1,721,259 research outputs found

    Fenwick, J, VX34812

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/384825Surname: FENWICK. Given Name(s) or Initials: J. Military Service Number or Last Known Location: VX34812. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 2906.230567 Item: [2016.0049.17118] "Fenwick, J, VX34812

    Fenwick, J, 22532

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/384813Surname: FENWICK. Given Name(s) or Initials: J. Military Service Number or Last Known Location: 22532. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 48877.230555 Item: [2016.0049.17106] "Fenwick, J, 22532

    Fenwick, J A, VX41601

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/384826Surname: FENWICK. Given Name(s) or Initials: J A. Military Service Number or Last Known Location: VX41601. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 1469.230568 Item: [2016.0049.17119] "Fenwick, J A, VX41601

    Fenwick, J W (John William), SX5585

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/384823Surname: FENWICK. Given Name(s) or Initials: J W (JOHN WILLIAM). Military Service Number or Last Known Location: SX5585. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 45688.230565 Item: [2016.0049.17116] "Fenwick, J W (John William), SX5585

    Fenwick, J J (John James), SX8982

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/384824Surname: FENWICK. Given Name(s) or Initials: J J (JOHN JAMES). Military Service Number or Last Known Location: SX8982. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 30763.230566 Item: [2016.0049.17117] "Fenwick, J J (John James), SX8982

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Concerning Roberts and Hendry IJROBP 1998;41:689-699

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    Letter to discuss an issue with published mathematical mode

    An analysis of the relationship between radiosensitivity and volume effects in tumor control probability modeling

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    The dependence of local tumor control probability (tcp) on tumor volume is analyzed and discussed with the help of radiobiological modeling; in particular the impact of possible correlations between mean tumor radiosensitivity and tumor dimensions on the tcp volume dependence is explored. The linear-quadratic Poissonian tumor control probability (tcp) model was modified to account for the possible dependence of clonogenic cell density and radiosensitivity parameters on tumor volume; then the original and modified versions of the model were fitted to published clinical and laboratory tumor control data. These different versions of the tcp model often fitted tumor control data equally well, because of the high degree of correlation between the parameters. Nevertheless the results were very different from a physical point of view and we suggest that sometimes it is possible to choose between equally good fits on the basis of physical considerations. Possible links between the volume dependence of the mean radiosensitivity and the degree of tumor hypoxia were also analyzed through a comparison of the results of the tcp fit to published measurements of oxygen tension in tumors. (C) 2000 American Association of Physicists in Medicine

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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