1,141 research outputs found
Norwich University degree of bachelor of arts to Friend P. Fletcher, 1838
No full textNorwich University diploma of Friend Perry Fletcher (Class of 1839), dated 10 December 1838 and signed by Alden Partridge and John Wright
[John H. Perry Estate, Tarrytown, NY]
No full textThe estate pictured here belonged to John H. Perry, a pioneer in the newspaper publishing business. Source: Robert Yasinsac, architectural historian and author
William Perry: A Late Modern ‘Ulysses’
No full textThe aim of this chapter is to look at the concept of intellectual Ulyssism from the perspective of one single author, i.e. the prolific Scottich writer/lexicographer William Perry. Due to lack of scholarly attention, Perry could be defined as one of the "forgotten phoneticians" (Abercrombie 1948) of the Late Modern period. Despite his initial influence and contribution to the creation of a 'standard' English accent in Britain, and later editorial success and influence in the United States, together with Thomas Sheridan and other later 18th-century orthoepists, his name and works were surpassed by John Walker's Critical Dictionary first published in 1791
George Perry (1771–1823): architect and naturalist
No full textGeorge Perry (1771-1823) was an artist, architect and sculptor, with a deep interest in natural history and malacology. (His father, George Perry (c.1718-1771), was a pioneering industrialist, with a particular interest in geology and also the history of Liverpool.) He was the co-author (with John Corry) of The History of Liverpool (1807). He gave lectures on natural history and mineralogy and earned a living as an architect and sculptor. After bankruptcy in Liverpool in 1807, Perry re-established himself in London. There he published two books - A descriptive catalogue of the pictures in the collection of the Marquis of Stafford in London (1807) and Conchology, or the natural history of shells (1811). He also published the serial publication entitled Arcana, or, the Museum of Natural History (1810-1811). After this, he disappeared from the public record until his death in Chelsea in 1823. His life and his contributions to natural history are summarized here
The Flight from the Liberal Party: Liberals who joined Labour, 1914-31
No full textFrom 1914 to 1931, many of those previously active
in Liberal politics defected to Labour. Why did so many Liberals switch their political allegiance
(‘almost like changing one’s religion’, as one
Liberal MP observed) and abandon their party, which had been in office, or coalition government, from 1906 to 1922, to enlist with the fledgling
Labour Party? And how far, if at all, did their presence influence Labour’s development during a
key period of political realignment in British
politics? Professor John Shepherd examines the histor
The Christian Message in a Postmodern World: a critical re-appropriation of Hendrik Kraemer's theology of religions
No full textThis thesis is a critical re-appropriation of Hendrik Kraemer's theology of religions. Part I introduces theology of religions through the now familiar threefold typology: Kari Earth represents 'exclusivism,' Kari Rahner, 'inclusivism,' and John Hick, 'pluralism' (Chapter 1). It then argues that the typology implicitly represents non-pluralist approaches as theologically deficient and ethically insensitive while masking problems in pluralist positions (Chapter 2). It thus releases Kraemer from the typology and from the more emotive charges directed against 'exclusivism.' Part II chronologically and thematically surveys Kraemer's theology of religions, describing his missiological and theological contexts (Chapter 3) and summarising his major works (Chapter 4). The crux of the argument comes in Part III. First, a survey of the contemporary philosophical climate is offered through a summary and critique of Jean-Frangois Lyotard's interpretation of the postmodern condition Subsequently, three theological responses are assessed with Mark C. Taylor's a/theology and John Milbank's theology presented as avoidable extremes while the work of Hans Frei and George Lindbeck is offered as a mediating position which is dubbed 'postmodern orthodoxy' (Chapter 5). Second, after reviewing key themes in Kraemer's position, theological and phenomenological criticisms are outlined and evaluated. Though they do not seriously threaten the position, these criticisms prohibit extreme interpretations of, and lead to slight modifications in, Kraemer's work (Chapter 6). Finally, when re-read through the lenses of postmodern orthodoxy, Kraemer's thought is shown to offer to contemporary theology of religions avenues of theological creativity which are nevertheless faithful to the Christian tradition (Chapter 7). The thesis concludes that Hendrik Kraemer's theology of religions is worthy of critical re- appropriation
Politicking the personal: examining academic literature and British National Party beliefs and wishes about intimate interracial relationships and mixed heritage
No full textDrawing heavily on our earlier work in this area (Perry and Sutton 2006; forthcoming), this article discusses the issue of intimate interracial relationships (IIRs) within the context of the UK Government's current concerns with social cohesion and provides an overview of the literature on hate and prejudice against those in IIRs in the UK and USA. Following an examination of the official statistics and the numbers of mixed race people in England and Wales, we move on to provide a brief but disturbing glimpse of what it would mean if the BNP's long-term dream of winning a national election were actually to happen in light of their official website published proposed policies against IRRs and mixed heritage people
Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines
No full textThis study is about British working-class fiction in the post-war period.
It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and
Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s.
Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the
relationship between working-class literary tradition and dominant ideologies.
We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance.
Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or
located in a radical, political outlook
Michigan Committee on World's Fair Forestry exhibits
No full textPortrait sheet of the members of the Michigan Committee on World's Fair Forestry exhibits. From left to right, top to bottom: D.A. Blodgett, John Canfield, S.M. Stephenson, Arthur Hill, J.M. Barnett, A.V. Mann, Charles Hebard, F.W. Fletcher, Charles Stinchfield, Thomas R. Lyon, W.W. Cummer, Lewis A. Hall, R.A. Alger, Perry Hannah, Dwight Cutler, S.O. Fisher
The Prepared Piano Music of John Cage: Towards an Understanding of Sounds and Preparations
No full textThe subject for this thesis is the prepared piano music of John Cage with particular attention focussed on the preparations that create the varying sonic pallets in this music. The thesis is divided into six chapters, each chapter fulfilling one of two tasks. Firstly they will provide for pianists an examination of ways in which Cage‟s instructions in the scores for preparing the piano can be interpreted, and it will highlight the difficulties that become apparent (and should be considered) when performing Cage‟s prepared piano music. The second function to be fulfilled will be to musicologists who wish to trace the development of Cage‟s prepared piano music with relation to his later chance determined music.
Chapter one traces the historical and aesthetic influences that were relevant to Cage in the creation of the prepared piano, and places it in an historical context.
Chapter two looks at John Cage‟s compositions for prepared piano and provide a thorough inventory of John Cage‟s prepared piano pieces. Chapter two also examines the possibilities for making suggestions for the recreation of Cage‟s preparations.
Chapter three examines the physical relationships between piano, strings and preparations.
Chapter four analyses the solo prepared piano pieces and highlights the compositional techniques that Cage used in the composition of the prepared piano pieces.
Chapter five looks at the reasoning for performer choice in relation to ambiguity discussed in chapter three
Chapter six explores the six movement work The Perilous Night, and uses it as a case study to identify and explain all of the issues discussed within this thesis
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