1,721,142 research outputs found

    Hospitaller activities in medieval Malta

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    The Medieval Period in the Mediterranean World is generaly considered to cover a period of about a thousand years, and is considered to initiate with the end of the Roman era heralded by the division of the Roman Empure into two parts between the sons of Theodosius in AD 395. It ended with the advent of the Renaissance movement of the fifteenth century. This period in Malta was to see the Islands come under the influence of the Byzantine Empire encompassing the period prior to the ninth century; the Arab dominance starting in AD 870 and lasting until their formal expulsion in the mid-13th century; and the Latin phase of the late 13th century to the early 16th century when the islands were ceded to the Order of St. John of Jerusalem. The documentary sources dated to before the 14th century are rather scanty and often limited to ecclesiastical and political matters. A number of extant documents relate to medical matters, particularly with the setting up and management of hospital services and with matters relating to the affairs of hospitaller orders having links to the Maltese Islands.peer-reviewe

    Forza in età prepuberale: orientamenti metodologici

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    Breve review sulla necessità e modalità di allenare la forza nel calcio giobanil

    Riatletizzazione dopo lesioni capsulo-legamentose della caviglia

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    Si descrivono contenuti e metodologie per il recupero post infortunio del calciator

    Training su superfici instabili: i supporti

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    Breve rassegna sulla metodologia di utilizzo dei differenti supporrti instabili nell'allenamento calcistic

    Regular Matroids Have Polynomial Extension Complexity

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    We prove that the extension complexity of the independence polytope of every regular matroid on n elements is O(n6). Past results of Wong and Martin on extended formulations of the spanning tree polytope of a graph imply a O(n2) bound for the special case of (co)graphic matroids. However, the case of a general regular matroid was open, despite recent attempts. We also consider the extension complexity of circuit dominants of regularmatroids, for which we give a O(n2) bound

    Valutazione delle fasi del salto,

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    si descrivono le fasi del salto con contromovimento evidenziando i differenti pattern di attivazione muscolar

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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