1,720,961 research outputs found
Living history and the communication of archaeology with the public
Oživljena povijest obuhvaća širok raspon pokušaja prezentacije činjenica, predmeta, osoba i događaja iz prošlosti, a riječ je o unaprijed pripremljenoj, povijesno istraženoj i prikladno opremljenoj edukativno-turističkoj aktivnosti u kojoj sudionici slijede striktno zadani plan koji oživljava neke aspekte povijesnog događaja ili razdoblja. Oživljavanje povijesti je kao fenomen zabilježen od staroga vijeka, primjerice u doba Rimske Republike i Rimskoga Carstva često je bilo oživljavanje starijih rimskih pomorskih bitaka u prostorima amfiteatara ili na jezerima. U srednjem vijeku tehnike oživljene povijesti koristile su se u širenju kršćanskih religijskih narativa, dok je u ranome novome vijeku visoko plemstvo nastavilo s izvođenjem viteških turnira kasnoga srednjovjekovlja, ali i naumahija. Oživljena povijest jedna je od popularnijih metoda privlačenja publike na manifestacije i u arheološke parkove diljem Europe. Osim u popularizaciji arheologije kao znanosti, oživljena je povijest gotovo jedinstvena kao pomoć i prilikom predstavljanja i prikazivanja široj javnosti rezultata izvođenja arheoloških eksperimenata. U Hrvatskoj od početka 2000. godine možemo sve više pratiti manifestacije oživljene povijesti koje provode i organiziraju znanstvene i edukativne institucije, ali i udruge građana u znatno većem broju.Living history encompasses a wide range of attempts at presenting the facts, objects, persons, and events from history. It is a pre-planned, historically researched, and appropriately equipped educational and touristic activity in which the participants follow a strict plan that brings some aspects of a historical event or period to life. Living history as a phenomenon has been recorded since antiquity: re-enactment of previous Roman naval battles was common in amphitheatres or lakes of the Roman Republic and Empire. In the Middle Ages, the living history techniques were used for spreading Christian religious narratives, while in the early modern period, the high nobility continued organizing tournaments of the Late Middle Ages and naumachiae. Living history is one of the crucial factors of attracting the audience to events and archaeological parks across Europe. Besides the popularization of archaeology as a science, it offers an almost unique form of help with conducting archaeological experiments. We can trace evermore living history events in Croatia since the early 2000s, performed and organized by scientific and educational institutions, but also by citizen associations, in significantly increasing numbers
Living history and the communication of archaeology with the public
Oživljena povijest obuhvaća širok raspon pokušaja prezentacije činjenica, predmeta, osoba i događaja iz prošlosti, a riječ je o unaprijed pripremljenoj, povijesno istraženoj i prikladno opremljenoj edukativno-turističkoj aktivnosti u kojoj sudionici slijede striktno zadani plan koji oživljava neke aspekte povijesnog događaja ili razdoblja. Oživljavanje povijesti je kao fenomen zabilježen od staroga vijeka, primjerice u doba Rimske Republike i Rimskoga Carstva često je bilo oživljavanje starijih rimskih pomorskih bitaka u prostorima amfiteatara ili na jezerima. U srednjem vijeku tehnike oživljene povijesti koristile su se u širenju kršćanskih religijskih narativa, dok je u ranome novome vijeku visoko plemstvo nastavilo s izvođenjem viteških turnira kasnoga srednjovjekovlja, ali i naumahija. Oživljena povijest jedna je od popularnijih metoda privlačenja publike na manifestacije i u arheološke parkove diljem Europe. Osim u popularizaciji arheologije kao znanosti, oživljena je povijest gotovo jedinstvena kao pomoć i prilikom predstavljanja i prikazivanja široj javnosti rezultata izvođenja arheoloških eksperimenata. U Hrvatskoj od početka 2000. godine možemo sve više pratiti manifestacije oživljene povijesti koje provode i organiziraju znanstvene i edukativne institucije, ali i udruge građana u znatno većem broju.Living history encompasses a wide range of attempts at presenting the facts, objects, persons, and events from history. It is a pre-planned, historically researched, and appropriately equipped educational and touristic activity in which the participants follow a strict plan that brings some aspects of a historical event or period to life. Living history as a phenomenon has been recorded since antiquity: re-enactment of previous Roman naval battles was common in amphitheatres or lakes of the Roman Republic and Empire. In the Middle Ages, the living history techniques were used for spreading Christian religious narratives, while in the early modern period, the high nobility continued organizing tournaments of the Late Middle Ages and naumachiae. Living history is one of the crucial factors of attracting the audience to events and archaeological parks across Europe. Besides the popularization of archaeology as a science, it offers an almost unique form of help with conducting archaeological experiments. We can trace evermore living history events in Croatia since the early 2000s, performed and organized by scientific and educational institutions, but also by citizen associations, in significantly increasing numbers
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Living Danube Limes; EU Danube Transnational Programme
U srpnju 2020. godine započeo je projekt Living Danube Limes u kojem Institut za arheologiju sudjeluje kao projektni partner u konzorciju kojeg čini 19 projektnih partnera iz 10 europskih država. Glavni cilj projekta je povezivanje čitave dunavske regije kroz njezino zajedničko rimsko nasljeđe, Dunavski limes. Projektom će biti obuhvaćeno osam pilot lokacija od kojih će jedna biti u Hrvatskoj. Na ovim lokacijama provest će se niz mjera interpretacije, prezentacije i popularizacije arheološke baštine vezane za rimski dunavski limes. Kao glavni povezujući faktor projekt planira izgraditi repliku rimskog broda tipa Mainz – Lusoria. Ovaj brod zaplovit će Dunavom i fizički spojiti navedene pilot lokacije po završetku projekta.In July 2020, the Living Danube Limes project began, in which the Institute of Archeology participates as a project partner in a consortium consisting of 19 project partners from 10 European countries. The main goal of the project is to connect the entire Danube region through its common Roman heritage, the Danube Limes. The project will cover 8 pilot locations, one of which will be in Croatia. A number of activities regarding the interpretation, presentation, and popularization of the archeological heritage related to the Roman Danube Limes will be carried out at these locations. As the main connecting factor, the project plans to build a replica of a Roman ship of the Mainz - Lusoria type. This ship will sail on the Danube and physically connect the mentioned pilot locations upon completion of the project
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Living Danube Limes; EU Danube Transnational Programme
U srpnju 2020. godine započeo je projekt Living Danube Limes u kojem Institut za arheologiju sudjeluje kao projektni partner u konzorciju kojeg čini 19 projektnih partnera iz 10 europskih država. Glavni cilj projekta je povezivanje čitave dunavske regije kroz njezino zajedničko rimsko nasljeđe, Dunavski limes. Projektom će biti obuhvaćeno osam pilot lokacija od kojih će jedna biti u Hrvatskoj. Na ovim lokacijama provest će se niz mjera interpretacije, prezentacije i popularizacije arheološke baštine vezane za rimski dunavski limes. Kao glavni povezujući faktor projekt planira izgraditi repliku rimskog broda tipa Mainz – Lusoria. Ovaj brod zaplovit će Dunavom i fizički spojiti navedene pilot lokacije po završetku projekta.In July 2020, the Living Danube Limes project began, in which the Institute of Archeology participates as a project partner in a consortium consisting of 19 project partners from 10 European countries. The main goal of the project is to connect the entire Danube region through its common Roman heritage, the Danube Limes. The project will cover 8 pilot locations, one of which will be in Croatia. A number of activities regarding the interpretation, presentation, and popularization of the archeological heritage related to the Roman Danube Limes will be carried out at these locations. As the main connecting factor, the project plans to build a replica of a Roman ship of the Mainz - Lusoria type. This ship will sail on the Danube and physically connect the mentioned pilot locations upon completion of the project
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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