1,721,043 research outputs found
L’archéologie et l’histoire de Jérusalem (1000-700 av. J.-C.)
No full textFinkelstein Israel. L’archéologie et l’histoire de Jérusalem (1000-700 av. J.-C.) . In: Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, 156e année, N. 2, 2012. pp. 827-858
Archéologie traditionnelle et micro-archéologie : l’exemple des sites des hauteurs du Negev (Israël) à l’âge du Fer
No full textFinkelstein Israel. Archéologie traditionnelle et micro-archéologie : l’exemple des sites des hauteurs du Negev (Israël) à l’âge du Fer. In: Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres, 160e année, N. 1, 2016. pp. 233-254
The Bible Unearthed: Archaeology\u27s New Vision of Ancient Israel and the Origin of its Sacred Texts
Full text linkAuthor: Finkelstein, Israel. Title: Bible unearthed. Publisher: New York: Simon and Schuster, 2002
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
La historia del Antiguo Israel: la arqueología y el registro bíblico - la perspectiva en 2015
No full textIn this study on the relationship between archaeology and the biblical text, the author explains a sort of “via media” which allows the reconstruction of the history of Ancient Israel without adhering to either maximalism or minimalism. He combines modern archaeological techniques with theories that come from the Annales school for the study of history in order to deal with issues such as chronology of Iron Age sites, early scribal activity in the Hebrew Kingdoms, history of compilation of ‘historical’ texts, transmission of oral traditions and written texts etc. The author deals with themes related to seven centuries, starting with the days of Jeroboam II in Israel, continuing in late monarchic Judah and ending in Hasmonean times. En este estudio sobre la relación entre la arqueología y el texto bíblioco, el autor propone una “via media” que permita la reconstrucción de la historia del Antiguo Israel sin adherir ni al maximalismo ni al minimalismo. Se combinan modernas técnicas arqueológicas con teorías provenientes de la escuela de los Annales para el estudio de la historia, a fines de abordar aspectos tales como la cronología de los sitios de la Edad del Hierro, la temprana actividad escribal en los reinos hebreos, la historia de la compilación de los textos históricos, la transmisión de las tradiciones orales y los textos escritos, etc. El autor aborda temas correspondientes a siete siglos, comenzando con el reino de Jeroboam en Israel, continuando con la monarquía tardía en Judá y concluyendo en los tiempos hasmoneos.
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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