1,720,953 research outputs found
Intermunicipal Constabulary of Mežica Valley municipalities
Občinsko redarstvo se v zadnjih letih vse bolj razvija. Občinski redarji dobivajo vedno več pristojnosti in bodo počasi postali že skoraj kot policisti. Redarstvo se je skozi čas močno razvijalo in se pojavljalo v različnih oblikah. Nočni stražar, stražnik, sodni sluga so le nekateri nazivi, ki so jih redarji imeli v preteklosti. Danes poznamo občinske redarje kot osebe, ki nadzorujejo javni red in mir v posameznih občinah. Ena izmed osnovnih nalog občinskega redarja je opozarjanje na nepravilnosti v cestnem prometu. Sledijo si še vse ostale naloge, ki sodijo v okvir dela občinskih redarjev in jih bomo opisali v nadaljevanju.
Občinski redar ima, tako kot policist, pooblastila, urejena po vrstnem redu od najblažjega do najstrožjega. Med najmilejša pooblastila štejemo opozorilo, ustno odredbo ter ugotavljanje istovetnosti. Občinski redar lahko poseže tudi po strožjih pooblastilih, ki si sledijo po sledečem vrstnem redu: sredstva za vklepanje in vezanje, uporaba plinskega razpršilca, uporaba fizične sile. Doslej poznamo zelo malo primerov, kjer bi prišlo do konfliktov oz. fizičnega obračunavanja med občani in občinskimi redarji. Leta 2006 je bil sprejet Zakon o občinskem redarstvu, ki ureja vse podrobnosti, ki jih morajo občinski redarji upoštevati in spoštovati.
V diplomskem delu smo se osredotočili na delo medobčinskega redarja v Mežiški dolini. V našem primeru deluje na območju celotne Mežiške doline, ki šteje okoli 25.000 prebivalcev, en medobčinski redar. Sedež medobčinskega redarstva je v občini Ravne na Koroškem, kjer delujeta dve osebi, in sicer vodja medobčinskega redarstva in redar sam. Za konec smo v diplomskem delu »potegnili črto« in primerjali število prekrškov v posameznih občinah ter te podatke nekoliko analizirali in jih tudi opisali. Občinski redar je kot pooblaščena uradna oseba v zadnjem času vse bolj priljubljen, kajti ljudje so spoznali, da ni zgolj »pobiralec denarja«, ki piše položnice, ampak je tudi razumljiva oseba, ki želi zagotoviti varnost slehernega občana.Municipal constabulary is developing increasingly more within last years. The municipal traffic wardens are getting larger competences and in a few years they will become some kind of local sheriffs. During time constabulary was developing strongly and was appearing in different dimensions.The night guard, a constable, bailiff are only some names that traffic wardens had in the past. We know traffic wardens today as people, who supervise public order and peace in individual municipalities. Their basic task is warnings on irregularity of citizens. The municipal warden and police officers have in common a few mildest mandates such as warnings, oral order and verifiying identety. But if things go rough, can municipal traffic warden reaches for: means for handcuffing and bondage, round gas diffuser, and all the way to the use of physical force. We know very few cases so far, where wars and physical charging would take place with citizens and the municipal traffic warden. Law was passed about municipal constabulary in 2006. This act is regulating all details, that the municipal traffic wardens must comply with and to admire them. We concentrated on work of the inter-municipal traffic warden in a dissertation in the Mežica valley. Just one inter-municipal traffic warden is taking care of order and peace for almost 25,000 inhabitants of the entire Mežica valley. Seat of inter-municipal constabulary is in a municipality Ravne na Koroškem, where two people work namely, the leader of inter-municipal constabulary and a traffic warden alone. For an end in the dissertation we »pulled a line« and compared number of offences in individual municipalities and these analysed data. The municipal traffic warden as an official person, is in individual municipalities growing more popular, because people realised now, that traffic warden is not only »money taker«, but it is also an understandable person, who wants to ensure safety of the every citizen
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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