1,720,953 research outputs found
Simile with an Emphasis on the Link between Poetry and Form in Nafthatolmasdoor
No full textShahabuddin Mohammad Khrndzy Zydary's Nafthatolmasdoor is considered to be beyond the enduring masterpieces of prose and Metcalf in the seventh century AD. This book ismore a historical-literal one than a literal-historical one. In this book, emotional aspects are represented more than the historical ones. The point of view in this book is first person and is used to express excitement, emotions, and feelings. The link between poetic and form is one of the features that is highlighted in the book. Illusion, as an element of creating form, and simile are delicately used. In total, the use of the element of simile is high and mainly for the purpose of creating emotions. Metaphors are often perceived to be reasonable. The society inside and outside of the author is like an indirect analogy.
This article investigates secondary purposes of simile along with three categories of: stylistic look for the artist, the choice of words, and deviating from the norm, according to the analysis of imagery in the text
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Digital Mystical Path: Rereading the Concept of Solitude and Annihilation in the Age of Social Media
No full textThe advent and proliferation of social media have fundamentally transformed the traditional manifestations of Khalwa (inner spiritual seclusion) and Fanāʾ (annihilation in the Divine), which are rooted in mystical wayfaring and human spiritual experience. This study employs an interpretive-analytical approach, grounded in the principles of Islamic mysticism and the philosophy of technology, to examine the relationship between digital presence and the inner spiritual solitude (Khalwa) of contemporary humans, thereby seeking to facilitate the reclamation of Sulūk (mystical wayfaring) within the networked context. The research methodology is based on a conceptual-comparative analysis of mystical texts and contemporary communication discourses. The findings reveal that within digital existence, Khalwa has been transformed from physical isolation into a state of "data solitude," while Fanāʾ has been redefined from mystical unity into "annihilation in connectivity". This transformation is such that the individual, when confronted with the incessant flow of information, undergoes a form of data-centric asceticism and communicative self-restraint. The foregoing analysis leads to the conclusion that digital Sulūk can be interpreted as a paradigm for redefining spirituality in the network age—a paradigm that transposes the ethical heritage of Khalwa and Fanāʾ from the mystical tradition into the context of a globally connected existence, thereby unveiling new horizons for media literacy and the spiritual life of modern humanity.Extended Abstract:IntroductionWithin the Islamic mystical tradition, concepts such as Khalwa (inner spiritual seclusion) and fanāʾ (annihilation in the Divine) have perpetually been regarded as foundational pillars of mystical wayfaring (Sulūk) and the path to spiritual transcendence. In its conventional Sufi interpretation, Khalwa denotes a state wherein the Salik (spiritual wayfarer), by distancing themselves from worldly manifestations and social clamor, attains the capacity for complete concentration upon the Absolute Truth. Fanāʾ'i Eshkevari (1390 SH/2011 CE, p. 50) characterizes this state not as mere isolation, but rather as a deliberate and purposeful process for reorienting the heart and mind; a process that commences with the purification of the self (tazkiyat al-nafs) and culminates in the unveiling of spiritual intuition (kashf-e shahood). Zafarnavaei (1389 SH/2010 CE, p. 108) similarly identifies Khalwa as the very essence of the mystical path. He contends that the moral constitution of the wayfarer is contingent upon the art of spiritual seclusion and the practice of severing attachments, thereby creating the necessary conditions for Fanāʾ, which signifies the complete effacement of the self in the will and presence of the Divine, can be understood from this definition as the ultimate aim of mystical seclusion. The objective of this seclusion is to withdraw from creation in order to direct one's heart and soul wholly towards the Divine Presence and to commune with Him, thereby attaining the station of proximity. Thus, withdrawing from creation is, in essence, drawing near to the Truth.These concepts have secured an established position throughout the history of Islamic civilization, not merely within mystical literature, but also in the very structure of the daily lives of the people of the Tariqa (mystical path). Indeed, practices such as meditation (Muraqabah), remembrance (Dhikr), spiritual asceticism (Riyadat), and the preservation of sacred boundaries constituted integral components of the daily existence of Sufis and mystics. Mousavi and Alasti (1395 SH/2016 CE, p. 3) analyze that the digital sphere, by enabling perpetual presence and uninterrupted connectivity, has fundamentally transformed the traditional paradigm of Khalwa, steering the human being from an inward-oriented mode of being toward a state of "perpetual self-performance." What which was once constituted an inner silence and a focus on the negation of the self has now, within the algorithmic architecture of networks, been transmuted into continuous presence and the re-presentation of the self before the gaze of a global audience.Movahedi-Asl and Dirbaz (1398 SH/2019 CE, p. 7) interpret this transformation as indicative of a profound shift in the "understanding of presence". In their analysis, contemporary humanity is defined by a form of "presence within the gaze of others"—a presence that, rather than being oriented towards divine proximity, has been transmuted into a state of being seen and receiving social validation based on data-driven interactions. This situation has fundamentally compromised the possibility of Khalwa, while simultaneously transmuting the meaning of Fanāʾ from its traditional conception of "annihilation in God" (fanāʾ fi'llah) to a contemporary state of "annihilation within the data stream."The present study seeks to demonstrate how technological tools can be utilized not merely for communication or content production, but to facilitate spiritual experiences—experiences that transform data solitude and algorithmic annihilation into opportunities for self-cultivation, introspection, and connection with Truth.Research QuestionsThe present study grapples with a fundamental inquiry: Can a novel form of spirituality emerge from within network culture—one in which Khalwa and Fanāʾ are harnessed to enhance digital ethics? Furthermore, can digital Sulūk forge a connection between the mystical tradition and data-driven existence, thereby enabling the technology-saturated human to navigate a path toward transcendence and self-awareness?Research MethodThis study adopts a qualitative and theoretical research design, grounded in an interpretive-analytical approach. The objective of this methodology is not the collection of empirical data, but rather the excavation of meaning, the interpretation of latent conceptual layers, and the reconstruction of the nexus between traditional mysticism and digital existence. In employing hermeneutic analysis, the researcher strives to comprehend texts and phenomena through their own internal logic; meaning that each text and every experience is interpreted within its specific horizon of significance, rather than being forced into the mold of external presuppositions or quantitative metrics.The analysis proceeds through three methodical layers: At the primary layer, a hermeneutic re-reading of mystical texts was conducted to extract their existential meanings. At the secondary layer, these meanings were contextualized within the framework of digital experience to illuminate the technological dimensions of presence. Finally, at the tertiary layer, the convergence of insights from both domains facilitated the formulation of novel concepts—such as "data-driven solitude" and "annihilation within data"—which collectively constitute the theoretical framework of "digital Sulūk".ResultsA comparison of this study's findings with the traditional literature of Islamic mysticism reveals that concepts such as Khalwa and Fanāʾ in classical texts were fundamentally understood within the context of personal spiritual wayfaring and metaphysical experience—Khalwa as a disengagement from worldly preoccupations and Fanāʾ as dissolution into Divine reality (Zafarnavaei, 1389 SH/2010 CE, p. 2; Fanāʾ'i Eshkevari, 1390 SH/2011 CE, p. 96). In contrast, within modern philosophy of technology literature, these concepts have been redefined through their interaction with technological contexts. "Data-driven solitude" and "algorithmic Fanāʾ" represent this shift, which, in Borgmann's (1984, p. 42) analysis, is attributed to adherence to the "device paradigm," and in Verbeek's (2011, p. 68) view, is ascribed to the mediating structures of technology. An examination of the ethical and spiritual ramifications of this transformation reveals that digital spirituality can create opportunities for the cultivation of self-awareness and transcendent presence, provided that the use of platforms is coupled with intentionality, the restriction of superfluous information, and the deliberate governance of algorithms (Khaniki & Khojir, 1398 SH/2019 CE, p. 9).A probe into the communicative-mystical implications of this transformation reveals that since "data-driven solitude" constitutes a digital facsimile of the intimate secret of spiritual seclusion—a secret now involuntarily surrendered to the data market—the sanctity of the "inner mystery" is effaced within the digital realm. Consequently, contemporary mysticism has witnessed a redefinition of Khalwa: while external solitude may persist, our inner being is laid bare on platform servers. Furthermore, a fundamental tension arises between the traditional practices of "self-vigilance and spiritual accounting" (muraqabah and muhasabah) and the reality of the "uncontrolled digital footprint." This data-driven solitude creates a mechanism for the surveillance and potential guidance of the spiritual wayfarer. Ultimately, this trajectory risks leading the individual toward "data-driven annihilation" (Fanāʾ)—an involuntary and unconscious dissolution of human identity into the power of the technocratic system, wherein personal agency is substantially weakened, and the individual increasingly conforms to the identity prescribed by data flows.An analysis of digital spirituality's strengths reveals its significant potential for expanding access to spiritual teachings, fostering supportive communities, and facilitating the exchange of mystical experiences within digital environments (Verbeek, 2011, p. 70). Furthermore, technology can serve an educational and inspirational role, enabling shared spiritual presence across disparate geographical contexts. However, its weaknesses are equally noteworthy; these include the risk of experiential superficiality, the diminishment of contemplative depth, and the reduction of spirituality to a form of consumable, instantaneous content that is perpetually represented and forgotten within algorithmic cycles (Borgmann, 1984, p. 43). These shortcomings further illuminate the necessity of developing a paradigm for digital wayfaring (sulūk), structured around three core components: data-informed solitude, transcendent presence, and algorithmic fanāʾ. Such a model aims to preserve spiritual efficacy while preempting the inherent vulnerabilities of networked existence.ConclusionThe analysis of results revealed that the paradigm of digital Sulūk consists of three interconnected components: first, data-informed solitude—a form of algorithmic silence or deliberate restraint from aimless information sharing, which prevents uncreative immersion in data; second, transcendent presence—a redefinition of human presence in the online environment as a responsible and qualitative mode of being; and third, algorithmic Fanāʾ—not a dissolution into the network, but a conscious experience of the boundary between human and technology, enabling the reflective and ethical management of dependency on constant connectivity (Khaniki & Khojir, 1398 SH/2019 CE, p. 9). Together, these components form a system for organizing human existence in the digital sphere at the psychological, ethical, and social levels, and—when coupled with media literacy education—can significantly enhance spiritual life in the virtual world.Empirical results, particularly those based on the analysis by Mousavi and Alasti (1395 SH/2016 CE, p. 8), demonstrate that sustained presence without solitude fosters internet addiction, cognitive fragmentation, and identity dissonance. Consequently, data-informed solitude within digital wayfaring serves a therapeutic function, enabling the reconstruction of identity in a world saturated with representations. Conversely, transcendent presence in networked environments can be interpreted as an ethical response to the digital sphere of consumerism, potentially expanding the foundation of user accountability (Borgmann, 1984, p. 45; Fanāʾ'i Eshkevari, 1390 SH/2011 CE, p. 7)
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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