1,720,969 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Spatial Literary Studies [Reseña de libro]
Reseña del libro: T. Tally Jr. and Christine M. Battista (eds.), "Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Spatial Literary Studies" (New York: Palgrave Macmillan, 2016), 214 pp
Book Review of Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Spatial Literary Studies // Reseña de Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Spatial Literary Studies
Book review of Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Spatial Literary Studies. Resumen Reseña de Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Spatial Literary Studies
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Reseña de \u27Indigenous, Modern and Postcolonial Relations to Nature: Negotiating the Environment\u27
Book review of Indigenous, Modern and Postcolonial Relations to Nature: Negotiating the Environment.Reseña de Indigenous, Modern and Postcolonial Relations to Nature: Negotiating the Environment
Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’s Letters, Journals and Watercolours from the Cape Colony (1797–1801)
The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical self-deprecation in her writing to prevent violating the gender norms of her time. Furthermore, they facilitate a discussion of her subject position, particularly with respect to the period’s media landscape and manuscript culture, as well as some of the contemporaneous artistic conventions. While Barnard’s views and approaches to the Cape and its inhabitants are shown to occasionally echo officialdom, she needs to be read as a rather sophisticated observer who sometimes subtly breaks these conventions
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