1,720,977 research outputs found
Maria Araújo da Silva et Fernando Curopos, Introduction "L’Asie portugaise : des arts et des lettres"
No full textIntroduction « L’Asie portugaise : des arts et des lettres » Texte Par : Maria Araújo da Silva ; Fernando Curopos (Sorbonne Université – CRIMIC) Lorsque Vasco da Gama débarque à Calicut, en 1498, débute la grande aventure des Portugais en Asie. La ville indienne de Goa, conquise par Afonso de Albuquerque en 1510, devient la capitale de l’Estado da Índia, un Empire que les « barons signalés », magnifiés par Camões, vont construire en moins d’un siècle. Après la conquête de Malaca en 1511, la ..
Fernando Curopos, "João Rui da Guerra Mata, João Pedro Rodrigues : A última vez que vi(ram) macau"
No full textTexte par : Fernando Curopos (Sorbonne Université – CRIMIC) En 1909, le réalisateur Ernesto de Albuquerque (1883-1940) montrait sur les écrans lisboètes Cultura do cacau em São Tomé, considéré comme le premier documentaire colonial de l’histoire du cinéma. Ce genre fera florès sous l’État Nouveau qui met en scène un Portugal allant du Minho à Timor. Néanmoins, aussi bien dans ce genre cinématographique que dans la fiction, c’est essentiellement l’Afrique portugaise qui sera filmée ; Macao, Go..
L’art d’ensenyar la ciutat (Lisboa i Barcelona): entre lletres i imatges
No full textThis article examines how Lisbon’s and Barcelona’s identities have been
represented in literary guides to those cities by two different kind of writers. The first two guides are intended for the emerging cultural tourist in the early XXth century: Fernando Pessoa, What the Tourist Should See (1925), and Carles Soldevila, L’art d’ensenyar Barcelona (1929). These books will be analyzed in contrast with two more recent ones, José Cardoso Pires, Lisboa, Livro de Bordo (1997) and Manuel Vázquez Montalbán, Barcelonas (1987). From the analysis of these examples emerges a theory of the art of teaching the cities of Lisbon and Barcelona: between
letters and images
Séminaire La Littérature à l’oblique | Imaginaire et circulations saphiques, France-Portugal-Brésil
No full textParis & en ligne : 17 mai 2024 18h00-20h00. La prochaine séance du séminaire “La littérature à l’oblique” aura lieu le vendredi 17 mai 2024 de 18h à 20h, à la Maison de la recherche de Sorbonne Université, salle D040 (accessible PMR). Cette séance sera consacrée à la thématique “Imaginaire et circulations saphiques : France-Portugal-Brésil”. Fernando Curopos (Sorbonne Université) et Julie Oliveira Da Silva (Sorbonne Université) seront les intervenant·es de cette séance. Fernando Curopos, “La..
17 mai 2024 : Imaginaire et circulations saphiques, France-Portugal-Brésil (La Littérature à l'oblique)
No full textLa prochaine séance du séminaire "La littérature à l'oblique" aura lieu le vendredi 17 mai 2024 de 18h à 20h, à la Maison de la recherche de Sorbonne Université, salle D040 (accessible PMR). Cette séance sera consacrée à la thématique "Imaginaire et circulations saphiques : France-Portugal-Brésil". Fernando Curopos (Sorbonne Nouvelle) et Julie Oliveira Da Silva (Sorbonne Nouvelle) seront les intervenant·es de cette séance. Fernando Curopos, "La Garçonne : de Paris à Lisbonne". Il s'agira, à ..
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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