105 research outputs found
Archer, Nuala; Mobile Homes; reading
No full textBiography: Nuala Archer (born 1955) is an American poet of Irish descent, author of five books, most recently, Inch Aeons (Les Figues Press, 2006). Her first book, Whale on the Line, won the Patrick Kavanagh Poetry Award in 1980. She has published poems in literary journals and magazines including The American Poetry Review, Mid-American Review and Seneca Review. Until 2011, she was an associate professor in the English Department at Cleveland State University. During the 1990s, she briefly served as the director of Cleveland State University Poetry Center. She has taught literature and edited the Midland Review at Oklahoma State University. She has also taught at Yale University and Albertus Magnus College. She has educated at Wheaton College in Illinois, Trinity College Dublin and the University of Wisconsin. Born in Rochester, New York to Irish parents, her family moved to Canada, Costa Rica, Ecuador and Panama.
-Wikipedia, Nuala Archer, 2020-09-1
Archer, Nuala; Whale on the Line and Pan; reading
No full textBiography: Nuala Archer (born 1955) is an American poet of Irish descent, author of five books, most recently, Inch Aeons (Les Figues Press, 2006). Her first book, Whale on the Line, won the Patrick Kavanagh Poetry Award in 1980. She has published poems in literary journals and magazines including The American Poetry Review, Mid-American Review and Seneca Review. Until 2011, she was an associate professor in the English Department at Cleveland State University. During the 1990s, she briefly served as the director of Cleveland State University Poetry Center. She has taught literature and edited the Midland Review at Oklahoma State University. She has also taught at Yale University and Albertus Magnus College. She has educated at Wheaton College in Illinois, Trinity College Dublin and the University of Wisconsin. Born in Rochester, New York to Irish parents, her family moved to Canada, Costa Rica, Ecuador and Panama.
-Wikipedia, Nuala Archer, 2020-09-1
Staging Symbiosis:Seaweed Plus
No full textThis digital exhibition explores the vast, untapped potential of seaweed as a solution to climate and ecological crises. Created by staff and students from Queen’s University Belfast, it showcases architectural visions set on Rathlin Island, highlighting innovative ways seaweed can support food systems, biodiversity, sustainable livelihoods, and ocean health. Featuring speculative designs and artistic works that capture seaweed's natural beauty, this exhibition invites us to reimagine seaweed as a transformative resource for sustainable coastal communities. In collaboration with architecture staff and students from Queen’s University Belfast (QUB), a series of architectural visions for a future that relies more heavily on seaweed have been developed, set within the unique landscape of Rathlin Island. The content was produced in Spring 2024 as part of an architectural design studio titled Staging Symbiosis: Seaweed Plus, led by Dr. Nuala Flood and Dr. Sean Cullen. This exhibition unveils these speculative designs and explores how architecture, the built environment, and onshore infrastructure can support the growth of multiple seaweedbased industries. From food innovation to art and craft, these design interventions illustrate how seaweed could help rejuvenate Ireland’s declining coastal communities. Highlights include the Seaweed Test Kitchen by Oileán Galligan, a hub for seaweedinspired food innovation; the Seaweed Processing Facility by Jake Newman, envisioning a marine algae processing plant at Rathlin’s port; and the Seaweed Crafting Centre by Imogen Erskine, where local art and craft integrate seaweed as a primary material.To communicate seaweed’s natural beauty, this exhibition also features seaweed encapsulated in resin blocks created by Natalia Mokras, and photographic explorations of seaweed by Dr. NualaFlood.Dr. Nuala Flood and Dr. Sean Cullen, Exhibition Curators
Staging Symbiosis:Seaweed Plus
No full textThis digital exhibition explores the vast, untapped potential of seaweed as a solution to climate and ecological crises. Created by staff and students from Queen’s University Belfast, it showcases architectural visions set on Rathlin Island, highlighting innovative ways seaweed can support food systems, biodiversity, sustainable livelihoods, and ocean health. Featuring speculative designs and artistic works that capture seaweed's natural beauty, this exhibition invites us to reimagine seaweed as a transformative resource for sustainable coastal communities. In collaboration with architecture staff and students from Queen’s University Belfast (QUB), a series of architectural visions for a future that relies more heavily on seaweed have been developed, set within the unique landscape of Rathlin Island. The content was produced in Spring 2024 as part of an architectural design studio titled Staging Symbiosis: Seaweed Plus, led by Dr. Nuala Flood and Dr. Sean Cullen. This exhibition unveils these speculative designs and explores how architecture, the built environment, and onshore infrastructure can support the growth of multiple seaweedbased industries. From food innovation to art and craft, these design interventions illustrate how seaweed could help rejuvenate Ireland’s declining coastal communities. Highlights include the Seaweed Test Kitchen by Oileán Galligan, a hub for seaweedinspired food innovation; the Seaweed Processing Facility by Jake Newman, envisioning a marine algae processing plant at Rathlin’s port; and the Seaweed Crafting Centre by Imogen Erskine, where local art and craft integrate seaweed as a primary material.To communicate seaweed’s natural beauty, this exhibition also features seaweed encapsulated in resin blocks created by Natalia Mokras, and photographic explorations of seaweed by Dr. NualaFlood.Dr. Nuala Flood and Dr. Sean Cullen, Exhibition Curators
Managing and facilitating small group projects:Examples from the disciplines: Architecture, Dr Nuala Flood and colleagues at Queen's University Belfast
No full textManaging and facilitating small group projects:Examples from the disciplines: Architecture, Dr Nuala Flood and colleagues at Queen's University Belfast
No full textPublic CoLab 2020:Exploring the Impact of the Ecological Crisis in Belfast
No full textPublic CoLab is an annual collaborative design research event held at Queen’s University Belfast (QUB). It harnesses the energy, skills and creativity of architecture staff and students and seeks to explore, each year, one particularly pertinent spatial phenomenon in Northern Ireland. During an intensive week-long workshop, small teams of students work with a range of experts and stakeholders from industry to create visualisations, audio or audio-visual packages, models, installations and spatial narratives. They do so by gathering together the various individual skills in the group: from architectural thinking to narrative strategies to data analysis to interviewing.Public CoLab 2020 explored how ecological crisis in Belfast might affect the city’s built environment such as housing, streetscapes, public parks, transport, business and agriculture. This year master’s students from Broadcast Production at QUB joined the fold and brought specific storytelling and media production skills to the project. At the end of the project’s week-long span this year, each Public Colab’s team showcased its collaborative multimedia work in The Sonic Lab at QUB’s Sonic Arts Research Centre (SARC). Lord Mayor of Belfast, Councillor Peter McReynolds officially inaugurated the event.The multimedia outputs – short films, soundscapes, interactive props, screen presentations, choreographed installations – were all brought to life through live, spoken-word interventions by the students, utilising the 48 strategically-located loudspeakers and multiple large screens of the Sonic Lab. This gave the presentations a deeply immersive nature which enabled the audience to be fully engulfed in the visionary future narratives being presented. This publication shares some of those creative outputs presented at the Sonic Lab. They have all been brought about through many creative, inter-disciplinary conversations that happened throughout Public CoLab 2020.Public CoLab 2020 is facilitated and curated by Nuala Flood (QUB Senior Lecturer in Architecture) and by Don Duncan (QUB Lecturer in Broadcast Production) in partnership with Lucy McCarthy (QUB Lecturer in Supply Chain Management), Qiyao Han (QUB Postdoctoral Researcher in Landscape Urbanism), Climate NI, Sustainable NI, the Northern Ireland Human Rights Commission and Belfast City Council’s Resilience Office
Public CoLab 2020:Exploring the Impact of the Ecological Crisis in Belfast
No full textPublic CoLab is an annual collaborative design research event held at Queen’s University Belfast (QUB). It harnesses the energy, skills and creativity of architecture staff and students and seeks to explore, each year, one particularly pertinent spatial phenomenon in Northern Ireland. During an intensive week-long workshop, small teams of students work with a range of experts and stakeholders from industry to create visualisations, audio or audio-visual packages, models, installations and spatial narratives. They do so by gathering together the various individual skills in the group: from architectural thinking to narrative strategies to data analysis to interviewing.Public CoLab 2020 explored how ecological crisis in Belfast might affect the city’s built environment such as housing, streetscapes, public parks, transport, business and agriculture. This year master’s students from Broadcast Production at QUB joined the fold and brought specific storytelling and media production skills to the project. At the end of the project’s week-long span this year, each Public Colab’s team showcased its collaborative multimedia work in The Sonic Lab at QUB’s Sonic Arts Research Centre (SARC). Lord Mayor of Belfast, Councillor Peter McReynolds officially inaugurated the event.The multimedia outputs – short films, soundscapes, interactive props, screen presentations, choreographed installations – were all brought to life through live, spoken-word interventions by the students, utilising the 48 strategically-located loudspeakers and multiple large screens of the Sonic Lab. This gave the presentations a deeply immersive nature which enabled the audience to be fully engulfed in the visionary future narratives being presented. This publication shares some of those creative outputs presented at the Sonic Lab. They have all been brought about through many creative, inter-disciplinary conversations that happened throughout Public CoLab 2020.Public CoLab 2020 is facilitated and curated by Nuala Flood (QUB Senior Lecturer in Architecture) and by Don Duncan (QUB Lecturer in Broadcast Production) in partnership with Lucy McCarthy (QUB Lecturer in Supply Chain Management), Qiyao Han (QUB Postdoctoral Researcher in Landscape Urbanism), Climate NI, Sustainable NI, the Northern Ireland Human Rights Commission and Belfast City Council’s Resilience Office
L’Irlande du Nord devant la CEDH
Get PDFL’histoire de l’Irlande du Nord devant la Cour Européenne des Droits de l’Homme remonte à 1978 et à la première définition de la torture et des peines ou traitements inhumains ou dégradants par la Cour. Dans cet entretien, Maître Nuala Mole, revient sur les différentes condamnations du Royaume-Uni par la Cour Européenne des Droits de l’Homme pour notamment violation du droit à la vie en Irlande du Nord. En détaillant les décisions de la CEDH dans quatre procédures engagées par les familles de onze personnes tuées par les forces de sécurité et d’un individu tué par un groupe armé protestant avec la complicité présumée de responsables de l’application des lois, Maître Nuala Mole souligne combien ces arrêts ont des répercussions majeures, non seulement pour les familles des victimes tuées dans des circonstances douteuses dont le cas a été examiné par la Cour, mais aussi sur de nombreuses autres affaires ayant eu lieu en Irlande du Nord, ainsi que sur des procédures engagées dans le reste du Royaume-Uni et d’autres pays européens.The history of Northern Ireland and the European Court of Human Rights goes back to 1978 and to the Court’s first definition of torture and inhuman or degrading sentences or treatments. In this interview, Nuala Mole refers to the various sentences the United Kingdom was condemned to, by the ECHR, for violation of the right to life in Northern Ireland. The international lawyer details the decisions of the Court in four procedures engaged by the next to kin of eleven people killed by the security forces and of an individual killed by a protestant armed group with the presumed complicity of the laws applications chiefs. The author highlights how these judgements have major repercussions for the next to kin but also for many other affairs that have occurred in Northern Ireland, as well as for other procedures that have been started in the United Kingdom and other European countries
Dérive: Sunrise to Sunset
No full textThis exhibition displayed the photographs and maps produced as part of a workshop titled Dérive: Sunrise to Sunset, where 24 participants recorded their psychographical walks through the Dublin. This workshop was organised and facilitated by the author and was undertaken in collaboration with Now What?, an independent, not-for-profit initiative, which sought to investigate the role of the architect and architecture in the wake of the economic boom
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