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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    D3.1 Report on survey of sector training needs

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    This deliverable describes the conception and execution of the survey on training needs in digital preservation and curation carried out in the context of the DigCurV project. It summarises the main findings of the survey together with those from a series of focus group meetings held in the partner countries and also an analysis of job advertisements which have appeared since January 2011 when the project began. The detailed analysis of the survey results is available as an appendix to this deliverable. Section 2 gives an overview of the three components of the research carried out. Section 3, after an introduction, presents the results of the survey on training needs that was carried out in July and August 2011. The survey aimed at identifying the skills and competences needed for digital preservation and curation as well as the needs for vocational education and training in this field. It was structured into four parts that concentrated on basic information about the respondent’s organisation, training plans and preferences, the skills and competences required and the training needs. The survey received 454 valid responses from 44 countries, with the majority of them coming from Europe. The participants represent a broad spectrum of organisations from the cultural heritage as well as the scientific and education sectors and are engaged in a variety of activities with regard to digital preservation and curation. The data collected shows that the overwhelming majority of organisations face the challenge of digital preservation and curation. About three quarters of the institutions in our survey already store digital materials for long-term preservation and almost a fifth are planning to do so in the future. Despite this fact, more than half of the organisations do not intend to hire new staff for digital preservation activities. In many cases it seems likely that the tasks associated with the long-term storage of digital assets will be assigned to existing staff who will need to acquire the necessary skills and competences if they do not have these already. Thus the survey results suggest there is likely to be a substantial need for appropriate training amongst these organisations. Section 4 gives a summary of the analysis of the focus groups that were conducted to gather additional information from stakeholders. The findings support the results of the survey analysis. The participants reported a severe lack of professionals with the appropriate skills for digital preservation and curation both among existing staff of their institutions and potential staff on the labour market. They expressed an urgent need for training, particularly with regard to IT skills and technical digital preservation skills. Generic skills, management skills and the ability to train others have also been indicated as areas with a considerable training need. Section 5 presents the analysis of 48 job advertisements for positions in the field of digital preservation and curation. The information obtained with regard to the tasks, skills and competences relevant in the field of digital preservation and curation underpins the findings of the survey and the focus groups. The task responsibilities and the corresponding skills, competences and knowledge are wide-ranging and cover many digital preservation-specific and technical as well as general areas. Section 6 synthesises the findings and draws conclusions. The results of the research suggest a great demand for training in digital preservation and curation that arises from a serious lack of qualified staff in the field. The findings revealed a broad spectrum of skills and competences relevant for staff involved in digital preservation. When designing training, this diversity as well as the integration of practical application and the suitability of the format for working staff should be taken into account. This report together with the report on the baseline survey on training opportunities and the evaluation framework will be used as a background for developing a curriculum framework for vocational education and training in the field.The DigCurV project was funded by the European Commission's Leonardo da Vinci programme

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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