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    Para la historia de la música : la crónica y crítica musical en Medellín, 1937-1961, Luis Miguel de Zulategui y Rafael Vega Bustamante Fernando Gil Araque

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    RESUMEN: La crónica y crítica musical en Medellín, 1937-1961. Luis Miguel de Zulategui y Rafael Vega Bustamante. Fernando Gil Araque. (Selección y prólogo). Fondo Editorial Universidad Eafit, Medellín, 322 págs., il

    Hans Neuman - Miguel Rodrick

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    Música de Cámara de Compositores Colombianos IV Hans Federico Neuman del Castillo, 1917 - 1992 Miguel Rodrick Escobar, 1984 Fernando Gil Araque, investigación musicológica Luis Carlos Rodríguez, catálogo Intérpretes: María Alejandra Velásquez Restrepo, soprano Carlos Augusto Rodríguez Vargas, piano Luis Antonio Rojas Granada, violín Cristian Camilo Ochoa Montoya, piano Juan David Mora Gaviria, piano Diego Zapata Rivera, piano Dirección del proyecto y de la línea de investigación en Musicología Histórica: Fernando Gil Araque Asistentes de investigación: Edición de partituras: Julián Botero Vargas Trabajo de archivo y clasificación: Luisa Fernanda Pérez Salazar, Juan Fernando Velásquez Ospina, John Jarlen Quirós Villada, María Clara Salinas Alzate Sala de Patrimonio Documental: María Isabel Duarte, coordinadora Corrector de estilo: Juan Fernando Molina Jaramillo Director artístico: Fernando Gil Araque Grabación, mezcla y masterización: Miguel Sierra, Pablo Uribe y Andrés Alzate. Grabado y producido por Ultrasonido Estudio, Medellín, Colombia Producción ejecutiva: Universidad EAFIT Supervisión y producción: Fernando Gil Araque Diseño Gráfico: Jorge Iván Ocampo Rendón Universidad EAFIT Línea de Investigación en Musicología Histórica Grupo de Investigación Estudios Musicales Dirección de Investigación y Docenci

    Para la historia de la música

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    La crónica y crítica musical en Medellín, 1937-1961. Luis Miguel de Zulategui y Rafael Vega Bustamante. Fernando Gil Araque. (Selección y prólogo). Fondo Editorial Universidad Eafit, Medellín, 322 págs., il

    Para la historia de la música

    No full text
    La crónica y crítica musical en Medellín, 1937-1961. Luis Miguel de Zulategui y Rafael Vega Bustamante. Fernando Gil Araque. (Selección y prólogo). Fondo Editorial Universidad Eafit, Medellín, 322 págs., il

    Música de cámara de compositores colombianos, Vol. 1. Roberto Pineda Duque - Juan David Manco - Folleto

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    Música de Cámara de Compositores Colombianos, Vol.1. Roberto Pineda Duque - Juan David Manco Dirección del proyecto y de la línea de investigación en Musicología Histórica: Fernando Gil Araque Ingeniero de sonid

    Para la historia de la música

    No full text
    La crónica y crítica musical en Medellín, 1937-1961. Luis Miguel de Zulategui y Rafael Vega Bustamante. Fernando Gil Araque. (Selección y prólogo). Fondo Editorial Universidad Eafit, Medellín, 322 págs., il

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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