1,720,985 research outputs found
Panel discussion: What next for climate change reporting?
No full textSeveral of the UK's most influential environment correspondents from the BBC, the Financial Times, The Guardian, The Sun and The Science Media Centre to discuss the challenges of climate change reporting in the coming months The Reuters Institute for the Study of Journalism (RISJ), the School of Geography and Environment and the Environmental Change Institute (ECI) at Oxford University, and the British Council Climate Change Programme are bringing together several of the UK's most influential environment correspondents to discuss the challenges of climate change reporting in the coming months David Adam, The Guardian, Environment Correspondent Richard Black, BBC News website, Environment Correspondent Fiona Harvey, Financial Times, Environment Correspondent Ben Jackson, The Sun, Environment Correspondent Chair, Fiona Fox, Director, Science Media Centre
sj-docx-1-pcr-10.1177_26323524231189523 – Supplemental material for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival
No full textSupplemental material, sj-docx-1-pcr-10.1177_26323524231189523 for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival by Lucy E. Selman, Nicholas Turner, Lesel Dawson, Charlotte Chamberlain, Aisling Mustan, Alison Rivett and Fiona Fox in Palliative Care and Social Practice</p
HSR898229 Supplemental Material - Supplemental material for Consequences of ‘conversations not had’: insights into failures in communication affecting delays in hospital discharge for older people living with frailty
No full textSupplemental material, HSR898229 Supplemental Material for Consequences of ‘conversations not had’: insights into failures in communication affecting delays in hospital discharge for older people living with frailty by Sabi Redwood, Bethany Simmonds, Fiona Fox, Alison Shaw, Kyra Neubauer, Sarah Purdy and Helen Baxter in Journal of Health Services Research & Policy</p
sj-pdf-3-pcr-10.1177_26323524231189523 – Supplemental material for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival
No full textSupplemental material, sj-pdf-3-pcr-10.1177_26323524231189523 for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival by Lucy E. Selman, Nicholas Turner, Lesel Dawson, Charlotte Chamberlain, Aisling Mustan, Alison Rivett and Fiona Fox in Palliative Care and Social Practice</p
sj-docx-2-pcr-10.1177_26323524231189523 – Supplemental material for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival
No full textSupplemental material, sj-docx-2-pcr-10.1177_26323524231189523 for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival by Lucy E. Selman, Nicholas Turner, Lesel Dawson, Charlotte Chamberlain, Aisling Mustan, Alison Rivett and Fiona Fox in Palliative Care and Social Practice</p
sj-pdf-5-pcr-10.1177_26323524231189523 – Supplemental material for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival
No full textSupplemental material, sj-pdf-5-pcr-10.1177_26323524231189523 for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival by Lucy E. Selman, Nicholas Turner, Lesel Dawson, Charlotte Chamberlain, Aisling Mustan, Alison Rivett and Fiona Fox in Palliative Care and Social Practice</p
sj-pdf-4-pcr-10.1177_26323524231189523 – Supplemental material for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival
No full textSupplemental material, sj-pdf-4-pcr-10.1177_26323524231189523 for Engaging and supporting the public on the topic of grief and bereavement: an evaluation of Good Grief Festival by Lucy E. Selman, Nicholas Turner, Lesel Dawson, Charlotte Chamberlain, Aisling Mustan, Alison Rivett and Fiona Fox in Palliative Care and Social Practice</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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