1,723,059 research outputs found

    sj-pdf-2-sci-10.1177_00368504211035597 – Supplemental material for Genome-wide identification of simple sequence repeats and development of polymorphic SSR markers in swamp eel (Monopterus albus)

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    Supplemental material, sj-pdf-2-sci-10.1177_00368504211035597 for Genome-wide identification of simple sequence repeats and development of polymorphic SSR markers in swamp eel (Monopterus albus) by Hai-feng Tian, Qiao-mu Hu and Zhong Li in Science Progress</p

    sj-pdf-3-sci-10.1177_00368504211035597 – Supplemental material for Genome-wide identification of simple sequence repeats and development of polymorphic SSR markers in swamp eel (Monopterus albus)

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    Supplemental material, sj-pdf-3-sci-10.1177_00368504211035597 for Genome-wide identification of simple sequence repeats and development of polymorphic SSR markers in swamp eel (Monopterus albus) by Hai-feng Tian, Qiao-mu Hu and Zhong Li in Science Progress</p

    sj-pdf-1-sci-10.1177_00368504211035597 – Supplemental material for Genome-wide identification of simple sequence repeats and development of polymorphic SSR markers in swamp eel (Monopterus albus)

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    Supplemental material, sj-pdf-1-sci-10.1177_00368504211035597 for Genome-wide identification of simple sequence repeats and development of polymorphic SSR markers in swamp eel (Monopterus albus) by Hai-feng Tian, Qiao-mu Hu and Zhong Li in Science Progress</p

    Medium-energy ion scattering studies of interfaces of ultra-thin oxide films

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    Interfaces in thin film/substrate systems play a central role in the performance of electronic devices in nano/microelectronics. However a detailed microscopic knowledge of the structure and composition of an interface is usually not established. Medium energy ion scattering (MEIS) is a powerful technique in interface analysis by providing depth profiling with sub-nanometer resolution, MEIS been used in this thesis to study two thin film systems. The interface between the two insulating oxides LaAlO3/SrTiO3 has recently been found to exhibit a range of novel electronic properties, as for example a totally unexpected metallic electron mobility (two-dimensional electron gas). The origin of these novel properties is still under debate. An electronic reconstruction model, adopted by many researchers, assumes the interface to be completely abrupt and structurally perfect. MEIS has been used to systematically investigate this interface and provide the depth distributions of four metal atoms present in the overlayer/substrate system. The interface is found to be far from ideal and to exhibit substantial intermixing. A doping mechanism based on the atomic reconstruction is tentatively proposed to account for the high mobility at the interface. The thin films of hafnium oxide and silicate have received intensive research as candidates to replace SiO2 as a gate dielectric in silicon-based electronics. Oxygen interaction with these films under high temperature annealing, a common processing treatment, is a crucial issue. An isotopic labeling technique (16O/18O) in combination with MEIS is used to elucidate this issue. At low temperatures the incorporation involves oxygen exchange, while at higher temperatures an interfacial layer is found to form at the film/Si interface. Dependence of the oxygen incorporation on the microstructure of the film and the presence of N is also discussed.Ph. D.Includes bibliographical referencesIncludes vitaby Tian Fen

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    sj-docx-1-onc-10.1177_11795549221111713 – Supplemental material for Impact of Tumor Location on Survival in Patients With Colorectal Cancer: A Retrospective Cohort Study Based on Taiwan’s Cancer Registry Database

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    Supplemental material, sj-docx-1-onc-10.1177_11795549221111713 for Impact of Tumor Location on Survival in Patients With Colorectal Cancer: A Retrospective Cohort Study Based on Taiwan’s Cancer Registry Database by Shou-Chun Yu, Kuang-Ming Liao, Chia-Lin Chou, Yu-Feng Tian, Jhi-Joung Wang, Chung-Han Ho and Yow-Ling Shiue in Clinical Medicine Insights: Oncology</p

    sj-docx-1-mdm-10.1177_0272989X241234070 – Supplemental material for CAR T-cell Therapy for Diffuse Large B-cell Lymphoma in Canada: A Cost-Utility Analysis

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    Supplemental material, sj-docx-1-mdm-10.1177_0272989X241234070 for CAR T-cell Therapy for Diffuse Large B-cell Lymphoma in Canada: A Cost-Utility Analysis by Lisa Masucci, Feng Tian, Stephen Tully, Zeny Feng, Tom McFarlane, Kelvin K. W. Chan and William W. L. Wong in Medical Decision Making</p

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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