202 research outputs found
The 'S' Project from Fordham to Ucluelet and Ucluelet to Fordham. (The shortest distance is not a straight line).
No full textA collection of writings and images taken from 'S', a collaborative project between Gudrun Filipska in the Uk and the Canadian artist Carly Butler. It involves a combination of real and virtual walking, various documented mapping processes, a series of photographs, prints and performance works and an archive of postal communique. The title of the project references the first transatlantic wireless signal sent from Cornwall to Newfoundland in 1901. The message was simply the morse code signal for the letter 'S'. See more about the Project at http://www.gudrunfilipska.com/work-avenue/#/from-fordham-to-ucluelet/
Walkcreate : Virtual walk 'S' - Gudrun Filipska Carly Butler
No full textWalking Publics/Walking Arts is a research project funded by the Arts and Humanities Research Council exploring the potential of the arts to sustain, encourage and more equitably support walking during and recovering from a pandemic
Interview with Gudrun Filipska - (Arts) Territory Exchange - SLEUCE Magazine issue 12/Territory 1.
No full textAn interview about territory, nationalism, borders and distance relating to (arts) Territory Exchange and the work of Australian artist Alana Hunt
'Carly Butler and Gudrun Filipska chart course from Ucluelet to the U.K. in newly digitized work' : Teghan Beaudette · CBC Arts
No full textAn article published on a collaborative project with artist Carly Butler on CBC Arts Canada
S Project website and APP https://sproject.ucraft.site : App developed with funding from Canada Council for the Arts Digital Originals Programme. Co Author Carly Butler.
No full textLATAR DALAM KINDERROMAN “OMA! SCHREIT DER FRIEDER” KARYA GUDRUN MEBS
No full textABSTRAK
NINDIA NOVIANTI, 2020. Latar dalam Kinderroman “Oma! Schreit der Frieder” Karya Gudrun Mebs. Skripsi, Jakarta : Program Studi Pendidikan Bahasa Jerman, Fakultas Bahasa dan Seni, Universitas Negeri Jakarta.
Tujuan dari penelitian ini adalah untuk megetahui latar yang terdapat dalam Kinderroman “Oma! Schreit der Frieder“ karya Gudrun Mebs sebagai salah satu cara untuk menambah pemahaman mahasiswa tentang karya sastra, khususnya dalam bentuk prosa, yaitu Kinderroman. Penelitian ini menggunakan metode kualitatif dengan teknik studi pustaka.
Fokus penelitian ini yaitu latar dalam Kinderroman “Oma! Schreit der Frieder“ karya Gudrun Mebs. Data dalam penelitian ini adalah kalimat yang menggambarkan latar dalam Kinderroman, yang dianalisis berdasarkan jenis latar menurut teori Claus Gigl. Bedasarkan hasil analisis ditemukan 6 jenis latar yang dalam Kinderroman Oma! Schreit der Frieder karya Gudrun Mebs, yaitu Handlungsraum sebanyak 34 data, Stimmungsraum 30 data, Lebensraum 9 data, Gedankenraum 6 data, Symbolraum 4 data dan Kontrastraum 1 data. Latar yang paling banyak ditemukan adalah Handlungsraum, karena pengarang ingin lebih menunjukan suatu peristiwa sebagai tempat atau lokasi kegiatan tokoh beraktivitas.
Berdasarkan analisis tersebut, penelitian ini diharapkan dapat digunakan sebagai materi tambahan untuk membantu pemahaman mahasiswa Program Studi Pendidikan Bahasa Jerman mengenai latar terutama dalam Kinderroman.
Kata Kunci: Latar, Kinderroman, Oma! Schreit der Frieder, Gudrun Mebs
ABSTRACT
NINDIA NOVIANTI, 2020. The Setting in Kinderroman "Oma! Schreit der Frieder" by Gudrun Mebs. Thesis, Jakarta: German Language Education Study Program, Faculty of Language and Art, Jakarta State University.
The purpose of this study is to find out the setting contained in the "Oma! Schreit der Frieder" by Gudrun Mebs as one way to increase students' understanding of literary works, especially in the form of prose, namely Kinderroman. This study uses qualitative methods with literature study techniques.
The focus of this research is the setting in the Kniderroman "Oma! Schreit der Frieder" by Gudrun Mebs. The data in this study are sentences that describe the setting in Kinderroman, which are analyzed based on the type of setting according to Claus Gigl's theory. Based on the results of the analysis found 6 types of background in Oma! Schreit der Frieder by Gudrun Mebs, namely Handlungsraum with 34 data, Stimmungsraum 30 data, Lebensraum 9 data, Gedankenraum 6 data, Symbolraum 4 data and Kontrastraum 1 data. The most common setting is Handlungsraum, because the author wants to show an event more as a place or location for activities of a character.
Based on this analysis, this research is expected to be used as additional material to help students understand the German Language Study Program regarding background, especially in Kinderroman.
Keywords: Setting, Kinderroman, Oma! Schreit der Frieder, Gudrun Mebs
On the Representation of ‘Worst Case Scenarios’ in Kafka’s Short Stories “Metamorphosis” and “A Hunger Artist’’
No full textIn occasione del centenario della morte di Franz Kafka, il presente documento affronta la questione del perché questo autore appartenga ancora agli scrittori più affascinanti del mondo di lingua tedesca. Oltre agli aspetti generali della ricezione letteraria della sua opera, vengono esaminate questioni fondamentali riguardanti il rapporto tra rappresentazione letteraria e realtà. In questo contesto, l'attenzione si concentra su due dei suoi racconti più letti, “Metamorfosi" (Die Verwandlung) e “Il digiunatore" (Ein Hungerkünstler). L'approccio teorico è integrato da una sezione più storica e descrittiva, in cui vengono presentate la biografia e le opere di Kafka. Dopo una valutazione degli approcci interpretativi alle due opere selezionate per la nostra analisi, ci concentriamo in particolare sulla descrizione progressiva delle catastrofi. La sequenza degli eventi negativi per i protagonisti descritti nei racconti di Kafka viene sistematicamente registrata ed elaborata per fornire ulteriori argomenti che caratterizzano Kafka oggi, a cento anni dalla sua morte, come un importante autore moderno.On the occasion of the 100th anniversary of Franz Kafka's death, this document presents some reasons why this author is still one of the most fascinating writers in the German-speaking world. The document examines the general principles of Franz Kafka's literary work together with some fundamental questions such as the relationship between literary representation and reality in two of his most-read stories, “Metamorphosis” and “A Hunger Artist”. Some important aspects of literary reception are considered and the theoretical approach is complemented by a more historical and descriptive section, in which Kafka's biography and his works (literary history) are presented. The focus is on the evaluation and interpretative approaches to the two works selected for our analysis, in particular on the progressive description of catastrophes (literary criticism). The sequence of negative events for the protagonists described in Kafka's stories are systematically recorded and processed to provide additional arguments that characterize Kafka today, one hundred years after his death, as an important modern author
‘The near the far, the fast and the slow, the complications and ethical entanglements of artists’ travel experiences. On foot, by flight and at sea.’ : Lancaster University - Conference: Iceland. Mobility, spatiality, virtuality. : Defining new touristic relationships through remote encounters, distant desires and embodied experiences.
No full text‘Running across urgent terrains: Safety, collectivity, care and unknowing in the work of the Running Artfully Network’ : Commissioned writing in response to the RUNNING ARTFULLY NETWORK – LAUNCH EVENT - organised by Manchester School of Art, Anglia Ruskin University and Fermynwoods Contemporary Art.
No full textCommissioned writing in response to the RUNNING ARTFULLY NETWORK – LAUNCH EVENT - organised by Manchester School of Art, Anglia Ruskin University and Fermynwoods Contemporary Art
Proxmity and distance, new affinities and possibilities for artist's travel cultures in a post Covid world : Developing positions of solidarity and kinship with other mobile bodies
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