124 research outputs found
Fulgurances Gharbaoui (1931-1971), textes de Yasmina Filali et reproductions d'œuvres de Jilali Gharbaoui
No full textSamrakandi Mohammed Habib. Fulgurances Gharbaoui (1931-1971), textes de Yasmina Filali et reproductions d'œuvres de Jilali Gharbaoui. In: Horizons Maghrébins - Le droit à la mémoire, N°33-34, 1997. Itinérances. Art contemporain marocain. La question de la critique d'art. p. 142
Autophagy at a crossroads:Investigating the regulation and functions of autophagy
Get PDFOur cells must recycle their «waste» to stay healthy, work properly, and adapt to survive. Autophagy is a cellular recycling process that helps cells break down and reuse their damaged, harmful, or unnecessary parts. Cells create membranous «bags» called autophagosomes to sequester the unwanted material. Once the «waste» is bagged, autophagosomes fuse with lysosomes, delivering their contents inside these acidic organelles. Lysosomes act like the cell's digestive system enzymatically degrading unwanted material like proteins, sugars, and fats into basic «building blocks». These are then used as fuel or recycled to build new parts for the cell. When autophagy is defective, unwanted material builds up, which can cause various diseases, including neurodegenerative disorders and cancer.This thesis explores how the formation of autophagosomes is regulated. We studied the role of specific motor proteins, called dynamins, in controlling the transport of a key autophagy protein, Atg9. We also identified enzymes that regulate autophagy and are involved in adding or removing a special molecular tag named ubiquitin to proteins. This thesis also explores how degrading specific proteins by autophagy is important for the cell to adapt its metabolism when nutrient levels change. For this, we developed a new experimental tool that helps identify proteins degraded by autophagy at a specific time in baker’s yeast. We found proteins, including metabolic enzymes, that may be specifically degraded to adapt to nitrogen scarcity in this model organism.Our findings improve our understanding of the regulation of autophagy and its role in metabolic adaptations
Histoire et fiction dans À quoi rêvent les loups ? de Yasmina Khadra
Get PDFHistory and Fiction in the novel What Wolves Dream Yasmina KhadraSuccessful author translated into several languages, yasmina khadra of his real name Mohamed Moulessehou is no longer to be presented. An officer in the Algerian army, he participated in the fight against terrorism, the institution he left in two thousand to dedicate himself to his vocation writing, he chose to do French. Morituri reveals it to the general public. The work of Yasmina Khadra is part of a particular political context, so the reader is tapped between two diametrically opposed positions insofar as the latter sees herself hearing between the analysis of a real lived that is identifiable and that of d A fictional production in the strict sense of the word. It is therefore at the threshold of our research that we must question the notion of fiction in its epistemological meaning and in its distanced view of reality in order to account for the extent of the fictitious composition that structures the works of Yasmina Khadra. Our attention will be limited to the analysis of a novel Wolf Dreams that exploit the referential spaces within which is traced the Algerian tragedy of the nineties. However, the paratexte according to Gérard Genette specifies that it is an artistic production signed by an author. It is around this novel and the double reading that he proposes(Reading fictional / factual reading) that articulates our problematic:-what are the superior processes the author uses to pass from history to fiction?-By passing from history to fiction, what effect does it seek to produce on the reader?Based on the notions History / Fiction, we will see commentary through the course of the character Nafa walid, it slips from a real space to a fictional space. For more information, please visit our website. Gérard Genette, John Searle, Jean-Marie and Philippe Lejeune, which makes our analysis a multidisciplinary approach.
Yasmina Khadra et le lecteur occidental
No full textTaking the example of the Algerian novelist Yasmina Khadra, the present study examines the intercultural discourse created by North African fiction addressing a Western reader. Considering a novel originally published in France in 2006, namely Les sirènes de Bagdad, the study suggests that already the choice of language and genre is an expression of the author’s approaching of the Western reader. Also, the Western reader is written into the story by didactic features and referential play. Examining Yasmina Khadra’s image and the rhetoric of his narrative, the study finds that the author produces intermediate acts of speech aiming to make certain aspects of Arabic culture intelligible to the Western reader. Judging from the reception in Europe and in the USA, the prose in question is generally perceived as a relevant and enlightening commentary to the situation in the Middle-East. However, some German critics seem reluctant towards the authority of the writer and to parts of the referential grounding. The study suggests that the differences of opinion in this respect depend on varying degrees of readiness to accept the designated role of the reader inherent to the enunciative situation
The Purposes of Tasybih Used in The Novel Sununuwati Kabul by Yasmina Khadra (Rhetoric Analysis)
Get PDFBalaghah Anaylis has a fundamental goal namely, to convey the beauty of the grammar of language conveyed by the author in prose to convey the intended purpose to the readers especially in the novel Sununuwati Kabul by Yasmina Khadra. The author of the novel Sununuwati Kabul uses the tasybih language style to convey ideas and goals. In this study, the researcher used a qualitative type of research in which this study was more of a description or explanation of existing data for the research method, the researcher used the descriptive analysis method. This method is done by explaining or describing the data, followed by analyzing the data using a predetermined theory. As for the data collection technique، the researcher uses the library research method or library research to explain the data in this study. The results of this study are that there are 65 data on tasybih language styles in the novel Sununuwati Kabul by Yasmina Khadra، agrodu wa fawaidut tasybih by Yasmina Khadra، there are five types namely explaining the state of musyabbah explaining the size of the state of musyabbah determining the state of musyabbah decorating the musyabbah and vilifying the musyabbah
Yasmina Reza, Le miroir et le masque
No full textYasmina Reza, auteur de théâtre français, reconnue dans le monde entier, a reçu les prix les plus prestigieux : trois Molières (FR), un Laurence Olivier Award (GB), deux Tony Award (USA), le Die Welt (All), pour ne citer qu eux. En France, elle est encore souvent considérée comme un auteur à succès, n offrant au public qu une forme de théâtre de boulevard contemporain. L étude précise des textes dramatiques de Yasmina Reza, de sa langue, de ses personnages et des structures de ses pièces, laisse apparaître sous le masque de la comédie une richesse et une complexité plus profondes. Elle met en scène des personnages bourgeois dont la vie se caractérise par une certaine facilité, tout en levant le voile sur des préoccupations métaphysiques universelles. Il s agit toujours de la confrontation de l homme avec le monde ou avec ses semblables. Cette pensée de l individu inquiet s accompagne dans la forme d une réflexion sur le pouvoir de l art dramatique. La caractérisation bourgeoise de son théâtre est autant un miroir tendu au public qu un masque qui voile une interrogation permanente sur le sens de la vie et de l art, dans la continuité du travail de l avant-garde du milieu du XXe siècle dont elle se révèle être une relève inattendue.The Famous French playwright Yasmina Reza received some of the most prestigious prices in the world : three Molières (FR), a Laurence Olivier Award (UK), two Tony Award (USA), a Die Welt (DE). Nevertheless, in France she is still considered as merely a successful author, with some kind of new farce to offer. A specific study of Yasmina Reza s drama, including her language, her characters and the architecture of her plays, brings out other meaningful and complex colors from under the mask of comedy. She stages middle-class characters whose life is quite easy; in the meantime she reveals universal metaphysical issues. It is always about a clash between a person and the world or a person and his kind. This reflection about the anxious being goes on stage with a reconsideration of the power of theater. The middle-class characterization is a mirror for the audience as well as it is a mask that covers a constant questioning about the meaning of life and art, continuing the work of the avant-garde of the middle of the 20th century, of which she appears to be an unexpected new recruit.PARIS4-Bib. électronique (751059905) / SudocSudocFranceF
Yasmina Khadra et le lecteur occidental
No full textTaking the example of the Algerian novelist Yasmina Khadra, the present study examines the intercultural discourse created by North African fiction addressing a Western reader.Considering a novel originally published in France in 2006, namely Les sirènes de Bagdad, the study suggests that already the choice of language and genre is an expression of the author’s approaching of the Western reader. Also, the Western reader is written into the story by didactic features and referential play. Examining Yasmina Khadra’s image and the rhetoric of his narrative, the study finds that the author produces intermediate acts of speech aiming to make certain aspects of Arabic culture intelligible to the Western reader. Judging from the reception in Europe and in the USA, the prose in question is generally perceived as a relevant and enlightening commentary to the situation in the Middle-East. However, some German critics seem reluctant towards the authority of the writer and to parts of the referential grounding. The study suggests that the differences of opinion in this respect depend on varying degrees of readiness to accept the designated role of the reader inherent to the enunciative situation.</p
Yasmina Reza, the Mirror and the mask
No full textYasmina Reza, auteur de théâtre français, reconnue dans le monde entier, a reçu les prix les plus prestigieux : trois Molières (FR), un Laurence Olivier Award (GB), deux Tony Award (USA), le Die Welt (All), pour ne citer qu’eux. En France, elle est encore souvent considérée comme un auteur à succès, n’offrant au public qu’une forme de théâtre de boulevard contemporain. L’étude précise des textes dramatiques de Yasmina Reza, de sa langue, de ses personnages et des structures de ses pièces, laisse apparaître sous le masque de la comédie une richesse et une complexité plus profondes. Elle met en scène des personnages bourgeois dont la vie se caractérise par une certaine facilité, tout en levant le voile sur des préoccupations métaphysiques universelles. Il s’agit toujours de la confrontation de l’homme avec le monde ou avec ses semblables. Cette pensée de l’individu inquiet s’accompagne dans la forme d’une réflexion sur le pouvoir de l’art dramatique. La caractérisation bourgeoise de son théâtre est autant un miroir tendu au public qu’un masque qui voile une interrogation permanente sur le sens de la vie et de l’art, dans la continuité du travail de l’avant-garde du milieu du XXe siècle dont elle se révèle être une relève inattendue.The Famous French playwright Yasmina Reza received some of the most prestigious prices in the world : three Molières (FR), a Laurence Olivier Award (UK), two Tony Award (USA), a Die Welt (DE). Nevertheless, in France she is still considered as merely a successful author, with some kind of new farce to offer. A specific study of Yasmina Reza’s drama, including her language, her characters and the architecture of her plays, brings out other meaningful and complex colors from under the mask of comedy. She stages middle-class characters whose life is quite easy; in the meantime she reveals universal metaphysical issues. It is always about a clash between a person and the world or a person and his kind. This reflection about the anxious being goes on stage with a reconsideration of the power of theater. The middle-class characterization is a mirror for the audience as well as it is a mask that covers a constant questioning about the meaning of life and art, continuing the work of the avant-garde of the middle of the 20th century, of which she appears to be an unexpected new recruit
Yasmina Khadra et le lecteur occidental
No full textTaking the example of the Algerian novelist Yasmina Khadra, the present study examines the intercultural discourse created by North African fiction addressing a Western reader.Considering a novel originally published in France in 2006, namely Les sirènes de Bagdad, the study suggests that already the choice of language and genre is an expression of the author’s approaching of the Western reader. Also, the Western reader is written into the story by didactic features and referential play. Examining Yasmina Khadra’s image and the rhetoric of his narrative, the study finds that the author produces intermediate acts of speech aiming to make certain aspects of Arabic culture intelligible to the Western reader. Judging from the reception in Europe and in the USA, the prose in question is generally perceived as a relevant and enlightening commentary to the situation in the Middle-East. However, some German critics seem reluctant towards the authority of the writer and to parts of the referential grounding. The study suggests that the differences of opinion in this respect depend on varying degrees of readiness to accept the designated role of the reader inherent to the enunciative situation.</p
Le mode de l’antithèse exercé dans la trilogie de Yasmina Khadra
No full textDans le présent article nous essayerons de mettre le point sur le mode de l’antithèse travaillé par l’écrivain algérien d’expression française Yasmina Khadra et les éléments portés sur l’idée personnifiée dans les trois romans de sa trilogie sur le dialogue des sourds (Les hirondelles de Kaboul, Les sirènes de Bagdad et L’attentat). Nous analyserons également le pathos comme procédé argumentatif adopté et soutenu par l’auteur, à savoir son comportement à la fois interprétatif et autoritaire.
Abstract
In this article we will try to take stock of the mode of antithesis worked by the French-speaking Algerian writer Yasmina Khadra and the elements of the dialogue related to the personified idea in the three novels of her trilogy on the dialogue of deaf (The Swallows of Kabul, The Sirens of Bagdad and The Attack). We will also analyze pathos as an argumentative process adopted and supported by the author, namely his behavior that is both interpretative and authoritarian
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