6,875 research outputs found
L-R: Katie Lee; Leo Walters; Bruce Berger sitting on a boat on the Colorado River.
No full textPhoto of Photo of Arizona folk singer and author Katie Lee (far left), Leo Walters (center), and writer Bruce Berger (far right), sitting on a raft on the Colorado River, Glen Canyon, Uta
Bruce W. Warren and Thomas Stuart Ferguson, \u3ci\u3eThe Messiah in Ancient America\u3c/i\u3e
No full textReview of The Messiah in Ancient America (1987), by Bruce W. Warren and Thomas Stuart Ferguson
Bruce Parsons : Un modèle de la réalité = Bruce Parsons : A Model of Reality
No full textParsons provides a fable in the guise of "footnotes" to his photographic series. Includes brief introductions by Parent (in French only) and Ferguson
Following Colin : A Colin Campbell Fantasy by Gerald Hannon : Drawings by Philip Jonlin Lee
No full text"In 2003, Vtape commissioned 7 artists to produce new works inspired by the work of the late Colin Campbell. The resulting works, collectively entitled 'The Colin Campbell Sessions,' were screened at the 2003 TRANZTECH Media Arts Festival in Toronto. Concurrently, writer Gerald Hannon and curator Bruce Ferguson were commissioned to produce short pieces of writing to accompany a planned publication." -- p. [1].
ANZAC Day with Bruce Scates
No full textThis ANZAC Day will be unlike any other in living memory. But wherever we are, we can still come together and reflect. Come together this ANZAC Day for a special online event with Professor Bruce Scates, ANU historian, author and producer of the series ‘Australian Journey’. In this interactive broadcast, Bruce will present a vivid look at how our nation remembers war, and tell the stories of men and women touched by it
Haim Steinbach
No full textPointing to the overlapping fields of consumer and museum cultures, Ferguson analyses Steinbach's site-specific installation featuring animal specimens from the Royal Ontario Museum collections and original Muybridge photographs. The author proposes an in-depth discussion about the identity and destiny of the material object and its changing status given "the trajectory of consumer desire and exchange". Biographical notes. 21 bibl. ref
The Lewis & Clark sketchbook: based on 1804-1806 journey of Lewis & Clark
No full textThis sketchbook follows the footsteps of two American explorers, Meriwether Lewis and William Clark, as they explored and mapped the Missouri and Columbia Rivers from 1804-1806, and made contact with the Indigenous peoples along the way. The author has also included travel suggestions and a travel itinerary for those interested in following in the footsteps of Lewis and Clark. The last part of the sketchbook contains the sketches of schoolchildren as they sketched their interpretations of selected diary entries of the Lewis and Clark 1804-1806 journey of exploration.monograp
Arnaud Maggs : Hotel
No full textFerguson questions photography's capacity to capture the essence of a subject and comments on the medium's power of "standardizing the mind's eye." The author interprets the hyperbolic repetitions in Maggs' work as a reflection on the nature of photography. Includes reproductions of photographs of Paris hotel signs. 1 bibl. ref
Can the goldfish see the water? A critical analysis of ‘good intentions’ in cross-cultural practice
No full textWe claim to hold values that our students are responsible and autonomous adults whose success in our courses is best facilitated by our understanding of and respect for their specific backgrounds. We wish to be judged on these values by feedback provided by our students and those with whom we work. However, how well, if ever, are we able to ‘see the water,’ the cultural conditioning that leads us to act in ways that seem supportive of our students to us, but may be perceived differently by them?
In this paper, we present conflicting evidence around perceptions of our practice. We discuss where things have gone well, and where interventions have possibly been traumatic for the recipients. We question whether, and how, our practice cross-culturally can be safe. We challenge ourselves and others to think carefully about our responsibilities to our students, whether our privileged positioning obliges us to share and if so, how that sharing can occur in ways that validate and equally respect the values of those with whom we work
Debra Bruce, 25th Annual Literary Festival
No full textDebra Bruce is the author of three books of poetry, Pure Daughter, Sudden Hunger, and most recently, What Wind Will Do. Her poems have appeared in such journals as The American Poetry Review, The North American Review, Poetry, and The Virginia Quarterly Review, and she has received grants in writing from the National Endowment for the Arts, the National Endowment for the Humanities, and the Illinois Arts Council. She is Associate Professor of English at Northeastern Illinois University
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