1,721,514 research outputs found
Trop d’instruction !
No full textFitzpatrick J. W. Trop d’instruction !. In: Revue internationale de l'enseignement, tome 57, Janvier-Juin 1909. pp. 51-54
Bede Tungutalum hanging prints at his first exhibition at Sebert Galleries, Argyle Arts Centre, Sydney, New South Wales, 19 October 1971 [picture] /
No full textTitle devised by cataloguer based on information from caption list.; Part of the Australian Information Service collection.; "Two young Aboriginal artist travelled nearly 2000 miles from Bathurst Island off the coast of Australia's Northern Territory to stage their first exhibition in Sydney in October. Bede Tungutalum, 19 and Giovanni Tipungwuti, 18 produced more than 50 silk screen prints and wall hangings for the exhibition in the Sebert Galleries in the Argyle Arts Centre. Both artists were skilled woodcarvers before they received instruction in adapting woodblock cuts for silk screen printing from the art teacher at the Aboriginal Mission on the island."--Information printed on verso.; Inscriptions: "Beda Tungutalum hangs prints at the exhibition. Australian Information Service Photograph by J. Fitzpatrick, P71/1004"--Printed on verso.; Also available online http://nla.gov.au/nla.pic-vn6102689
Giovanni Tipungwuti and Bede Tungutalum, hanging their prints at their first exhibition in Sydney at Sebert Galleries, Argyle Arts Centre, Sydney, New South Wales, 19 October 1971 [picture] /
No full textTitle devised by cataloguer based on information from caption list.; Part of the Australian Information Service collection.; Also available online http://nla.gov.au/nla.pic-vn6102706
Giovanni Tipungwuti hanging prints at his first exhibition at Sebert Galleries, Argyle Arts Centre, Sydney, New South Wales, 19 October 1971 [picture] /
No full textTitle devised by cataloguer based on information from caption list.; Part of the Australian Information Service collection.; "Two young Aboriginal artist travelled nearly 2000 miles from Bathurst Island off the coast of Australia's Northern Territory to stage their first exhibition in Sydney in October. Bede Tungutalum, 19 and Giovanni Tipungwuti, 18 produced more than 50 silk screen prints and wall hangings for the exhibition in the Sebert Galleries in the Argyle Arts Centre. Both artists were skilled woodcarvers before they received instruction in adapting woodblock cuts for silk screen printing from the art teacher at the Aboriginal Mission on the island."--Information printed on verso.; Inscriptions: "Giovanni Tipungwuti hangs a print at the exhibition. Australian Information Service Photograph by J. Fitzpatrick, P71/1004"--Printed on verso.; Also available online http://nla.gov.au/nla.pic-vn6102696
Nursing Diagnosis Internationally
No full textThe state and diffusion of nursing NANDA diagnostic Taxonomy around the world. Results from a statistical surve
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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