in a certain mystery. The author, dissimulating his own identity behind the "mask" of the humble Venetian fisherman, was able to offer a cross-section of culture and society in sixteenth-century Venice.
In particular, it is the fourth book of the Letters that has aroused greater interest among scholars and readers: published in 1566, several years after the first three, this book stands out for the fact that all the epistles are addressed to women imaginary or actually existed.
Here we propose, first of all, a study of Calmo's biography accompanied by an analysis of the historical-cultural context of sixteenth-century Venice; secondly, however, a commentary on some letters from the last book of Calmo's work is proposed, which seeks to shed light mainly on the linguistic and content aspect of the text
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Endless Buttonings
No full textSaturday, Act I. Andrea Beckham Collaborative Dance is grateful to acknowledge assistance from the Hartwright Foundation (Count to Twelve). Choreography: Carolyn Pavlik (Lady-boy, Endless Buttonings), Andrea Beckham Collaborative Dance (Count to Twelve), Sean Curran (Alone in the Metal Garden), Michael Foley (The Sky Is Falling). Dance Company: Sharir+Bustamante Danceworks. Dancers: Carolyn Pavlik (Lady-Boy); Jessica Goulding, Andrea Beckham (Count to Twelve); Mary Williford-Shade (Alone in the Metal Garden); Theresa Hardy, Andee Scott (The Sky Is Falling); Dawn Darelik, Carolyn Pavlik, Karen Sorenson, Roxanne Saenz Gage, Lisa Voorhies (Endless Buttonings) Sound: Jeff Curtis (Lady-boy, Endless Buttonings); Sean Perry and Timothy Harold, Wonder Twins AudioVisuals, Inc. (Count to Twelve). Videography: Lisa Voorhies and Heather Mitchell (Lady-boy); Lisa Voorhies (Endless Buttonings); Jose Luis Bustamante (The Circular Ruins). Costumes: Carolyn Pavlik (Lady-boy); Laura Cannon (Count to Twelve); Marketa Fantova (Alone in the Metal Garden). Music: La Java des Bombes Atomiques by Etron Fou LeLoublan (Lady-boy); Ryah M. Christensen (Count to Twelve); Tigger Benford (Alone in the Metal Garden); Arvo Part (The Sky Is Falling); "Weeping Willow Blues," Bessie Smith (Endless Buttonings). Concept: Tre Arenz (Count to Twelve). Lighting: Monique R. Norman (Count to Twelve). Text: "Untitled," by Pablo Neruda, translated by W.S. Merwin (Count to Twelve).Performance at the McCullough Theatre, UT-Austin.Theatre and Danc
Trusted Tales: Creating Authenticity in Literary Representations from Ex-Yugoslavia
No full textThis research deals with questions of authority and authenticity and how they are expressed, constructed, and appropriated within the Anglophone book market. It considers the body of literature written about ex-Yugoslavia since the 1990s Balkan conflicts by exiled writers from the region which has entered the international literary canon. Books’ routes from original publishers into English translation are discussed through practices of trust, one of the crucial social devices underpinning their exchange. Within these cross-cultural processes, the role of cultural brokers is crucial. Symbolic and cultural resources are specifically mobilised through their powerful author brands.
By exploring authenticity in the context of book publishing, I further look at how ideas and practices of community are employed and negotiated by writers and those who promote their books. My field is multi-sited and fluid, reflecting how different individual and national positions are enacted and performed through strategies ranging from unconscious dispositions to deliberate intentions. This research thus brings together ideas of the author as an authentic, representative voice together with exile as a position that grants them a new lease of relevancy in the post-socialist context.
Although ex-Yugoslav books occupy a ‘high end’ niche of the UK market, constrained by commercial as well as political, cultural, and institutional forces, in public discourse ideas of the ‘free market’ and ‘free speech’ are mobilised to produce various types of modernisation narratives. The (post)socialist production of literature is perceived as having to ‘evolve’ into a capitalist model: this would allow not only healthy competition and consumer choice but guarantee an individual writer ‘free speech’ as a basic human right. Therefore, the most general question this research raises is what kind of foreign literature gets translated into English, under what socio-cultural conditions and which politics of representation it serves within the project of world literature
Ms. Courtney Chartier, RWWL AUC, August 2011
No full textThis video is a conversation with Ms. Courtney Chartier. Ms. Chartier talks about her work on the "New Georgia Encyclopedia" and "Online Voter Education Project." Andrea Jackson, AUC Woodruff Library, is the interviewer
Tribute to Andrea Infuso
No full textThis special issue of Eurosurveillance is dedicated to the memory of Andrea Infuso, a dear and respected colleague and friend, who died suddenly on 20 September 2005 at the age of 44.
Andrea was actively involved in the preparation of this special issue on vaccination and tuberculosis. As EuroTB coordinator since 2000, his knowledge of and contacts with all European experts involved in tuberculosis surveillance in Europe were very valuable in conceiving this thematic issue. The Euroroundup published in this issue, European survey of BCG vaccination policies and surveillance in children, 2005, written by Andrea as first author, is a posthumous publication.</jats:p
Search-based multi-vulnerability testing of XML injections in web applications (vol 24, pg 3696, 2019): Search-based multi-vulnerability testing of XML injections in web applications (Empirical Software Engineering, (2019), 10.1007/s10664-019-09707-8)
No full textThe article Search-based multi-vulnerability testing of XML injections in web applications, written by Sadeeq Jan, Annibale Panichella, Andrea Arcuri, and Lionel Briand, was originally published electronically on the publisher’s internet portal (currently SpringerLink) on May 2019 without open access. With the author(s)’ decision to opt for Open Choice the copyright of the article changed on June 2019 toSoftware Engineerin
Archive of the Now author page for Ian Hunt
No full textArchive of the Now (the Source for British Innovative Poetry) was set up by Andrea Brady, now Professor of Poetry at Queen Mary, who continues to oversee it editorially. It is a selective archive which seeks to make a permanent online source for recordings of poetry and other innovative writing produced in and looking out from the UK. The recording of poems was made in 2006; they are also published on my author page on the site, and in the book Green Light (Barque Press), 2006. The prose-poem from 'Exemplars', audio file included here, is an ecocritical narrative of a conference at the end of the world, set in sunny California
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