1,720,962 research outputs found
Geología o tras las huellas de la memoria
No full textFil: Fioretti, Lorena. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.Geología o tras las huellas de la memoria es un texto que se propone abordar el libro "Geología" de la chaqueña Claudia Masin. Sostenemos que esta escritura presenta un modo de inscribir la memoria y el olvido en tanto huella que solicita, convoca, atrae la presencia de diversas fuerzas hacia el cuerpo textual que precisan ser interpretadas de un modo singular. Para ello, creemos que la lectura derridiana de algunos textos poéticos nos sugiere interesantes pistas para la formulación de ciertas hipótesis de lectura que entienden la letra en su deriva significante, en su diseminación infinita.Fil: Fioretti, Lorena. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.Estudios Generales de Literatur
El contra-héroe bartheano en el archivo rulfiano: Una Lectura de la memoria y el olvido
No full textEl presente artículo sostiene que es posible leer en Pedro Páramo del escritor Juan Rulfo un modo de comprender la memoria y el olvido. Para realizar esta lectura partimos de la red conceptual que articulan la noción de archivo de Jacques Derrida, la de contra-heroe de Roland Barthes y los conceptos bajtianos de polifonía y dialogismo. Desde esta perspectiva, la construcción de la memoria y el olvido en la obra de Juan Rulfo supone una interpelación del tiempo lineal a partir del que hemos construido la historia e interpretado su devenir.The present article deals with the possibility of reading in Juan Rulfo’s Pedro Páramo a way of understand the memory and forgetfulness topic. With this aim we start from the concept network comprising the Jacques Derrida archive’ notion, the Roland Barthes counter-hero concept and polyphony and dialogism bajtinian concepts. From this point of view, the construction of memory and forgetfulness in this Juan Rulfo’s book, call the lineal time concept -by which the history has been upbuilt and the becoming interpreted- into question.Fil: Fioretti, Lorena Cintia. Universidad Nacional de Cordoba. Facultad de Filosofia y Humanidades. Cent.de Invest. Maria Saleme de Burnichon; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
El contra-héroe bartheano en el archivo rulfiano: Una Lectura de la memoria y el olvido
No full textEl presente artículo sostiene que es posible leer en Pedro Páramo del escritor Juan Rulfo un modo de comprender la memoria y el olvido. Para realizar esta lectura partimos de la red conceptual que articulan la noción de archivo de Jacques Derrida, la de contra-heroe de Roland Barthes y los conceptos bajtianos de polifonía y dialogismo. Desde esta perspectiva, la construcción de la memoria y el olvido en la obra de Juan Rulfo supone una interpelación del tiempo lineal a partir del que hemos construido la historia e interpretado su devenir.The present article deals with the possibility of reading in Juan Rulfo’s Pedro Páramo a way of understand the memory and forgetfulness topic. With this aim we start from the concept network comprising the Jacques Derrida archive’ notion, the Roland Barthes counter-hero concept and polyphony and dialogism bajtinian concepts. From this point of view, the construction of memory and forgetfulness in this Juan Rulfo’s book, call the lineal time concept -by which the history has been upbuilt and the becoming interpreted- into question.Fil: Fioretti, Lorena Cintia. Universidad Nacional de Cordoba. Facultad de Filosofia y Humanidades. Cent.de Invest. Maria Saleme de Burnichon; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentin
Sarduy-Derrida: Writing’s Ashes or Writing as Ashes: A Reading on Memory and Oblivion
No full textEl presente artículo pretende recorrer el camino a través del cual la escritura, la différance y las cenizas, cuestionan el concepto de tiempo lineal por el que hemos construido la historia e interpretado su devenir. Sostenemos que estos conceptos nos permiten pensar un modo diverso de abordar la temática de la memoria y el olvido. Pretendemos acercarnos a la misma, a través de la escritura de Jacques Derrida y Severo Sarduy, porque entendemos que estas líneas textuales aspiran a una construcción ética y estética que supone puntos de fuga o resistencias contra la intención totalizadora del discurso ontológico. Si bien la propuesta que procuramos realizar se inscribe en dos órdenes heterogéneos, el de la literatura y la filosofía, ambos se articulan en el borde que implica el espacio textual.In this article we undertook the path where the writing, the différance and the ashes call the lineal time concept −by which the history has been constructed and the becoming interpreted− into question. We believe that such concepts allow us to diversely think the topic of memory and forgetfulness. Likewise, we approach the topic through the writing of Jacques Derrida and Severo Sarduy because we think that those textual lines tend to an ethical and esthetical construction which implies vanishing points or resistances towards the totalizing aim of ontological discourse. Although the proposal we are addressing here is inscribed into two heterogeneous orders, namely literature and philosophy, both are articulated in the border defined by the textual space.Fil: Fioretti, Lorena Cintia. Universidad Provincial de Cordoba. Facultad de Arte y Diseño.; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba; Argentin
Sarduy-Derrida: Writing’s Ashes or Writing as Ashes: A Reading on Memory and Oblivion
No full textEl presente artículo pretende recorrer el camino a través del cual la escritura, la différance y las cenizas, cuestionan el concepto de tiempo lineal por el que hemos construido la historia e interpretado su devenir. Sostenemos que estos conceptos nos permiten pensar un modo diverso de abordar la temática de la memoria y el olvido. Pretendemos acercarnos a la misma, a través de la escritura de Jacques Derrida y Severo Sarduy, porque entendemos que estas líneas textuales aspiran a una construcción ética y estética que supone puntos de fuga o resistencias contra la intención totalizadora del discurso ontológico. Si bien la propuesta que procuramos realizar se inscribe en dos órdenes heterogéneos, el de la literatura y la filosofía, ambos se articulan en el borde que implica el espacio textual.In this article we undertook the path where the writing, the différance and the ashes call the lineal time concept −by which the history has been constructed and the becoming interpreted− into question. We believe that such concepts allow us to diversely think the topic of memory and forgetfulness. Likewise, we approach the topic through the writing of Jacques Derrida and Severo Sarduy because we think that those textual lines tend to an ethical and esthetical construction which implies vanishing points or resistances towards the totalizing aim of ontological discourse. Although the proposal we are addressing here is inscribed into two heterogeneous orders, namely literature and philosophy, both are articulated in the border defined by the textual space.Fil: Fioretti, Lorena Cintia. Universidad Provincial de Cordoba. Facultad de Arte y Diseño.; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba; Argentin
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
No full textWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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