576 research outputs found
Letter from Lucien Gardner, Troy, Alabama, to Hill Ferguson, Birmingham, Alabama, October 8, 1906
No full textThis item is contained in a letter book created by Hill Ferguson documenting The University of Alabama history between 1906 and 1911. Ferguson presented the bound book to University President Richard D. Foster. The title on the spine is The Greater University of Alabama, 1906-1911, Hill Ferguson
Letter from Lucien Gardner, Montgomery, Alabama, to Borden Burr, Birmingham, Alabama, April 11, 1941
No full textThis is part of the Hill Ferguson July 1961 loose scrapbook, whose items range from u0003_0000511_0000190 to u0003_0000511_0000312 in Box 106, Folders 22 and 23
Telegram from Lucien Gardner, Montgomery, Alabama, to Borden Burr, Birmingham, Alabama, May 23, 1941
No full textThis is part of the Hill Ferguson July 1961 loose scrapbook, whose items range from u0003_0000511_0000190 to u0003_0000511_0000312 in Box 106, Folders 22 and 23
Lucien Gardner, former Alabama chief justice, dies, Birmingham News, Birmingham, Alabama, November 3, 1952
No full textThis is part of the Hill Ferguson July 1961 loose scrapbook, whose items range from u0003_0000511_0000190 to u0003_0000511_0000312 in Box 106, Folders 22 and 23
Portrait of the Law Class of 1897, University of Alabama
No full textThis is part of the Hill Ferguson July 1961 loose scrapbook, whose items range from u0003_0000511_0000190 to u0003_0000511_0000312 in Box 106, Folders 22 and 23. Caption: The Last of The University of Alabama's One Year Law Classes -- 1897, 1. Sam C. Jenkins; 2. H. A. Emerson; 3. Hugh D. Merrill; 4. H. A. Wilkinson; 5. Jos. L. McConnell; 6. Mathew Peters; 7. Dan M. Snead; 8. A. C. Legg; 9. Jas. P. Powers; 10. Chas. L. Hybart; 11. W. E. Andrews; 12. J. I. Sturdivant; 13. Chas. E. Harmon; 14. E. R. Wilson; 15. Lucien D. Gardner; 16. Walter R. Shafer; 17. E. G. Rice; 18. Sam D. Murphy; 19. L. A. Ostien; 20. Wallace Ward; 21. L. M. Moseley; 22. Jesse L. Drennen; 23. Hill Ferguson; 24. Douglass Taylor; 25. E. L. Ingersoll; 26. J. Irwin Burgett; 27. E. A. Morris; 28. F. A. Bostick; 29. Robt. L. Evans; 30. Prof. Sommerville; 31. Gen. R. C. Jones; 32. Prof. Van de Graff; 33. Wm. A. Ramsay; 34. Jas. L. Herring; 35. Sam B. Slone
Series 3: Candidacy for Mayor of Los Angeles
No full textArticle from an unknown source prints Lucien Shaw's comments on the grand jury investigation of the Whittier reform School
Henri Matisse Drawing: An Eye-Hand Interaction Study Based on Archival Film.
No full textHenri Matisse (1869-1954) attached fundamental importance to his drawings, in particular to the famous Themes et Variations series. These were accomplished following a precise method, starting with arduous life studies and evolving into brilliant spontaneous drawings. A 1946 archival documentary film showing the artist drawing four portraits of his grandson Gerard was shot in such a way as to allow the present author to undertake a detailed eye-hand interaction analysis of the drawing process.
It was found that Matisse’s temporal working rhythm and use of motor memory resulted in a more direct approach than that used by most painters. Taken together with remarks the artist made throughout his lifetime, these results provide a cognitive interpretation of his drawing method
Présentation d'un document : le journal de Me Lucien Vidal-Naquet
No full textA Document: Maître Lucien Vidal-Naquet's Journal.
The author here gives us brief biography of his father, Lucien Vidal-Naquet, a lawyer, and presents the journal he kept from September 1942 to February 1944. On May 15, 1944, Lucien Vidal-Naquet was deported to the internment camps of Baumettes, Drancy, and finally to Auschwitz, never to return. Lucien Vidal-Naquet was a "dejudaïzed Jewish bourgeois" (as wrote Raymond Aron) and French patriot appalled by the armistice and the Vichy regime. Prevented from practicing law from 1942 on he refused to flee danger the seriousness of which he fully appreciated.Vidal-Naquet Pierre. Présentation d'un document : le journal de Me Lucien Vidal-Naquet. In: Annales. Economies, sociétés, civilisations. 48ᵉ année, N. 3, 1993. pp. 501-512
L’oeuvre ouverte de Lucien Goldman
No full textL'auteur commence par montrer l'importance de l'œuvre de Lucien Goldmann pour situer le phénomène de la création artistique à l'intérieur de la totalité des comportements humains. Il souligne l'originalité des hypothèses goldmanniennes quant au rôle et à la fonction de l'œuvre littéraire comme élément actif pour la constitution d'une conscience collective. Dans un deuxième temps l'auteur illustre la pertinence du structuralisme génétique par une analyse schématique de l'œuvre du romancier québécois Roger Lemelin. Enfin il montre comment les travaux d'une autre sociologie de la littérature (celle de Robert Escarpit) développée à partir de recherches sur la production, la diffusion et la consommation du livre rejoignent ceux de Lucien Goldmann dans l'élaboration d'une théorie dynamique et globale de la littérature.The author begins by showing the importance of the work of Lucien Goldmann in situating the phenomenon of artistic creation within the totality of human behavior. He underlines the originality of Goldmann's hypotheses with regard to the role and the function of literary work as an active element in the development of a collective conscience. Second, the author illustrates the pertinence of genetic structuralism with a systematic analysis of the work of the Quebec novelist Roger Lemelin. Finally, he shows how the works of another sociology of literature (that of Robert Escarpit) which was developed from research on the production, diffusion and consumption of books dovetail with those of Lucien Goldmann in the elaboration of a global and dynamic theory of literature.El autor empieza mostrando la importancia de la obra de Lucien Goldmann a fin de situar el fenómeno de la creación artística en el interior de la totalidad de los comportamientos humanos. Destaca la originalidad de las hipótesis goldmania-nas en lo que concierne la función de la obra literaria como elemento activo en la constitución de una consciencia colectiva. En una segunda etapa de su análisis, el autor ilustra la pertinencia del estructuralismo genético a través de un estudio esquemático de la obra del novelista quebequés Roger Lemelin. Por último, muestra que los trabajos de otra tendencia en sociología de la literatura (la de Robert Escarpit), basada en investigaciones sobre la producción, la difusión y el consumo del libro, reencuentran los de Lucien Goldmann en la elaboración de una teoría dinámica y global de la literatura
Public relations ethics – the early history of the code of Athens
No full textIn 1965, the International Public Relations Association (IPRA) adopted an International Code of Ethics, which became known as the Code of Athens, as its statement of public relations ethics. The Code reflected the hopeful, post-World War 2 ethical framework with its linkage to the United Nation’s Universal Declaration of Human Rights adopted in 1948. It was the first international code of ethics enacted in the public relations field. Many public relations leaders of the time saw public relations as a force for social progress and a bulwark against oppressive regimes in the Communist world and military dictatorships. A code of ethics was an early imperative of IPRA which came into being 10 years earlier. It came after a Code of Conduct, adopted in 1961, which was known as the Code of Venice. Both codes were adopted by CERP and several national public relations associations and widely promoted. Using sources from the IPRA archive, the paper explores the evolution of the Code, its implementation and modification. A feature of the debate within IPRA about the Code was whether it was a statement of ideals to which members should aspire or a statement of standards. The view of prominent IPRA members from Anglo-American countries was that the Code, while laudable, was unenforceable. There are, however, no archived records of disciplinary action against members. The paper will also consider the practice implications of preparing and implementing universal ethical statements in public relations and allied communication fields
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