1,721,344 research outputs found
Fleming, D W, QX7025
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/385449Surname: FLEMING. Given Name(s) or Initials: D W. Military Service Number or Last Known Location: QX7025. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 43420.235192
Item: [2016.0049.17742] "Fleming, D W, QX7025
(2009) Cheung, Ruby and D. H. Fleming, ‘Introduction: Cinemas and Identities’, in Cinemas, Identities and Beyond, ed. by Ruby Cheung with D. H. Fleming (Newcastle upon Tyne: Cambridge Scholars Publishing), pp. 1-14.
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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
A study of the subjective equivalence of noise and whole-body vibration
No full textAn experiment has been conducted to determine the subjective equivalence of 1000 Hz pure tone noise and 10 Hz sinusoidal whole-body vertical vibration. Each of 20 male subjects was exposed to all 64 possible combinations of 8 levels of noise (65 dB to 100 dB SPL) and 8 levels of vibration (0·20 m/s2 r.m.s. to 1·2 m/s2 r.m.s.). The noise was presented via circumaural headphones and the vibration exposure was by means of a flat hard seat. The method of constant stimuli was used. Both stimuli were presented simultaneously for a period of ten seconds and subjects were asked to indicate whether, if they were to be presented with the combination again, they would prefer that the noise or the vibration should be reduced. It was concluded that the subjects were relatively self-consistent and that the major source of variability was due to intersubject differences. The conditions for equivalence for 50% of the subjects ranged from about 0·2 m/s2 r.m.s. at 69 dB to 1·2 m/s2 r.m.s. at 94 dB. The results are presented in a form that enables an estimate to be made of the percentage of subjects who prefer reduced noise or vibration at any of the given combinations of the two stimuli. Further studies to extend the range and establish the general applicability of these results are suggested. It is considered that such results could be employed as a guide to reducing either the noise or the vibration in some environments.</p
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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