906 research outputs found

    La guía del cine mexicano : de la pantalla grande a la televisión, 1919-1984 / E. García Riera, F. Macotela.

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    Primera publicación sobre el cine mexicano con una estructura de guía, al modo de los populares trabajos que son frecuentes sobre todo en el ámbito anglonorteamericano. Elaborada por el historiador Emilio García y Riera y el funcionario Fernando Macotela, está formada por una selección de aproximadamente mil 500 películas mexicanas producidas entre 1919 y 1984, de las que se da cuenta con una ficha técnica básica, fecha de producción y duración, un comentario y una calificación representada con el signo convencional de los astéricos o "estrellitas". Los filmes aparecen ordenados alfabéticamente, pero para auxiliar la consulta los autores agregaron una relación de títulos organizados cronológicamente y un índice de directores

    Maria-Mercè Marçal, autora de contes

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    In this article Carme Riera talks about Marçal as a short-story writer, aspect of the author which is less discussed than her poems and novels, but, according to Riera, not at all insignificant. She discusses the three short stories Marçal wrote for adults: Joc de màscares, El retorn and Tronatrons (unpublished). Riera refers to the game of intertextualtity in Marçal’s work; Joc de màscares, which takes Riera´s novel, Te deix, amor, la mar com a penyora, as a starting point, and Tronatrons, which Riera feels could well be intended to pay a tribute to Víctor Català, whose work was well-known by Marçal. Finally, the author of this article talks about the importance of the recurring motif of the mirror in Marçal´s work, both in her poetry and novels

    Maria-Mercè Marçal: Short-Story Writer

    No full text
    In this article, Carme Riera talks about Marçal as a short-story writer, an aspect of the author which is less discussed than her poems and novels, but, according to Riera, not at all insignificant. She discusses the three short stories Marçal wrote for adults: Joc de màscares, El retorn and Tronatrons (unpublished). Riera refers to the game of intertextuality in Marçal’s work; Joc de màscares, which takes Riera’s novel, Te deix, amor, la mar com a penyora, as a starting point, and Tronatrons, which Riera feels could well be intended to pay a tribute to Víctor Català, whose work was well-known by Marçal. Finally, the author of this article talks about the importance of the recurring motif of the mirror in Marçal’s work, both in her poetry and novels

    Maria-Mercè Marçal, Short-Story Writer

    No full text
    In this article Carme Riera talks about Marçal as a short-story writer, aspect of the author which is less discussed than her poems and novels, but, according to Riera, not at all insignificant. She discusses the three short stories Marçal wrote for adults: Joc de màscares, El retorn and Tronatrons (unpublished). Riera refers to the game of intertextualtity in Marçal’s work; Joc de màscares, which takes Riera´s novel, Te deix, amor, la mar com a penyora, as a starting point, and Tronatrons, which Riera feels could well be intended to pay a tribute to Víctor Català, whose work was well-known by Marçal. Finally, the author of this article talks about the importance of the recurring motif of the mirror in Marçal´s work, both in her poetry and novels

    Els prefacis ficcionals en la narrativa de Carme Riera

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     Fictional prefaces in the narrative of Carme RieraCarme Riera is one of the canonical authors of Catalan contemporary narrative. Even though her work has been broadly studied, no scientific studies have been carried out on the meaning and importance of the prefaces in her literary work. Riera shows a high interest for this paratext, which uses for conferring a special meaning to her writing as well as for influencing the reader. On the basis of the Paratext Theory of Genette, explained in Seuils 1987, the present article provides detailed analysis of all fictional prefaces encompassed in the publications of the last forty years of this author 1975–2015. This study unravels the high importance of the fictional prefaces, not only in order to understand in depth the meaning of her writing, but also as a decisive tool to distinguish key aspects of the literary work of this Majorcan writer. Fictional prefaces in the narrative of Carme RieraCarme Riera is one of the canonical authors of Catalan contemporary narrative. Even though her work has been broadly studied, no scientific studies have been carried out on the meaning and importance of the prefaces in her literary work. Riera shows a high interest for this paratext, which uses for conferring a special meaning to her writing as well as for influencing the reader. On the basis of the Paratext Theory of Genette, explained in Seuils 1987, the present article provides detailed analysis of all fictional prefaces encompassed in the publications of the last forty years of this author 1975–2015. This study unravels the high importance of the fictional prefaces, not only in order to understand in depth the meaning of her writing, but also as a decisive tool to distinguish key aspects of the literary work of this Majorcan writer

    Antifungal stewardship in low- and middle-income countries

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    Anfifugal stewardship refers to coordinated interventions designed to improve and measere the appropiate use of antifungals by promouting the selection of the optimal antifungal drug regimen,dose,duration of therapy,and route of administration.. The high mortality associated with invasive fungal disease (IFDs) , combined with suboptimal diagnostic tools, has driven the overuse of antifungal drugs. Higt drug cost and the toxicities of antifungal agents are principalrationale for antifungal stewardship, while antifungal resistence is an emerging but less prevalent issue. This review assesses the situation of antifungal stewardship in low-and middle-income countries and provides basic tools for the development of antifungal stewardship program.Fil: Riera, Fernando. Sanatorio Allende; ArgentinaFil: Caeiro, Juan Pablo. Hospital Privado Universitario de Córdoba; ArgentinaFil: Sotomayor, Claudia Elena. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Córdoba. Centro de Investigaciones en Bioquímica Clínica e Inmunología; Argentin

    Toponímia i arqueologia industrial: els molins de la riera d'Osor

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    We conduct an interdisciplinary place names research (especially paying atention to diferent aspects of language, history, human geography and industrial archeology of the place) focused on the four mills located along the Riera d’Osor, a mediterranean creek in the region of La Selva (Northeastern Catalonia). We refer particularly to municipality of Osor, though also treat sectors of two neighboring municipalities: Sant Hilari Sacalm and AnglèsPortem a terme un treball interdisciplinari de toponímia (fent atenció especialment a aspectes de la llengua, la història, la geografa humana i l’arqueologia industrial del lloc) centrat en els molins fariners de la riera d’Osor, a la comarca de la Selva. Ens referim, sobretot, al terme municipal d’Osor, per bé que també tractem sectors de Sant Hilari Sacalm i d’Anglès, municipis pels quals també discorre l’esmentat curs d’aigu

    Toponímia i arqueologia industrial: els molins de la riera d'Osor

    No full text
    We conduct an interdisciplinary place names research (especially paying atention to diferent aspects of language, history, human geography and industrial archeology of the place) focused on the four mills located along the Riera d’Osor, a mediterranean creek in the region of La Selva (Northeastern Catalonia). We refer particularly to municipality of Osor, though also treat sectors of two neighboring municipalities: Sant Hilari Sacalm and AnglèsPortem a terme un treball interdisciplinari de toponímia (fent atenció especialment a aspectes de la llengua, la història, la geografa humana i l’arqueologia industrial del lloc) centrat en els molins fariners de la riera d’Osor, a la comarca de la Selva. Ens referim, sobretot, al terme municipal d’Osor, per bé que també tractem sectors de Sant Hilari Sacalm i d’Anglès, municipis pels quals també discorre l’esmentat curs d’aigu

    La Independencia en tres novelas andinas: Mientras llega el día, La tragedia del Generalísimo y Bolívar. Delirio y epopeya (Dossier: Bicentenario, rastros y revelaciones de la Independencia)

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    La autora revisa tres novelas que leen la Historia bajo nuevos planteamientos y que proponen otro sentido de heroicidad. La tragedia del Generalísimo, de Denzil Romero, evoca al criollo ilustrado Francisco de Miranda, teórico de los procesos de Independencia. Riera enfatiza las cualidades casi divinas del héroe, sus dudas y excentricidades, su paso de la defensa del realismo al de la causa americana. Mientras llega el día, de Juan Valdano, mira a la Independencia desde una visión contrahegemónica. Riera rescata la noción de que los eventos de 1810, en Quito, no fueron manifestación del nacionalismo criollo, sino de un heterogéneo colectivo social y cultural, el mestizo, que buscaba superar viejos agravios. La biografía Bolívar. Delirio y epopeya, de Víctor Paz, juega con el mito sin alejarse de las fuentes historiográficas. La autora reflexiona sobre los rasgos que definirían al Libertador: cordura-delirio, lucidez-locura, sobre la idea de la emancipación como deseo de posesión de tierras, otorgado por el derecho de nacimiento y negado por la herencia de la sangre. El protagonismo entonces no sería exclusivo de Bolívar, aunque este perviva como paradigma cultural, capaz de legitimar actuales presupuestos de de-colonialidad.The author examines three novels that read History through new approaches and suggest another sense of the heroic. La tragedia del Generalísimo, by Denzil Romero, evokes Francisco de Miranda, a highly educated criollo, theorist of the Independence process. Riera emphasizes the hero’s godly features, his doubts, eccentricities, and his transition from supporting realism to the defense of the Spanish American cause. Mientras llega el día, by Juan Valdano, sees Independence from a counterhegemonic point of view. Riera points out the concept that the events of 1810, in Quito, were not a demonstration of criollo nationalism but of the presence of a heterogenous social-cultural collective, the mestizos, which were trying to overcome long-standing injustice. Bolívar. Delirio y epopeya, biography by Víctor Paz, deals with myth without denying historical sources. The author analyzes sanitydelusion and lucidity-madness as traits that would define Bolívar, and the idea of emancipation as a wish for land ownership, granted through birth but denied by blood heritage. Therefore, Bolívar wouldn’t be the sole protagonist, even though he may remain as a cultural paradigm able to legitimize current assumptions of Anticolonialism

    Jerónimo Nadal (1507-1580) und der "verschriftlichte" Ignatius. Die Konstruktion einer individuellen und kollektiven Identität

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    Libro de InvestigaciónNiemand ist mehr verantwortlich für die Entstehung jenes Denksystems, das auf Ignatius von Loyola (1491-1556) und seinen Exerzitien basiert, als Jerónimo Nadal. Ignacio Ramos legt in seiner Studie Jerónimo Nadal (1507-1580) und der verschriftlichte Ignatius: Die Konstruktion einer individuellen und kollektiven Identität die ursprünglichen Konturen der sogenannten ignatianischen Spiritualität dar. Es wird deutlich, wieviel Einfluss Nadal auf die Herausbildung des Ignatianischen hatte. Anhand Nadals lange verkannten Selbstzeugnisses (Chronicon Natalis) wird hermeneutisch herausgearbeitet, wie der gequälte Reifeprozess von Nadal originales Denken erzeugte insbesondere in Bezug auf Ignatius. An diese europäische Schlüsselgestalt des jungen Jesuitenordens heranzutreten, gewährt einen existentiell vermittelten Einblick in manche der gesellschaftlichen und philosophischen Spannungen (converso-Frage, Rolle der Vermittlungen...) z. Zt. des Humanismus und der großen Reformen.Jerónimo Nadal plays a key role in the creation of the tradition of thought based on the person of Ignatius of Loyola (1491-1556) and his Spiritual Exercises. Ignacio Ramos book Jerónimo Nadal (1507-1580) und der verschriftlichte Ignatius unveils the large percentage of too often overlooked Nadalian moments in the origins of Ignatian Spirituality. Leaning on Nadal s autobiographical account ( Chronicon Natalis, fully translated) the author deploys a hermeneutical method to show how Nadal´s stressful maturation process became a source of original thought, especially regarding Ignatius. The reader will gain an existentially mediated insight into some of the social and philosophical hot spots (converso question, role of mediations...) of Humanism and the reformation era.info:eu-repo/semantics/publishedVersio
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