3,743 research outputs found
"Les architectes et la construction. Entretiens avec avec Paul Chemetov, Henri Ciriani, Stanislas Fiszer, Christian Hauvette, Georges Maurios, Jean Nouvel, Gilles Perraudin, Roland Simounet" - Virginie Picon-Lefebvre, Cyrille Simonnet (sous la dir.) (Livre)
No full text"Les architectes et la construction. Entretiens avec avec Paul Chemetov, Henri Ciriani, Stanislas Fiszer, Christian Hauvette, Georges Maurios, Jean Nouvel, Gilles Perraudin, Roland Simounet" - Virginie Picon-Lefebvre, Cyrille Simonnet (sous la dir.) - Marseille : Ed. parenthèses, 2014 - 1 Vol. (192 p.) - Collection : Eupalinos / A+U - ISBN 978-2-86364-667-0 Accédez au site de l'éditeur Rencontre/lancement avec Virginie Picon-Lefebvre et Cyrille Simonnet, en présence de Paul Chemetov, Stanisl..
Interview with Roland Abraham
No full textInterview with Roland Abraham, who is a former director of the Minnesota Extension Service. He is the author of Helping People Help Themselves: Agricultural Extension in Minnesota, 1879 to 1979. Abraham talks about how he got to the university and about the Minnesota Extension Service.Abraham, Roland H.; Pflaum, Ann M.. (1999). Interview with Roland Abraham. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/47871
The death of William Golding: authorship and creativity in darkness visible and the paper men
Full text linkIn the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de I'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language’s inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation. Having done so he nonetheless gestures towards the divine, towards the possibility of a vatic communication. In this manner the novels work upon principles of contradiction and collapse. What remains is a discourse of hope, promise, desire, without means of substantiating such optimism. Thus Golding might be said to have practiced a form of negative theology, and to have anticipated in this respect some recent trends in literary theory
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Roland Barthes's resurrection of the author and redemption of biography
No full textThe most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning
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Roland Barthes's resurrection of the author and redemption of biography
No full textThe most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning
Roland Barthes's resurrection of the author and redemption of biography
No full textThe most misunderstood essay in literary theory must be Roland Barthes's 'The Death of the Author' (originally 'La mort de l'auteur', 1968). Repeatedly critics and commentators have taken this satiric jeu d'esprit literally, and have credulously assumed that it is advocating the very position that it is condemning
Author-Illustrator
No full textThis essay investigates the concept author-illustrator by drawing on two influential essays – ‘Death of the Author’ by Roland Barthes and ‘What is an Author?’ by Michel Foucault. By engaging with the key points of debate that emerge from these positions, this essay argues that the notion of author-illustrator is part of a wider discursive field that is embedded in a complex, commodified, multimedia public sphere where the author is paradoxically reinscribed and erased. This environment is changing the nature of the text, authorship, and reader-text interaction, but until now the concept author-illustrator has been largely absent from these discussions
Résister à la normalisation des conduites : Entretien avec Roland Gori, propos recueillis par Alain Policar
No full textCo-initiator of the call of calls denouncing the ideology of a neuroeconomic man in whose name the current reforms break and redial our jobs and tasks of care, social works, education, research, justice, information and culture, the author analyzes mainly the psychiatric knowledge and practice as facts of civilization.Co-initiateur de l'Appel des appels qui dénonce l'idéologie d'un «homme économique» au nom de laquelle les réformes actuelles défont et recomposent les métiers et les missions du soin, du travail social, de l'éducation, de la recherche, de la justice, de l'information et de la culture, l'auteur analyse ici principalement les savoirs et les pratiques psychiatriques comme «des faits de civilisation».Policar Alain, Gori Roland. Résister à la normalisation des conduites : Entretien avec Roland Gori, propos recueillis par Alain Policar. In: Raison présente, n°171, 3e trimestre 2009. Savoir, connaitre, agir. pp. 87-94
Author in cyberspace: comparison of the current position of the author and authorship anonymity with theories of Michel Foucault and Roland Barthes
No full textThis thesis analyzes the position of the author in the environment of internet. The main source of information for this thesis is the study of Roland Barthes - Death of the Author and the lecture of Michel Foucault - What is an author? After a thorough analysis of these two works, the thesis focuses on the description of the webpage www.pismak.cz, which has been selected as a suitable representative for environment of internet. This website allows us to study and explore the role and place of the author. I tried to describe the position of the author on this website. Mainly the fact, that every user of this website uses a pseudonym - nick. The work also presents new insights into the phenomenon of internet anonymity, based on the information gathered from current scientific articles. At the end I compare my own analysis with theories of Roland Barthes and Michel Foucault. The thesis concludes, that works of Roland Barthes and Michel Foucault are still valid, even when compared with modern phenomenon - internet
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